Any Major Dude With Half A Heart

It’s something like eight years since I started this Any Major Guitar series, with the idea of featuring guitar work I particularly like, highlighting well-known and lesser-known masters of the instrument. I think every mix has revealed — also and especially to me — a few names that only the keenest subscribers to Guitar magazine would know.

Another idea behind this series is to point out guitar work in famous songs that might be overshadowed by other elements. Baker Street on Volume 2 was one example: it’s so much about Raphael Ravencroft’s unbelievable saxophone that Hugh Burns’ magnificent guitar solo is barely remembered. Likewise, on Al Stewart’s Year Of The Cat, the sax steals the show from Tim Renwick’s double solo.

Faithful readers will know my general aversion to using an act twice in a series. Well, Al Stewart does features for the second time, but with a different guitarist.

A recurring theme in this series is my zen for guitar players who use the guitar as a voice, whose guitar one can sing along to (preferably not in the presence of an irritated audience). This mix has quite a few of them: Mike Oldfield, Bob Mann, Lasse Wellander, Tim Renwick, James Dean Bradfield, David Brown…

Of course, all my selections are totally subjective. This series isn’t an attempt to list the greatest-ever guitarists or the best-ever solos. I don’t play the guitar, so I wouldn’t be a reliable judge of such things from a technical perspective. It’s just what I like, chosen from the music I listen to. So you won’t find, say, Slash here, simply because I don’t really listen to Guns N’ Roses.

Still, on this volume I have finally settled on tracks by Jimi Hendrix, Jimmy Page and The Beatles. None of the chosen tracks necessarily represents their creative zenith — I don’t want to go for every obvious choice! — but there’s something to love about all three present songs. J.J. Cale does feature with an obvious choice, but it also highlights the contribution of another guitarist.

There are still a few legendary guitarists who need inclusion, but I still haven’t decided on tracks for the likes of David Gilmore, Keith Richards, Marv Tarplin, The Edge or any of the Eagles. And Lynyrd Skynyrd: To Freebird or not to Freebird?

Which tips you off that, contrary to what the closing title might suggest, there’ll be more volumes of Any Major Guitar. I hope the idea is welcome!

As always, CD-R length, home-licked covers, the text here in PDF. The included Tracklisting document (and back-cover) notes which guitarist is being highlighted. Password in Comments.

1. Odyssey – Going Back To My Roots (1981)
   Byoong moment: 4:02. A disco classic from the highest shelf on which everything works — even and especially Bob Mann’s rockin’ and funkin’ guitar solo.
2. Sister Sledge – Thinking Of You (1979)
   Byoong moment: I could have chosen any number of songs for Nile Rodgers. Here he drives the song with a particularly lovely guitar figure.
3. ABBA – Knowing Me, Knowing You (1976)
   Byoong moment: 1:15 and 3:28. Lasse Wellander, ABBA’s longtime lead session guitarist, comes in with the finest guitar solos in the group’s canon.
4. Nick Heyward – The Man You Used To Be (1998)
   Byoong moment: 2:39. Nick Heyward’s acoustic guitar intro is quite lovely, but it’s the electric guitar solo, as wistful as the whole song, that grabs me.
5. The Fabulous Rhinestones – What A Wonderful Thing We Have (1972)
   Byoong moment: 1:51. It creeps up on you, and it is a little buried, but Kal David provides a lyrical solo. Bassist Harvey Brooks plays additional guitar on the track.
6. Gil Scott-Heron – When You Are Who You Are (1971)
   Byoong moment: 1:37. Gil announces: “Come on, Norburto”, and Burt Jones launches into a warm, economical, soulful solo. Fun fact: Jones co-wrote James Brown’s It’s A Man’s Man’s Man’s World.
7. Minnie Riperton – Every Time He Comes Around (1974)
   Byoong moment: 0:01 and 3:21. Marlo Henderson kicks off the song with a fuzz guitar fanfare, accompanies Minnie with bluesy fills throughout, and then sees out the song with a sexy, sweaty solo.
8. Little Feat – Strawberry Flats (1970)
   Byoong moment: 1:35. The piano rules the song, then Lowell George’s nervous swagger of a guitar solo comes in.
9. Billy Joel – Streetlife Serenader (live) (1981)
   Byoong moment: 4:00. Billy’s piano also runs the show, and Liberty DeVitto drums give the track muscle, but David Brown’s memorable and hummable 28-second solo gives Streetlife Serenader drama.
10. Al Stewart – Year Of The Cat (1976)
    Byoong moment: 3:22. Tim Renwick plays an acoustic guitar solo (using Stewart’s guitar), and the switches to his Stratocaster for an even better electric guitar solo, until yielding to Phil Kenzie’s sax. Peter White played guitar on Stewart’s Valentina Way on Volume 3.
11. Mike Oldfield – Moonlight Shadow (1983)
    Byoong moment: 2:08. Getting off his keyboard to lay down a highly byoongable solo, Mike Odfield doesn’t let go of his guitar for the rest of the song.
12. Snowy White – Bird Of Paradise (1983)
    Byoong moment: 1:55 & 3:22. Ex-Thin Lizzy axeman Snowy White (his mom called him by the more sensible name Terence) gives it a mighty byoong to kick off a brief solo, and returns to see the song out with another solo. But it’s the fills that support the synth which are particularly lovely.
13. The Jesus and Mary Chain – April Skies (1987)
    Byoong moment: William Reid’s opening guitar figure and the chiming melodic lines are filled with fuzz and feedback — and a sweetness just like honey. Singer Jim Reid is on rhythm guitar.
14. The Stone Roses – This Is The One (1989)
    Byoong moment: 0:01 onwards and 0:37. If it was just the shimmering guitar by John Squire that kicks off this song and drives the song throughout, that would be enough for me. But then there are those incredible guitar fanfares! Spine-shivering stuff.
15. Manic Street Preachers – Motorcycle Emptiness (1992)
    Byoong moment: 0:01 onwards. Singer James Dean Bradfield plays both the acoustic and electric guitar parts, including those soaring lead lines and the great solo. After Bradfield recorded his parts, producer Steve Brown declared: “You’re a guitar god now!” Damn right!
16. J.J. Cale – Cocaine (1976)
    Byoong moment: 0:01 onwards and 1:22 The riff, recorded three times and overlayered by J.J. Cale, makes the song, but Reggie Young’s licks and solo give Cocaine spice. (Also see the In Memoriam entry for Young.)
17. Jimi Hendrix Experience – Little Wing (1967)
    Byoong moment: 1:36. It’s Jimi Hendrix, so almost any song is a contender. The solo on All Along The Watchtower might be his finest, but I have a soft spot for this one, distortions from analogue compression and all.
18. Led Zeppelin – Misty Mountain Hop (1971)
    Byoong moment: from 0:01 to the end: One can go for Jimmy Page’s grandstanding solos, or the incredible guitar work on Stairway To Heaven, but I love this track for his chugging guitar that interlocks so perfectly with Jones’ organ, Bonham’s groove, and Plant’s inistent vocals.
19. The Beatles – The End (1969)
    Byoong moment: 0:53. My favourite Beatles guitar solo is that on Let It Be, but the solos on The End is an often overlooked gem, and a bit overshadowed by Ringo’s superb drumming. Paul McCartney, George Harrison and John Lennon each play three successive two-bar solos, in that order.

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A few years I started this series of songs that feature guitar parts, mostly solos, which I particularly like. In doing this, I don’t aim to collate the best-ever solos — Slash is not going to feature, nor Vai, nor Satriani, nor the guy from Metallica — or even the best guitar work of the featured axemen.

For example, no person in their right mind would describe Richie Blackmore’s solo in Rainbow’s Since You Been Gone as his best. That might be his solo on Smoke On The Water, even if it is rather overshadowed by that incredibly intro riff, also by Blackmore. And if it must be a Rainbow song, something like Long Live Rock & Roll would be superior. But I just love Since You Been Gone and its solo and riffs better than all other Blackmore work. So it features here.

As does AC/DC’s Ride On, and with that group I was really for spoiled for choice, with the guitar work of the Young brothers. Why go for the slow, brooding deep cut from the Dirty Deeds Dine Dirt Cheap album ahead of AC/DC’s many hard rock anthems? Maybe because it deviates from the band’s template. In any case, Ride On has been a favourite of mine since I was a teenager.

There are some great guitarists who have not featured yet, such as Hendrix, George Harrison, Jimmy Page, Brian May, Keith Richards or The Edge. I have shortlisted tracks for all of them, but in all cases I’m not sure which ones to choose for them. And given my rule that a guitarist may feature only once, choosing the right track is a weighty decision!

Any Major Guitar Vol. 1 and Vol. 2, and the shortlist for future volumes are among my go-to mixes, especially when I’m cooking and Any Major Dudette is out of the house, which means that I can play it loud and I can practice — without getting caught in the act — my axeman moves for when I grow up and become a rock star.

You might ask what took me so long to produce a Volume 3, after the first two mixes came out six years ago, in January and July 2018 respectively. Well, it’s because putting together and writing these things is an intimidating amount of work. Of course, all mixes take time to put together — the sequencing alone is big job — but the present post is extraordinarily time-consuming. Still, I promise to post Volume 4 in less than six years time.As always, CD-R length, home-stratocastered covers, the text here in PDF. Password in Comments.

1. Booker T & The MGs – Green Onions (1962)
Byoong moment: 1:13. Booker T’s organ dominates this early soul instrumental, which originally was released as a b-side. But then the legendary Steve Cropper, who was more often rhythm guitarist than axeman, offers relief from the driving organ with a guitar solo which is at once restrained and imposing.

2. Tom Robinson Band – 2-4-6-8 Motorway (1977)
Byoong moment: 1:23 and 2:37. Tom Robinson’s bass drives this driving song, along with the energetic drums by Dolphin Taylor, but Danny Kustow’s two guitar solos are its fuel. Kustow’s riffs are great, too. Sadly, Kustow died in 2019 at the age of 63.

3. Rainbow – Since You Been Gone (1979)
Byoong moment: 2:24. Rainbow at their poppiest, and Richie Blackmore plays a great riff which serves as the song’s signature (based on the keyboard riff of the Russ Ballard original). But Richie can suffer going without guitar doodling only for so long, for he is fucking Richie Blackmore. When it sounds like the songs is about to wrap up its business, he restarts the operation and lets rip with a solo.

4. Cheap Trick – Dream Police (1979)
Byoong moment: 2:02. The guitar solo by the song’s writer Rick Nielsen follows the most paranoid section of this track about mental illness, and provides some relief from the building pressure, though even that is accompanied by weird background noises. Apart from the insistent power-chord riffs, the guitar builds up to the disconcerting crescendo. A mighty track!

5. Journey – Wheel In The Sky (1978)
Byoong moment: 2:30 & 3:15. The guitar, played by Neal Schon, rules this anthemic number with riffs and licks, but really takes off with his solo. It reappears at 3:15, with Steve Perry’s vocals on top of it, to see the song into the power chord fade.

6. Dire Straits – Sultans Of Swing (1978)
Byoong moment: 3:27 & 4:57. It’s Mark Knopfler’s song, so his guitar runs prominently through the track which Knopfler sings with off-key voice (smoothed-out Dylan, I’d call it). Finally he shuts up and launches into a wonderful finger-picking solo. The second solo, which kicks in at 4:57 and takes us to the end of the song, is even better.

7. Steely Dan – Peg (1977)
Byoong moment: 1:45. The Dan featured on Vol. 1 with Elliott Randal’s solos on Reeling In The Years. They were astute in choosing the finest musicians, including several great guitarists (including Larry Carlton, whom we’ll encounter in a moment). The fine guitar solo on Peg is by Jay Graydon. Graydon was a sought-after session guitarist, and was also a producer and songwriter. One of the songs he co-wrote was After The Love Has Gone by the next act.

8. Earth, Wind & Fire – Love’s Holiday (1977)
Byoong moment: 3:34. In soul music, there are the Ernie Isley solos and Thomas McClary’s fuzz guitar solo on The Commodores’ Easy. And then there is Johnny Graham’s magnificent solo on this beautiful seduction song. Meanwhile Al McKay plays the (possibly multilayered) hook that governs the song. Both were members of EWF, a collective of superb musicians.

9. Randy Crawford – Imagine (1982)
Byoong moment: 4:08. Randy sings the dreamers’ anthem beautifully in this gorgeously arranged live version — it is by a distance the best cover of the song — and you wonder whether it could get any better. Then Robben Ford comes in with a brief solo that just lifts the whole thing a notch higher. Ford was a member of the backing band on the song, the jazz-fusion outfit Yellowjackets. On drums was the great Ricky Lawson, subject of two Session Player Collections (Vol. 1 and Vol. 2)

10. Donny Hathaway – We’re Still Friends (1971)
Byoong moment: 3:10. We’re taking things a bit slower now, with this cut from Hathaway’s live album. Throughout the album Cornell Dupree is playing beautiful fills. On this track he takes centrestage with a lovely blues-shaded solo. It is rather low in the mix, but that helps make it softer and more intimate. Can Eddie van Halen do that?

11. Pacific Express – Love Your Baby Right (1976)
Byoong moment: 1:55. A deep cut from the first of three albums recorded in the 1970s by South African jazz-funk band Pacific Express (whose alumni included Jonathan Butler, also a great guitarist, before he became an international star). The solo is by Issy Ariefdien, who later became a producer, and is still performing.

12. Player – Baby Come Back (1977)
Byoong moment: 3:20. The solo that sees out the song is played by singer Peter Beckett, who does all the exquisite guitar work on the track. The solo was cut from the mix of the hit single (featured on Not Feeling Guilty Vol. 1) but appears on the original album version, which is 47 seconds longer than the single.

13. Christopher Cross – Never Be The Same (1979)
Byoong moment: 2:32. I have done several mixes dedicated to specific session musicians. Most of them are drummers, but there has been only one guitarist so far: Larry Carlton (the Session Player Collection dedicated to him is here). The solo on this track is beautiful. It might not be Carlton’s greatest solo (Steely Dan’s Kid Charlemagne or Josie maybe, or the solo on the theme of Hill Street Blues), but it’s the one I love the most.

14. Wings – My Love (1973)
Byoong moment: 2:06. McCartney’s pretty but not really spectacular ballad ambles along nicely, but then Henry McCullough’s solo gives it a little muscle. McCullough left us in 2016.

15. Al Stewart – Valentina Way (1978)
Byoong moment: 2:33. The song chugs along nicely in its mid-tempo ways, Al Stewart singing warmly and Peter Robinson issuing delicious piano fills. Then Peter White comes in with an uncompromising rock solo that carries the track to the end. White also wrote the superb title track of the album this song is from, Time Passages. Before you ask, Year Of The Cat has a different guitarist; it might feature in a future installment in this series.

16. The Who – Behind Blue Eyes (1971)
Byoong moment: 2:18 & 2:59. Pete Townsend wrote this song, and he’s all over it, from the sweet acoustic guitar that scores the tracks until it becomes loud, to the rather too brief solo, to the riff starting at 3:06 which was also used on Won’t Get Fooled Again.

17. AC/DC – Ride On (1976)
Byoong moment: 3:39. The star on this whiskey-soaked blues lament is singer Bon Scott, but Malcolm Young’s rhythm guitar guides Scott, and Angus Young lays a few nice licks before launching into a bluesy solo 3 minutes and 39 seconds into the song. Some AC/DC fans seem to think this song is redundant; I think it’s one of AC/DC’s best.

18. The Police – So Lonely (1978)
Byoong moment: 2:26. The song has a reggae beat, but Andy Summers solo draws from blues. Summers’ guitar shimmers through the song.

Bonus track: Funkadelic – Maggot Brain (1971)
Byoong moment: 1:15 and counting. The 10-minute slow-burner is basically a long guitar solo, with Eddie Hazel’s sound calling to mind what might be created if Carlos Santana was going into space and Jimi Hendrix on an LSD trip. Apparently Maggot Brain was the nickname of Hazel, who died in 1992 at the age of 42. Funkadelic chief George Clinton told Hazel to play as if his mother had just died. Tawl Ross does rhythm guitar duties. Like Hazel, he split from Funkadelic later in 1971. He died in January this year.

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The second mix of great guitar bits that I really dig. As with Any Major Guitar Vol. 1, I make no claims of the featured tracks belonging in any hierarchy. It’s all entirely subjective, as it usually is in music.

As ever, the mix is timed to fit on a standard CD-R, includes home-fendered covers, and all the Byoong text below in a handy PDF file. PW in comments.

1. Prince – Let’s Go Crazy (1984)
Byoong moment: 2:40. Prince was such a genius at so many things that his guitar beroics are easily forgotten. But just listen to tracks like When Doves Cry, Purple Rain, I Wanna Be Your Lover or his out-claptoning solo on a live cover of While My Guitar Gently Weeps to know that he ranks among the great axemen.

2. Thin Lizzy – Whisky In The Jar (1971)
Byoong moment: 2:19. Before Gary Moore, there was Eric Bell in Thin Lizzy. It’s Bell’s guitar which turns this Irish folk-song into a rock classic, with that opening line, that guitar riff, and that minute-long solo that sounds thoroughly rock as well as faithful to the song’s Irish pipes.

3. Steve Harley & Cockney Rebel – Come Up And See Me (1977)
Byoong moment: 1:50. A false ending, with a rather long pause, then Jim Cregan‘s gorgeous flamenco acoustic solo kicks in. A story has it that the solo had been captured on tape during a soundcheck and later inserted by producer Alan Parsons later. A good story but probably not true.

4. Blondie – (I’m Always Touched By Your) Presence Dear (1978)
Byoong moment: 1:18. The great musician in Blondie is drummer Clem Burke (just listen to him here), though they were all much more accomplished musicians than the punk label suggested. Chris Stein‘s guitar on Presence Dear shimmers and illuminates his girlfriend, Deborah Harry, much as it did on X-Offender, which was another contender.

5. The Smiths – This Charming Man (1984)
Byoong moment: 2:26. I have a theory that it wasn’t so much Morrissey’s lyrics that inspired a generation of alienated, misunderstood youths (many of the lyrics are embarrassingly bad, especially from a man who belittled others for writing “awful poetry”), but Johnny Marr‘s guitar which could steer your emotions, from uplifted to dejected (that whine on How Soon Is Now, which might have featured here). There are many Marr moments to pick from; I’ll land on the jolly line he plays at 2:26.

6. Aztec Camera – Oblivious (1983)
Byoong moment: 1:48. A perfect pop song with delightful little guitar arpeggios interspersed throughout, leading us to a joyous guitar solo by singer-songwriter Roddy Frame.

7. Colin Hay – Overkill (acoustic) (2003)
Byoong moment: 1:48. Here the singer of the Men At Work hit cools things down with a superb vocal performance. It’s the simple but lovely acoustic guitar solo, also by Colin Hay, that signals an increase in intensity.

8. John Mayer – Gravity (2006)
Byoong moment: 2:05. Put aside John Mayer‘s douchebag persona and you’ll find a very good guitarist. Often, there’s a lot of gurning self-indulgence in Mayer’s white bluesman’s guitar work, but sometimes he shows restraint and it is quite beautiful, as it is here.

9. Chris Isaak – Blue Hotel (1987)
Byoong moment: 1:52. The riff brings to mind the kind of Mexican border settings of shows like Breaking Bad, and James Calvin Wilsey‘s solo could soundtrack the gruesome but satisfactory killing in the desert of an evil drug kingpin. Wilsey also played the solo on Wicked Game, another contender for inclusion.

10. Gerry Rafferty – Baker Street (1977)
Byoong moment: 4:47. The obvious star of Baker Street (featured here in its LP version) is the late Raphael Ravenscroft’s alto sax, so the terrific guitar solo by Hugh Burns often is overlooked. Still, it inspired Slash’s solo for Guns N’ Roses’ Sweet Child o’ Mine. Hugh Burns’ other famous guitar performance was also on a song dominated by a saxophone: George Michael’s Careless Whispers (he also played on sax-less Faith and Father Figure).

11. Rod Stewart – Sailing (1975)
Byoong moment: 2:15. The first song I slow-danced to with a girl I liked, so the simple but lovely acoustic guitar intro still gives me butterflies; by the time of the guitar solo I’m as deeply in love as a 11-year-old can be. Both guitars are played by Muscle Shoals session man Pete Carr, who also might have featured for Bob Seger’s Against The Wind.

12. Santana – Samba Pa Ti (1970)
Byoong moments: 0:00. It’s all guitar here, starting with those mournful notes and becoming progressively more joyous. Carlos Santana gets great support from keyboardist and co-writer Gregg Rolie.

13. The Allman Brothers Band – Blue Sky (1972)
Byoong moments: 1:07 & 2:37. Two great solos for the price of one. First Duane Allman, in the last thing he played before his death in a motorcycle accident, lets his guitar sing. Then at 2:37 Dickey Betts gets his welcome turn. His distinctive guitar style has, by default, become synonymous with British small-world blokey bigotry through the instrumental Jessica, the theme of Top Gear.

14. The Doobie Brothers – China Grove (1973)
Byoong moment: 2:24. Tom Johnstone‘s guitar riff deserves an entry on its own — but then, if you are going down the Doobie route, Long Train Running would be your first stop. But no Doobies song has a solo quite as delicious as that by Jeff ‘Skunk’ Baxter.

15. Status Quo – Rockin’ All Over The World (1977)
Byoong moment: 0:55 & 2:38. It’s easy to laugh at Status Quo’s three-chord career, as if they were musically limited. Don’t be fooled. Rockin’ All Over The World is a great pop-rock record, and it”s lifted higher by those joyous guitar solos, especially the increasingly insistent solo led by Rick Parfitt towards the end, with Francis Rossi providing the high-pitched fills, that sees out the song.

16. Chuck Berry – Too Much Monkey Business (1957)
Byoong moment: 1:17. It could have been any number of Chuck Berry songs to feature here. Truth be told, I’m a bit tired of the overplayed ones — Johnny B Goode, Roll Over Beethoven etc. Two solos here: the first is classic Berry; the second a throw-away effort.

17. Elvis Presley – Hound Dog (1956)
Byoong moment: 0:50 & 1:22. To white ears reared on Perry Como, Hound Dog must have been a shock: so much ferocious noise! Even now, 62 years later, Hound Dog is punk. Elvis’ raucous vocals, J.D. Fontana’s brutal drum rolls, the relentless bass, and Scotty Moore‘s insolent guitar breaks. Moore later didn’t know himself how he produced that sound; he remembers being pissed off at the countless takes Elvis had the musicians play (Presley was the de facto producer of the song). In the end there were 31 takes; Elvis chose Take 18. It may well be the greatest rock & roll record of them all. (See the Hound Dog Song Swarm)

18. Jim Steinman – Love And Death And An American Guitar (1981)
Byoong moment: none. There’s no guitar here, nor any instrument, but it’s all about a guitar. Jim’s guitar has “a heart of chrome and a voice like a horny angel”, but he doesn’t know how “to treat an expensive musical instrument”. Steinman was not famous for his comedy nor for his mastery of understatement, so this has to be one of the best unintentionally funny things ever committed to record.

19. Meat Loaf – Bat Out Of Hell (1977)
Byoong moment: 6:09. And from there we move to Steinman’s greatest production, the gloriously overblown, operatic Bat Out Of Hell. Meat Loaf might own the song, but the real star of the show is Todd Rundgren‘s guitar which not only scores the emotions and fills solo needs, but most importantly provides the sound-effect for the revving motorbike. It might well be the greatest guitar solo of all time, as this superb account of the recording, mainly true but embellished for effect, claims.

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You know you’re losing it as a writer when you start off writing padding crap in the amateur league of “Guitar solos, everybody loves ’em”. Obviously, to spare you the tedium I’ve deleted all the noodling on about guitars — just as one might wish some musicians would do on their recordings, and on stage.

Having said that, it’s not awfully difficult to compile a list of favourite guitar solos, some of which may even be very long. Hell, I even love me a dose of Freebird now and then, or often.

By definition, a list of anything “favourites” is subjective. They may include unheralded guitarists and exclude masters of the craft. My list certainly does. Slash and Eddie and Sambora? Missing? Dudes from Metallica or Led Zep? Nope. Any number of blues guitarists? I’m afraid not there. But the session guy from Wuthering Heights features.

So this is not an attempt at compiling “greatest-ever” guitar solos, though some of those here are contenders, or to bring together the greatest guitarists, though by the nature of things, many of the greatest will feature. This mix puts together songs on which there is guitar work that makes me sing along in the style of “Byoong, bee-bee-byoom-bee-byum — diddiddiddiddi-byoong-byoo-byoo-byoo-byoo-byoooo”.

And, of course, I apply my usual terms & conditions: one song per guitarist and, if it can be helped, no repeated acts either. This is just Volume 1, so please don’t shout at me for excluding Jimi Hendrix.

And tell me what are some of your favourite guitar solos? What makes you sing “Byoong, bee-bee-byoom-bee-byum”?

As ever, the mix is timed to fit on a standard CD-R, includes home-strummed covers, and all this text in a PDF. PW in comments.

Cream – White Room (1968)
Byoong moment: 4:00. Cream make us think that the song is over, and then Eric Clapton goes all guitar solo for the remaining minute. So many Clapton solos to choose from — Bell Bottom Blues was another leading contender.

Chicago – 25 Or 6 To 4 (1970)
Byoong moment: 1:58. Whoever said Chicago were soft? Terry Kath threatens to let rip for a couple of minutes, then eases himself into his 2:15 minutes long second guitar solo which becomes increasingly aggressive.

Steely Dan – Reelin’ In The Years (1972)
Byoong moment: 1:58. His mini-solo kicks off the song, then session guitarist Elliott Randall gives us two solos for the price for one: first a “wanna-take-me-on” duel with the rhythm section, then a triumphant face-contorting solo.

America – Sister Golden Hair (1975)
Byoong moment: 0:00. It’s not really a solo; the slide guitar intro and its reprise after the break last only a few seconds, but what a beautiful ethereal sound. Rumour had it that it was played by George Harrison (since George Martin produced the song). Boringly, lead singer Gerry Beckley played the guitar, inspired by Harrison’s work on My Sweet Lord.

Wilco – Impossible Germany (2007)
Byoong moment: 2:29. If was asked to vote, I might nominate this as my all-time favourite guitar solo. Even if it features two soloists: Nels Cline (right speaker) and Jeff Tweedy (left speaker). It’s 3:28 minutes of exquisite, exciting and epic elation.

Foo Fighters – Everlong (live) (2006)
Byoong moment: 3:44. From the acoustic Skin And Bones live album, one doesn’t expect so much noise in the instrumental interlude and (aptly) climax. Not really a guitar solo, but those instrumental breaks are driven by Dave Grohl‘s acoustic and Pat Smear‘s electric guitars.

Crowded House – Don’t Dream It’s Over (live) (1996)
Byoong moment: 2:24. Neil Finn‘s glistening guitar is all over it, in the studio version and in this gorgeous live recording from Sydney on the Farewell To The World set, but it really kicks in after the organ solo, and certainly doesn’t outstay its welcome.

Gary Moore – Still Got The Blues (For You) (1990)
Byoong moment: 3:39. Plenty of byoong throughout as Gary Moore puts on his orgasm-face and noodles exquisitely on his Les Paul. A court ruled that Moore plagiarised the solo from a 1974 song called Nordrach by the German prog rock act Jud’s Gallery — and the similarities are indeed there. But there’s a reason several thousands of people have had sex to Moore’s song, and only eight to that by Jud’s Gallery.

The Isley Brothers – Summer Breeze (1973)
Byoong moment: 3:51. There are few guitar solos in soul music, but when there is one, you can do worse than Ernie Isley laying it down, turning the gentle warm breeze into a heatwave. His solo on Who’s That Lady was another contender.

Toto – Georgy Porgy (1978)
Byoong moment: 1:58. There is so much musical excellence going on (and Cheryl Lynn’s superb vocals) here that the fleeting, half-minute guitar solo by Steve Lukather can be overlooked. But it is exquisite.

Eric Gale – Blue Horizon (1981)
Byoong moment: 3:44. The only instrumental here, by the late, great fusion guitarist Eric Gale. The real star of the show on this song is the recently late Hugh Masekela’s flugelhorn, perhaps even Peter Schott’s keyboards, to which Gale’s guitar offers accompaniment — until Gale takes centrestage with two brief solos; after which he lets his guitar sing like a bird that is desperate to mate.

Commodores – Easy (1977)
Byoong moment: 2:47. A guitar solo that comes from nowhere. Lionel goes: “Ooh!” and Thomas McClary lets his fuzz guitar sing. It’s superb, but be alert for another great McClary moment: that tiny fill at 2:23.

Carpenters – Goodbye To Love (1972)
Byoong moment: 2:47. Another fuzz guitar solo, by the late Tony Peloso. If you’ll disqualify the Cline/Tweedy solo, I’ll nominate this as my all-time favourite guitar solo, alone because it comes so unexpectedly in a Carpenters song; guitar solos did not really feature on easy listening numbers. The first solo, at 1:21, sounds at first melancholy, reflecting Karen’s resignation and sadness, then it tries to lift her up. But that second solo, if Karen doesn’t invite love back in after the big solo that closes the song, backed by celestial harmonies, then she really has no chance.

Fleetwood Mac – Never Going Back Again (1977)
Byoong moment: 0:44. No byoong here, just lots of finger-picking acoustic guitar by what essentially is a Lindsey Buckingham solo track. I was very close to picking Buckingham’s solo for Landslide (which features on Any Major Fathers).

Kate Bush – Wuthering Heights (1978)
Byoong moment: 3:47. Given that he discovered Kate Bush, I sort of guessed that the guitar solo that sees out Wuthering Heights, and takes centre-stage, was played by Pink Floyd’s David Gilmour. It was, in fact, the work of Scottish session musician Ian Bairnson, formerly of glam-pop band Pilot.

The Knack – My Sharona (1979)
Byoong moment: 2:43. My Sharona is dominated by that insistent riff and the stuttering vocals and “whooo”s, but that guitar solo by Berton Averre is one of the finest in late 1970s pop music. It goes on a bit, so it does need that furious power pop drumming, with the brutal assault on the cymbals, to sustain it. The Freebird for the new wave generation.

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