Step back to 1980 – Part 2
In past instalments of this series I have been very careful to issue a caveat about the music that I would feature, emphasising that the songs were chosen not because I endorsed them, but because they had the power to transport me back to a particular time or place. This caveat still applies, but it is becoming less necessary than before as the series goes on. This episode features some of my all-time favourite singles, and a few songs which I don”t mind hearing again. There is only among these eight songs from which I”d emphatically have to distance myself. During the second quarter of 1980, which is the time period we”re dealing with now, I turned 14. As ever, music and football were about the only bright lights in my teenage dejection.
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The Vapors ““ Turning Japanese.mp3
Sometimes you go through life with a fresh-faced innocence until your face doesn”t look so fresh any longer. And so it”s only a couple of years since I discovered that Turning Japanese is not an ode to acquiring a taste for sushi and saki (which in The Vapors” case would have been quite visionary), nor  a narrative about the notoriously difficult act of assimilating to life in Tokyo, Osaka or Fukuoka. Turning Japanese apparently refers to the narrowing of the male”s eyes as he reaches the point of orgasm (in the case of the song brought about by masturbation). I cannot verify that this is indeed an accurate description of the physiological response to the point of climax, as I have no habit of observing other specimen of my genus as they engage in sexual activity, nor have I filmed or photographed myself in the act of copulation (and actors in movies of the pornographic genre cannot be depended upon to convey an accurate portrayal of the man in the throes of base relief).
Apparently, however, men”s toes tend to curl at the point of orgasm. I don”t suppose The Vapors had any bright ideas as to how ascribe that physical reflex to a racial or ethnic characteristic. “Turning poor Chinese girl whose feet are deformed so as to appear dainty to misogynist patriarchs” does lack the zip of the title the Guildford quartet had their hit with.
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New Musik ““ Living By Numbers.mp3
This is one catchy new wave song, before that genre demanded the application of extravagant make-up, overdoses of hair gel, silly facial growths (yes, you, Midge Ure) and often injudicious use of synthethizers. I dig the sound of Living By Numbers, with its judicious use of synth. One of New Musik”s former members was Nick Straker ““ he left the group in 1979 ““ who had a disco hit later in 1980 with A Walk In The Park.
The lyrics of Living By Numbers are perfectly situated in 1980: the paranoia of the 1970s anticipating the computer age of the 1980s. Towards the end, there is a series of different English-accented individuals proclaiming: “They don”t want your name” (they want “just your numbah”, apparently). I derive much fun from imitating the different voices as I sing along, with correctly locating the strangely shrill and nasal women”s moment at 2:46 being a moment of particular personal triumph.
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Marti Webb ““ Take That Look Off Your Face.mp3
In early 1980 our family joined the video generation. An acquaintance was selling his video recorder, with his video tape collection. I don”t know whether the man opted for VHS or the system with the flamboyantly futuristic moniker Beta 2000. I do know that the video reorder he sold us conformed to neither system. The clunky cassettes we got with the bargain included such films Psycho and The World of Suzie Wong, an instalment in the Angelique series, and a hardcore porn movie, the first I had ever seen and the dialogue of which has equipped my brother and me with a bunch of good catchphrases which obviously make no sense to anybody else (it also had a funny cartoon interlude involving a Sex Olympics for medieval knights). And one of the first things we recorded was an episode of the legendary German music show Musikladen, which ran on Thursday nights.
Those were exciting days: I watched that recording repeatedly, until the novelty wore off. It made such an impression that three songs from that show feature in this instalment, though I had already bought the single of one of them, Living By Numbers. I quite liked Marti Webb”s song, and I still do, cheerfully disregarding the fact that it was written by Andrew Lloyd-Webber (for the flop musical Tell Me On A Sunday). I hope the dreadful Lloyd-Webber produced this single, so that I can hold him personally responsible for one of the worst fade-outs of all time: just as Webb is hitting a big theatrical note, the song does a two-second fade out (normally a fade-out takes something like five seconds). It”s a song from a stage musical: it shouldn”t even have a fade out.
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Godley & Creme ““ An Englishman In New York.mp3
An Englishman In New York (no relation to the Sting number) was the other song we recorded from Musikladen that day. It”s a strange song, and was even stranger then. In fact, it sounds as though pieces of three different songs were cobbled together by the two ex-10cc men. The performance on Musikladen was even more bizarre, featuring mannequins playing instruments, as did the groundbreaking promotional video of the song (something like THIS).
Eric and Lol would later produce another groundbreaking video, for 1985″s Cry, which featured morphing heads (a technique later used in Michael Jackson”s Black And White video). They also produced videos for hits such as The Police”s Every Breath You Take and Wrapped Around Your Finger, Duran Duran”s Girls On Film and A View To A Kill, Herbie Hancock”s Rockit, Go West”s We Close Our Eyes, Frankie Goes to Hollywood”s Two Tribes and The Power of Love, and Sting”s If You Love Somebody Set Them Free.
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Ramones ““ Baby I Love You.mp3
For some reason I had no idea at the time that this was a cover version of The Ronettes” 1963 hit, even as I did know Be My Baby. So, to me, Baby I Love You will always be firstly a Ramones song. And I love their version, which appeared on the punk pioneers” album End Of The Century (a point in time not all of them would live to see), produced by Phil Spector. The Ronettes” version was, of course, also produced by Spector. It seems none of the Ramones except for singer Joey appear on Baby I Love You. Dee Dee later expressed his hatred for the cover version, and for the album in general. He also claimed that at one stage during the sessions, Spector held him and Joey at gunpoint ““ a claim which we now know is not as outlandish as it might have appeared when Dee Dee made it. It”s safe to say that the recording sessions were not a happy time for either Spector or the Ramones.
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Dexys Midnight Runners – Geno.mp3
This is my favourite single ever. Now, when I call Geno my favourite single ever, I am not saying that it”s the best single ever, or even that it is my favourite song to be released as a single. It is my favourite single because never before or after have I loved a single “” as an item and a song at a particular place and time ““ as much as Geno. I remember clearly buying it and sitting on the bus home, anxious not so much to play it, but to own it, to place it in my collection of singles, as if this new acquisition was going to complete it.
The song may be somewhat derivative, but it sounded like nothing I had ever heard before: the stirring yet sad brass, the urgent chants of the titular name, and then Kevin Rowland”s distinctive style of staccato singing. It caused a weird sensation in my guts. I”ve heard Geno many, many times since then, but I can still feel that sensation. Incidentally, the line “You were Michael the lover, the fighter that won” refers to a track called Michael (The Lover) which had been a UK Top 40 hit in 1967for the subject of the song, soul singer Geno Washington.
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Johnny Logan – What’s Another Year.mp3
Before it became the cultish reality TV circus it is now, it used to be the righteous option to criticise the Eurovision Song Contest for producing horrible, banal music. Still, winners have included such greats as ABBA and Sandie Shaw, and the 1978 winner, Izhar Cohen’s A-Ba-Ni-Bi, was quite excellent as well (I”ll even confess to having a soft spot for Brotherhood of Man). The year after, Cohen”s Israeli compatriots Milk & Honey won with the utterly wretched Hallelujah, and then it was Ireland”s turn, with the clean-cut, Australian-born Johnny Logan.
At the time, I thought What”s Another Year was a pretty good song (though evidently not good enough to buy the record). It isn”t really, though. It is by-the-numbers US soft rock, but of the kind which Christopher Cross and Air Supply might have scoffed at for being too soft. It even has a saxophone solo which sounds like those featured, by some unwritten law, in every hip film of the 1980s starring members of the Brat Pack. Kenny G certainly has done an impressive job turning the coolest musical instrument of the “80s into the lamest ever since. Anyway, Logan made music history when he won the Eurovision Song Contest a second time in 1987, with an utteerly forgettable ditty called Hold Me Now.
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Frank Zappa – Bobby Brown.mp3
Incredibly, Bobby Brown received extensive airplay on West German radio. I can understand why the terminology of “golden shower” or “she had my dick in the vice” went over the heads of the German censors. But were they really happy to pass a line like “I”ve got a cheerleader here, wants to help with my paper. Let her do all the work, and maybe later I”ll rape her”? Zappa was not endorsing the sentiments of his protagonist, of course, and recording Bobby Brown was his prerogative (yes, I just did that). I’m sure Zappa, who is delivering a great vocal performance on Bobby Brown, was tickled to know it was being played on foreign radio. It”s a nasty and incredibly catchy song.
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