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Any Major Beatles in Spanish

August 29th, 2024 7 comments

After two volumes of The Beatles in French (Vol. 1 and Vol. 2) and The Beatles in Italian, here are The Beatles covered in Spanish. Except for one track — a cover of Blackbird from 1978 — all cover versions are more or less contemporaneous with the originals.

Most of the tracks here are by acts from Spain; not all of them suggest that Spanish music in the 1960s was ready to conquer the world of pop.

Six acts are from Mexico: Los Babys, Los Apson, Los Renis, Juan ‘El Matemático’, Los Moskas and the excellently-monikered Los Loud Jets.

Los Speakers were from Colombia, and two acts from Argentina: Los 5 Latinos and Sandro Y Los De Fuego. The latter was led by Sandro Ocampo, one of the biggest stars in Argentinian pop.

The French-Italian singer Caterina Valente is probably the best-known act here, collaborating with Trinidad-born, Venezuela-raised, British-based and Spanish-deceased easy listening bandleader Edmundo Ros (whose 100-years-long life is really fascinating).

The timeline-outlier here is the Spanish soft-rock band Laredo, which had a big hit in 1977 El Último Guateque. They released their debut album in 1975; after their third album, Laredo broke up in 1979. Singer José Antonio García Morato Soto went on to write and produce children’s albums, winning two Grammy for Best Children Album.

The most interesting track of the lot: She Loves You in flamenco style! A Spanish cover of Happiness Is A Warm Gun is a bit left-field — good thing it was made in Mexico, not Franco-era Spain!Como siempre, la mezcla está programada para caber en un CD-R estándar e incluye una portada hecha en casa y el texto anterior en un PDF ilustrado. Contraseña en la sección de comentarios.

1. Los Sirex – Please Please Me (1964)
2. Dino – Torna Con Me Sulla Luna (I Saw Here Standing There) (1965)
3. Olympia – Lo Tendrás Amor (From Me To You) (1965)
4. Emi Bonilla Y Su Cuadro Flamenco – Ella Te Quiere (She Loves You) (1964)
5. Adolfo Ventas Jr. – Todo Mi Amor (All My Loving) (1964)
6. Dúo Rúbam – Solo Quiero Apretar Tu Mano (I Want To Hold Your Hand) (1964)
7. Los Gratsons – Aquella Noche Fué (A Hard Day’s Night) (1964)
8. Francisco Heredero – Conocerte Mejor (I Should Have Known Better) (1965)
9. Los Beta – Que llorar (I’ll Cry Instead) (1965)
10. Los Babys – Si Cai (If I Fell) (1966)
11. Los Apson – Y La Quiero (And I Love Her) (1964)
12. Los Reno – Mucho Dinero (I Feel Fine) (1965)
13. Los Blue Diamonds – Ocho Días A La Semana (Eight Days A Week) (1965)
14. Sandro Y Los De Fuego – Perseguiré Al Sol (I’ll Follow The Sun) (1965)
15. Los Mustang – Socorro! (Help!) (1965)
16. Los Telstars – La Noche Anterior (The Night Before) (1966)
17. Los Tiburones – Perdí Tu Amor (I’m Down) (1965)
18. Sandro Y Los De Fuego – Boleto Para Pasear (Ticket To Ride) (1965)
19. Grupo 15 – Chica (Girl) (1966)
20. Los 5 Latinos – Michelle (1966)
21. Los Sprinters – Hemos De Salvar (We Can Work It Out) (1966)
22. Los Speakers – Buen Viaje (Day Tripper) (1965)
23. Bruno Lomas – Dentro De Mi Vida (Got To Get You Into My Life) (1966)
24. Los Tonks – Penny Lane (1967)
25. Juan ‘El Matemático’ – Sargento Pimienta (Sgt. Pepper’s…) (1967)
26. Los Mustang – La Ayuda De La Amistad (With A Little Help From My Friends) (1967)
27. Caterina Valente & Edmundo Ros – El Tonto En La Colina (The Fool On The Hill) (1969)
28. Los Loud Jets – La Felicidad Es Un Arma Caliente (Happiness Is A Warm Gun) (1969)
29. Laredo – Mirlo (Blackbird) (1978)
30. Las Moskas – Oh Querida (Oh Darling) (1970)
31. Los Loud Jets – Vengan Juntos (Come Together) (1969)

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Any Major Albums Of The Year: 1974

August 22nd, 2024 8 comments

The fun in compiling a list of “favourite” albums of a year for this series resides in revisiting LPs I haven’t listened to, or maybe even thought of, for ages. And in the case of 1974, few artists released their best work that year. There is no pressing reason to play Carole King’s perfectly likeable Wrap Around Joy album when you’re much better served by 1971’s Music or, obviously, Tapestry.

Other albums on my shortlist were old favourites I had not heard for a very long time. Since I was a teenager many moons ago, I have rather gone off Supertramp. But listening again to Crime Of The Century, I recalled what I liked about them back then. To my surprise, Supertramp slipped into my Top 20 — ahead of Dolly Parton’s Jolene and John Lennon’s Walls And Bridges. Any other day, one of these two or both, might make it into my Top 20. But not today (I’ll show due respect by bonus-tracking them).

Then there are those sets I got into later in life. At some point, the venerable Whiteray of the now-defunct Echoes In The Wind blog turned me on to country-rock outfit Heartsfield. Their Wonder Of It All album earned repeated spins on my well-worn WinAmp.

Some albums, of course, pick themselves. Stevie Wonder’s Fulfillingness First Finale is one of these. Chronologically sandwiched between two masterpieces, Fulfillingness comes a bit short in critical appreciation. But if Innervisions and Songs In The Key Of Life didn’t exist, I suspect that people would speak of Fulfillingness in hushed tones. Generally, 1974 was a great year for soul albums.

By the time his marvellous Grievous Angel album came out, Gram Parsons was dead, having died at the age of 26 on September 19, 1973. The album had been recorded in the summer of 1973 and was released in January 1974. Originally it was to be credited to “Gram Parsons with Emmylou Harris”, with the cover featuring both of them. Parsons’ widow Gretchen used her powers to withdraw Harris’ billing and change the cover to feature only her husband. Sales of the album were poor, and only later did it come to be regarded as a classic in the country-rock canon.

Also ignored by the US album-buying public was Shuggie Otis’ pioneering Inspiration Information, a superb genre-defying album by a massively talented kid who was a teenager when he started recording it, and was only 21 when it was released. He played most instruments on it, wrote all songs and arranged them. On it Shuggie innovated with new technology, especially the analogue drum machine which Kraftwerk used on their Autobahn album (also featured here). Stevie Wonder and Sly Stones were fans of Shuggie’s, and Prince would later cite Inspiration Information as an influence, but Epic records looked at the bottom line and dropped him (not helped by the artist’s own loose attitude to deadlines). Shuggie Otis, who also featured on Any Major Albums of 1971 Vol. 2, didn’t release another album until 2018!

One act here featured just last month, even with the same song, albeit a different (and superior) version. Nino Ferrer was the letter  N in the Any Major ABC of France mix. Ferrer was an Italian-born French musician who traversed the genres, from European pop to R&B to jazz. A showbiz outsider by choice and design, he was nevertheless a popular figure in France. He died of suicide in 1998, aged 63.

On Nino And Radiah he collaborated with the US model, singer and erotic movie actress Radiah Frye, who dropped all for the LP’s cover. The standout track is the opener, South, which in its French version, Sud, was a hit in France. The album is an eclectic affair, with prog-rock stuff (New York), jazz-funk (Moses), Funkadelic-style funk (Vomitation), and in Mint Julep a song that draws from disco, prog and whatever the roots of New Wave were in 1974. A contender for Album of the Year.

I have in the past discussed the cover art of the Winter In America album by Gil Scott-Heron & Brian Jackson. It didn’t include the powerful song of the album’s title — the album title inspired the tremendous track, which would come out the year after — but it featured the great rap H20gate Blues, which with updated lyrics (the modern term is, I suppose, rebooted) would still be relevant today, 50 years later.

The playlist ends with the whole Side 1 of Dollar Brand’s Mannenberg – Is Where It’s Happening. It’s a gorgeous Afro-jazz suite named after the ghetto in Cape Town created by apartheid after the forced removals of the urban District Six neighbourhood, which was populated by the oppressed “Coloured” people (it’s the term apartheid used for people of mixed race heritage). The track is not so much a celebration of the ghetto — which did become a jazz stronghold in the city — than a lament for apartheid’s ethnic cleansing. It would become an anthem in the struggle for freedom.

Dollar Brand is better known as the jazz pianist Abdullah Ibrahim, a name he took on after his conversion to Islam. The magnificent tenor saxophone solo on the track is played by Basil Coetzee, who died in 1998 at only 54. The alto sax is played by two other greats, the late Robbie Jansen (I think the voice towards the end is his) and Morris Goldberg (the latter played on Paul Simon’s You Can Call Me Al).

The mix opens with a track from the album that features the Steely Dan song which inspired the name of this blog. Any Major Dude featured on a recent mix, so I’ve gone for a track which, as home video evidence shows, my son used to sing along to as a three-year-old.

And if there was only one album I may keep from 1974? I think it would be the Dollar Brand LP. On vinyl. So, what are your albums of 1974?

This mix won’t fit on a CD-R but I’ve made covers anyway, and the above text in PDF format. PW in comments.

1. Steely Dan – Barrytown (Pretzel Logic)
2. Joni Mitchell – Help Me (Court And Spark)
3. Stevie Wonder – Creepin’ (Fulfillingness First Finale)
4. Betty Wright – That’s When I’ll Stop Loving You (Danger High Voltage)
5. The Soul Children – I’ll Be The Other Woman (Friction)
6. Rufus Featuring Chaka Khan – Walkin’ In The Sun (Rags To Rufus)
7. Gram Parsons – $1000 Wedding (Grievous Angel)
8. Rusty Wier – Railroad Man (Stoned, Slow, Rugged)
9. Nino Ferrer – South (Nino And Radiah)
10. Heartsfield – House Of Living (Wonder Of It All)
11. Carole King – You Go Your Way, I’ll Go Mine (Wrap Around Joy)
12. Supertramp – Hide In Your Shell (Crime Of The Century)
13. Kraftwerk – Kometenmelodie 2 (Autobahn)
14. Little Feat – Oh Atlanta (Feats Don’t Fail Me Now)
15. Shuggie Otis – Sparkle City (Inspiration Information)
16. Grady Tate – Love Has No Pride (Movin’ Day)
17. Minnie Riperton – The Edge Of A Dream (Perfect Angel)
18. The Crusaders – Southern Comfort (Southern Comfort)
19. Gil Scott-Heron – H2Ogate Blues (Winter In America)
20. Dollar Brand – Mannenberg (Mannenberg – ‘Is Where It’s Happening’)
Bonus Tracks:
John Lennon – Bless You (Walls And Bridges)
Dolly Parton – Jolene (Jolene)

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Previous Albums of the Year mixes:
1971 Vol. 1
1971 Vol. 2
1972
1973
1982
1983

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Any Major Guitar Vol. 3

August 13th, 2024 2 comments

 

 

A few years I started this series of songs that feature guitar parts, mostly solos, which I particularly like. In doing this, I don’t aim to collate the best-ever solos — Slash is not going to feature, nor Vai, nor Satriani, nor the guy from Metallica — or even the best guitar work of the featured axemen.

For example, no person in their right mind would describe Richie Blackmore’s solo in Rainbow’s Since You Been Gone as his best. That might be his solo on Smoke On The Water, even if it is rather overshadowed by that incredibly intro riff, also by Blackmore. And if it must be a Rainbow song, something like Long Live Rock & Roll would be superior. But I just love Since You Been Gone and its solo and riffs better than all other Blackmore work. So it features here.

As does AC/DC’s Ride On, and with that group I was really for spoiled for choice, with the guitar work of the Young brothers. Why go for the slow, brooding deep cut from the Dirty Deeds Dine Dirt Cheap album ahead of AC/DC’s many hard rock anthems? Maybe because it deviates from the band’s template. In any case, Ride On has been a favourite of mine since I was a teenager.

There are some great guitarists who have not featured yet, such as Hendrix, George Harrison, Jimmy Page, Brian May, Keith Richards or The Edge. I have shortlisted tracks for all of them, but in all cases I’m not sure which ones to choose for them. And given my rule that a guitarist may feature only once, choosing the right track is a weighty decision!

Any Major Guitar Vol. 1 and Vol. 2, and the shortlist for future volumes are among my go-to mixes, especially when I’m cooking and Any Major Dudette is out of the house, which means that I can play it loud and I can practice — without getting caught in the act — my axeman moves for when I grow up and become a rock star.

You might ask what took me so long to produce a Volume 3, after the first two mixes came out six years ago, in January and July 2018 respectively. Well, it’s because putting together and writing these things is an intimidating amount of work. Of course, all mixes take time to put together — the sequencing alone is big job — but the present post is extraordinarily time-consuming. Still, I promise to post Volume 4 in less than six years time.As always, CD-R length, home-stratocastered covers, the text here in PDF. Password in Comments.

1. Booker T & The MGs – Green Onions (1962)
Byoong moment: 1:13. Booker T’s organ dominates this early soul instrumental, which originally was released as a b-side. But then the legendary Steve Cropper, who was more often rhythm guitarist than axeman, offers relief from the driving organ with a guitar solo which is at once restrained and imposing.

2. Tom Robinson Band – 2-4-6-8 Motorway (1977)
Byoong moment: 1:23 and 2:37. Tom Robinson’s bass drives this driving song, along with the energetic drums by Dolphin Taylor, but Danny Kustow’s two guitar solos are its fuel. Kustow’s riffs are great, too. Sadly, Kustow died in 2019 at the age of 63.

3. Rainbow – Since You Been Gone (1979)
Byoong moment: 2:24. Rainbow at their poppiest, and Richie Blackmore plays a great riff which serves as the song’s signature (based on the keyboard riff of the Russ Ballard original). But Richie can suffer going without guitar doodling only for so long, for he is fucking Richie Blackmore. When it sounds like the songs is about to wrap up its business, he restarts the operation and lets rip with a solo.

4. Cheap Trick – Dream Police (1979)
Byoong moment: 2:02. The guitar solo by the song’s writer Rick Nielsen follows the most paranoid section of this track about mental illness, and provides some relief from the building pressure, though even that is accompanied by weird background noises. Apart from the insistent power-chord riffs, the guitar builds up to the disconcerting crescendo. A mighty track!

5. Journey – Wheel In The Sky (1978)
Byoong moment: 2:30 & 3:15. The guitar, played by Neal Schon, rules this anthemic number with riffs and licks, but really takes off with his solo. It reappears at 3:15, with Steve Perry’s vocals on top of it, to see the song into the power chord fade.

6. Dire Straits – Sultans Of Swing (1978)
Byoong moment: 3:27 & 4:57. It’s Mark Knopfler’s song, so his guitar runs prominently through the track which Knopfler sings with off-key voice (smoothed-out Dylan, I’d call it). Finally he shuts up and launches into a wonderful finger-picking solo. The second solo, which kicks in at 4:57 and takes us to the end of the song, is even better.

7. Steely Dan – Peg (1977)
Byoong moment: 1:45. The Dan featured on Vol. 1 with Elliott Randal’s solos on Reeling In The Years. They were astute in choosing the finest musicians, including several great guitarists (including Larry Carlton, whom we’ll encounter in a moment). The fine guitar solo on Peg is by Jay Graydon. Graydon was a sought-after session guitarist, and was also a producer and songwriter. One of the songs he co-wrote was After The Love Has Gone by the next act.

8. Earth, Wind & Fire – Love’s Holiday (1977)
Byoong moment: 3:34. In soul music, there are the Ernie Isley solos and Thomas McClary’s fuzz guitar solo on The Commodores’ Easy. And then there is Johnny Graham’s magnificent solo on this beautiful seduction song. Meanwhile Al McKay plays the (possibly multilayered) hook that governs the song. Both were members of EWF, a collective of superb musicians.

9. Randy Crawford – Imagine (1982)
Byoong moment: 4:08. Randy sings the dreamers’ anthem beautifully in this gorgeously arranged live version — it is by a distance the best cover of the song — and you wonder whether it could get any better. Then Robben Ford comes in with a brief solo that just lifts the whole thing a notch higher. Ford was a member of the backing band on the song, the jazz-fusion outfit Yellowjackets. On drums was the great Ricky Lawson, subject of two Session Player Collections (Vol. 1 and Vol. 2)

10. Donny Hathaway – We’re Still Friends (1971)
Byoong moment: 3:10. We’re taking things a bit slower now, with this cut from Hathaway’s live album. Throughout the album Cornell Dupree is playing beautiful fills. On this track he takes centrestage with a lovely blues-shaded solo. It is rather low in the mix, but that helps make it softer and more intimate. Can Eddie van Halen do that?

11. Pacific Express – Love Your Baby Right (1976)
Byoong moment: 1:55. A deep cut from the first of three albums recorded in the 1970s by South African jazz-funk band Pacific Express (whose alumni included Jonathan Butler, also a great guitarist, before he became an international star). The solo is by Issy Ariefdien, who later became a producer, and is still performing.

12. Player – Baby Come Back (1977)
Byoong moment: 3:20. The solo that sees out the song is played by singer Peter Beckett, who does all the exquisite guitar work on the track. The solo was cut from the mix of the hit single (featured on Not Feeling Guilty Vol. 1) but appears on the original album version, which is 47 seconds longer than the single.

13. Christopher Cross – Never Be The Same (1979)
Byoong moment: 2:32. I have done several mixes dedicated to specific session musicians. Most of them are drummers, but there has been only one guitarist so far: Larry Carlton (the Session Player Collection dedicated to him is here). The solo on this track is beautiful. It might not be Carlton’s greatest solo (Steely Dan’s Kid Charlemagne or Josie maybe, or the solo on the theme of Hill Street Blues), but it’s the one I love the most.

14. Wings – My Love (1973)
Byoong moment: 2:06. McCartney’s pretty but not really spectacular ballad ambles along nicely, but then Henry McCullough’s solo gives it a little muscle. McCullough left us in 2016.

15. Al Stewart – Valentina Way (1978)
Byoong moment: 2:33. The song chugs along nicely in its mid-tempo ways, Al Stewart singing warmly and Peter Robinson issuing delicious piano fills. Then Peter White comes in with an uncompromising rock solo that carries the track to the end. White also wrote the superb title track of the album this song is from, Time Passages. Before you ask, Year Of The Cat has a different guitarist; it might feature in a future installment in this series.

16. The Who – Behind Blue Eyes (1971)
Byoong moment: 2:18 & 2:59. Pete Townsend wrote this song, and he’s all over it, from the sweet acoustic guitar that scores the tracks until it becomes loud, to the rather too brief solo, to the riff starting at 3:06 which was also used on Won’t Get Fooled Again.

17. AC/DC – Ride On (1976)
Byoong moment: 3:39. The star on this whiskey-soaked blues lament is singer Bon Scott, but Malcolm Young’s rhythm guitar guides Scott, and Angus Young lays a few nice licks before launching into a bluesy solo 3 minutes and 39 seconds into the song. Some AC/DC fans seem to think this song is redundant; I think it’s one of AC/DC’s best.

18. The Police – So Lonely (1978)
Byoong moment: 2:26. The song has a reggae beat, but Andy Summers solo draws from blues. Summers’ guitar shimmers through the song.

Bonus track: Funkadelic – Maggot Brain (1971)
Byoong moment: 1:15 and counting. The 10-minute slow-burner is basically a long guitar solo, with Eddie Hazel’s sound calling to mind what might be created if Carlos Santana was going into space and Jimi Hendrix on an LSD trip. Apparently Maggot Brain was the nickname of Hazel, who died in 1992 at the age of 42. Funkadelic chief George Clinton told Hazel to play as if his mother had just died. Tawl Ross does rhythm guitar duties. Like Hazel, he split from Funkadelic later in 1971. He died in January this year.

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In Memoriam – July 2024

August 5th, 2024 4 comments

Three old associates of Bob Dylan died in July: folk singer Happy Traum, who was in the group that first recorded Blowin’ In The Wind; Bernice Johnson Reagon of The Freedom Singers, a black group who sang We Shall Overcome while linking arms with Dylan and others at the 1963 Newport Festival; and Mary Martin, the mover-and-shaker who brought The Band to Dylan. More on all three below.

The most tragic music story in July was that of Grammy-nominated gospel group The Nelons. Kelly Nelon Clark, her husband Jason Clark, and daughter Amber Nelon Kistler died in a plane crash, while flying to Seattle where they were going to join a cruise ship as performers. Another daughter, Autumn Nelon Streetman, was not on the flight. Four others died in the crash. The Nelons were inducted into the Gospel Music Association Hall of Fame in 2016.

The Four Top
For 16 years, Abdul “Duke” Fakir was the last surviving member of the hit-making Four Tops. Now he has left us at the age of 88. Fakir was the son of an immigrant from what is now Bangladesh and an African-American mother with Ethiopian heritage (or, as somebody quite demented might claim, a white mother. He founded the Four Tops, orignally the Four Aims, with singer Levi Stubbs in 1953, when he was 17 years old. He performed as a Four Top for more than 70 years, retiring only two days before his death.

Back in 1953, he and Levi brought in Lawrence Payton and Renaldo “Obie” Benson, and the line-up would remain unchanged until 1997, when Payton died of cancer at the age of 59. Payton was followed by Benson in 2005 and Stubbs in 2008. Duke kept the show rolling with new members; in the end he even anointed his own successor so that the Four Tops franchise may survive him.

By the time the Four Tops came to Motown, they were already veterans. Working with the Holland-Dozier-Holland team (who were subject of a Songbook a couple of years ago) in particular, they scored a string of classic hits. In the late 1960s their sound became more mature under Norman Whitfield’s production, but though critically well-received it yielded no hits.

Commercial success returned when the Four Tops moved to ABC-Dunhill, with hits like 1972’s Keeper Of The Castle and, the following year, Ain’t No Woman (Like the One I’ve Got). By 1976 the mainstream hits dried up again, which even a short sojourn to the Philly Soul scene couldn’t help, though they enjoyed a UK Top 3 hit with When She Was My Girl in 1981. They had a final big hit in the UK with 1988’s not great Loco In Acapulco, from the movie Buster.

In late December 1988, the Four Tops received an invitation to perform that song on BBC’s Top of the Pops, which forced them to cancel their flight home. That flight, Pan Am 103, exploded over Lockerbie in Scotland in a terrorist attack…

The White Blues Godfather
Few people can claim to have had as much influence on British blues — and by that virtue on the development of rock music — as John Mayall, who has died at 90. Encouraged by Alexis Korner (one person who might claim greater influence), Mayall founded the Bluesbreakers in 1963. The band’s rotating roster of members included up-and-coming musicians such as Eric Clapton, Jack Bruce, John McVie and Mick Fleetwood, who went on to form their own successful groups. Mayall himself was known for his distinctive slide guitar and bluesy vocals.

The featured song, 1964’s I’m Your Witchdoctor, has a line-up that includes Clapton on guitar, McVie on bass, and Hughie Flint (future half of McGuinness Flint) on drums, with Mayall on vocals and keyboards. It was produced by a pre-Led Zep Jimmy Page.

Despite his influence and critical acclaim, Mayall never achieved commercial mainstream success, certainly not on the level of those whom he had mentored. Mayall was inducted into the Rock and Roll Hall of Fame in 2015.

The Queen of HiNRG
In 1984, Evelyn Thomas issued the anthem of HiNRG — the mid-’80s heir of disco — with the appropriately-titled High Energy. The song, a big hit in the UK and Europe, also soundtracked my 1984 (it features on Life In Vinyl 1984 Vol. 1). Follow-up singles Masquerade and Heartless were popular in the clubs, but had no great hit potential (Heartless is the better of the two).

Previous to High Energy, Chicago-born Thomas had enjoyed a couple of UK hits in the 1970s, reaching #26 in 1976 with Weak Spot, and just failing to reach the Top 40 with Doomsday. Both were popular on the Northern Soul scene.

The Stealers Wheel
The greatest success in the musical career of Joe Egan was the Stealers Wheel 1973 hit Stuck In The Middle With You, which he co-wrote with Gerry Rafferty. On the video, it is Egan miming to Rafferty’s vocal track, as the latter had by then left the band, temporarily. On the record, Egan does the harmonies and plays keyboard and, I think, rhythm guitar.

Egan had played with his school friend Rafferty in various bands and as session musicians in the 1960s. They founded Stealers Wheel in 1972. The group lasted for two LPs, and split in 1975, before the release of their third album, Right Or Wrong. Since both were tied to complicated contracts, they were unable to release any solo recordings for three years.

Rafferty bounced back in 1978 with the mega-hit Baker Street. Egan couldn’t match that success, even though his 1979 solo debut, Out Of Nowhere, received very good reviews. The 1981 follow-up album, Map, received little attention and failed to sell well. Since Egan didn’t like being in the public eye anyway, he retired as a recording act.

The Golf Anthem Writer
A second cousin of Kenny’s, Dave Loggins made a name for himself with his fine US #5 hit Please Come To Boston, later covered to great effect by Joan Baez (featured on Any Major American Road Trip Vol. 1). He had another hit in 1984 with Anne Murray, Nobody Loves Me Like You Do, though he didn’t write (it was also recorded the following year by Whitney Houston on her debut album).

Loggins also wrote Three Dog Night’s 1973 hit single Pieces Of April, Morning Desire by Kenny Rogers and Juice Newton’s You Make Me Want To Make You Mine. He also wrote for acts like Tanya Tucker, Wynonna Judd, Reba McEntire, Billy Ray Cyrus, Alabama, Toby Keith, Don Williams and Crystal Gayle. His 1980 song Augusta, meanwhile, became the theme song of golf’s US Masters tournament.

The System Critic
The 1970s were politically tumultuous in West Germany, and among the critics of the system were the band Ton Steine Scherben, which was formed in West Berlin in 1970, led by singer Rio and French-born guitarist R.P.S. Lanrue (real name Ralph Peter Steitz), who has died at 74.

The band’s music drew from folk, rock, and blues influences, with a distinct anarchic rock edge which anticipated to advent of punk. Their lyrics were confrontational, with 1975’s Keine Macht für Niemand (No power for nobody) becoming an anthem for the anti-establishment movement.

That outspokenness brought TSS in frequent conflict with the authorities. In 1972, they were banned from performing in West Berlin after Reiser at a gig condemned police brutality.

Ton Steine Scherben split in 1985 after a series of internal conflicts. Lanrue continued to play on Reiser’s solo albums, but did not join any reunions until after the lead singer’s death in 1996.

The Hit Writer
Some clever people will refer, with a knowing smile, to Gary Pucket’s 1968 hit Young Girl as a paedo anthem which cannot be countenanced today. They are fools. The lyrics make it clear that the singer is deliberately avoiding accusations of pederasty the moment he realises the subject of his affection is, in fact, underaged.

The man who wrote and produced the song, Jerry Fuller, has now died at the age of 85. Fuller had tried his luck at a recording career in the late 1950s and through the 1960s, broaching the Billboard Top 100 on four occasions (his peak was #63 with his 1959 version of Tennessee Waltz), and returned as a country singer in the late 1970s.

But it was as a songwriter and producer that he made his mark. Long before the chart-topping Young Girl, he had written several hits for Ricky Nelson — Travelin’ Man, A Wonder Like You, Young World, and It’s Up to You —  and The Knickerbockers’ 1965 hit Lies. His song Show And Tell, originally recorded by Johnny Mathis (as featured on The Originals – Soul Vol. 2), became a soul hit in 1973 for Al Wilson.

Fuller also produced acts like Andy Williams, Mark Lindsay, The Peanut Butter Conspiracy, Betty Davis, Billy Joe Royal, Mac Davis, O.C. Smith, Johnny Mathis, George Clinton, George Clinton, Glen Campbell, Collin Raye, and more.

The Folk Pioneer
Among that first wave of the Greenwich Village folk scene in the early 1960s was Happy Traum. He played on the historic Broadside Ballads recording session in late 1962 alongside other folk musicians such as Bob Dylan, Pete Seeger, Phil Ochs, Gil Turner, Peter LaFarge and The Freedom Singers (see next entry).

With his group The New World Singers, Traum recorded the first versions of Dylan’s Blowin’ In The Wind (as part of the Broadside Ballads session) and Don’t Think Twice, It’s All Right. He recorded a number of songs with Dylan, a few albums with his brother Artie, and several solo efforts.

Apart from recording, Traum also taught songwriting and guitar. From the late 1960s, he wrote several instructional books and articles, and taught workshops at folk festivals and colleges.

The Activist
Another folk pioneer left us, a day before Traum, in Bernice Johnson Reagon. Born in Albany, Georgia, in 1942, she studied music and became involved in the Student Nonviolent Coordinating Committee (SNCC), where she began singing and writing songs for the civil rights struggle.

As mentioned in the entry for Happy Traum, she was a member of The Freedom Singers, who were founded as a touring group to sing at SNCC rallies (she was married to fellow member Cordell Reagon from 1963-67). The Freedom Singers became part of the pioneering folk movement of the early 1960s, famously singing We Shall Overcome while linking arms with Dylan, Joan Baez and Peter, Paul & Mary at the 1963 Newport Festival.

In 1971, Johnson Reagon co-founded the vocal group Sweet Honey In The Rock, which became renowned for its powerful harmonies and politically charged lyrics. In 2000 she founded the global music ensemble Voices Of The South, which brought together musicians from diverse cultures to promote understanding and collaboration.

A PhD holder, Johnson Reagon was also a dedicated educator and academic, focusing on the relationship between music and social justice. She played a key role in preserving and documenting the music of the civil rights movement.

The Scout
Talent scout, manager and record executive Mary Martin, who has died at 85, helped start the careers of the likes of Leonard Cohen, Emmylou Harris, Bonnie Raitt, Rodney Crowell and Vince Gill, but maybe her greatest single act in music history was to bring together Bob Dylan and The Band.

Martin was in the audience at the 1965 Newport Folk Festival on the day Bob Dylan went electric, to widespread booing. Martin listened to it all, found it wanting, and decided that Dylan needed a good backing band. She knew a rock band called The Hawks, whom she virtually forced on an initially reluctant Dylan. The backing group renamed itself The Band, and it worked out pretty well for all concerned. The cat Dylan holds on the cover of his 1965 album Bringing It All Back Home was Martin’s.

In 2001, Martin co-executive produced a tribute album of songs by Hank Williams, titled Timeless and featuring acts such as Dylan, Emmylou Harris, Mark Knopfler, Sheryl Crowe, Tom Petty, Lucinda Williams, Keith Richards, Keb’ Moe, Johnny Cash and others.

The Canadian-born Martin was a chain smoker with a tendency to colourful language who stood her ground in a male-dominated world, especially when it came to protecting artists against the dictates of profit.As always, this post is reproduced in illustrated PDF format in the package, which also includes my personal playlist of the featured tracks. PW in comments.

 

Laurie Lindeen, 62, lead singer and guitarist of indie band Zuzu’s Petals, on July 1
Zuzu’s Petals – Cinderella’s Daydream (1992, also as writer)

Larry Monroe, 84, jazz saxophonist, composer and arranger, on July 1

Fausto Bordalo Dias, 75, Portuguese singer and songwriter, on July 1
Fausto – A Guerra é a Guerra (1996)

Julien Terzics, French musician and anarchist, on July 1

Cliff Waldron, 83, half of bluegrass duo Emerson & Waldron, on July 1
Emerson & Waldron – Fox On The Run (1970)

Rusty Golden, 65, country and gospel songwriter, on July 1
The Oak Ridge Boys – Back In Your Arms Again (1982, as writer. Also see below)

Tom Fowler, 73, rock and jazz bass guitarist (Frank Zappa), on July 2
Frank Zappa & The Mothers Of Invention – Can’t Afford No Shoes (1975, on bass)

Maria Rita Viaggi, 69, Italian singer-songwriter, on July 3

Mark Germino, 73, folk and country singer-songwriter, on July 3
Mark Germino – The Greatest Song Ever Written (2021, also as writer)

Mary Martin, 85, talent scout, manager and record executive, on July 4
Bob Dylan & The Band – Million Dollar Bash (1967, as match-maker)
Keb’ Moe – I’m So Lonesome I Could Cry (2001, as executive producer)

Joe Egan, 77, Scottish singer and songwriter with Stealers Wheel, on July 6
Stealers Wheel – Late Again (1972, also as co-writer)
Stealers Wheel – Stuck In The Middle With You (1972, also as co-writer)
Joe Egan – Back On The Road (1979)

Edgardo Huertas, 65, Puerto Rican singer and actor, July 6

Pino D’Angiò, 71, Italian singer and songwriter, on July 6
Pino D’Angiò – Ma quale idea (1980)

Jim Rotondi, 61, jazz trumpeter, on July 7
Jim Rotondi – I Wish I Knew (2010)

Adrián Olivares, 48, Mexican singer with teen band Menudo (1990-93), on July 8

Joe Bonsall, 76, singer with country group The Oak Ridge Boys, on July 9
The Oak Ridge Boys – I’ll Be True To You (1977)
The Oak Ridge Boys – Back In Your Arms Again (1982, see above)
The Oak Ridge Boys – Touch A Hand, Make A Friend (1985)

Dave Loggins, 76, singer and songwriter, on July 10
Dave Loggins – Please Come To Boston (1974, as writer)
Dave Loggins – Pieces Of April (1979, also as writer)
Anne Murray & Dave Loggins – Nobody Loves Me Like You Do (1984)

Tommy Drennan, 82, Irish showband singer (The Monarchs), on July 11

Shelley Duvall, 75, actress and singer, on July 11
Shelley Duvall – He Needs Me (1980)

Philippe McKenzie, 70, Canadian folk singer-songwriter and poet, on July 12
Philippe McKenzie – Innu (1982)

Gogo Theodorou, 77, Greek singer, on July 12

Ayres Sasaki, 35, Brazilian musician, electrocuted on stage on July 13

Sandra Booker, c.57, jazz singer, on July 14
Sandra Booker – A Night In Tunisia (1994)

RPS Lanrue, 74, lead guitarist of German rock band Ton Steine Scherben, on July 14
Ton Steine Scherben – Keine Macht für Niemand (1972)
Ton Steine Scherben – Laß uns ein Wunder sein (1983)

Jean Williams, bassist of pop-rock band The Feminine Complex, announced July 15
The Feminine Complex – I Won’t Run (1969)

Wieteke van Dort, 81, Dutch actress and singer, on July 15

Tomcraft, 49, German techno and trance DJ and producer, on July 15
DJ Tomcraft – Loneliness (2003)

Ulf Dageby, 80, Swedish rock musician, songwriter (Nationalteatern), on July 16

Bernice Johnson Reagon, 81, singer, composer and activist (Freedom Singers), on July 16
The Freedom Singers – Ain’t Gonna Let Segregation Turn Us Around (1963)
The Freedom Singers – We Shall Overcome (1963, Newport Festival version)
Sweet Honey In The Rock – Hey Man (1976, as founder and writer)

Irène Schweizer, 83, Swiss free jazz pianist, on July 16

Happy Traum, 86, folk singer, on July 17
New World Singers – Blowin’ In The Wind (1962, as member)
Happy & Artie Traum – Misty Dreams (1969)
Happy Traum – I Shall Be Released (1980)

Johnny Stingray, singer, guitarist, bassist of punk band The Controllers, announced July 17

Heather Wood, 79, singer with English folk band The Young Tradition, on July 17
The Young Tradition – The Hungry Child (1966)

Pinche Peach, 57, singer of death metal band Brujeria, on July 17

Jerry Fuller, 85, songwriter, singer and producer, on July 18
Jerry Fuller – Shy Away (1961)
O.C. Smith – Son of Hickory Holler’s Tramp (1968, as producer)
Al Wilson – Show And Tell (1973, as writer)

Fresia Saavedra, 90, Ecuadorian singer-songwriter, on July 18

Jerry Miller, 81, lead guitarist, songwriter with Moby Grape, Rhythm Dukes, on July 20
Moby Grape – Hey Grandma (1967, also as co-writer)
Moby Grape – Murder In My Heart For The Judge (1968, also as co-writer)

Sandy Posey, 80, country-pop singer, on July 20
Sandy Posey – Single Girl (1966)
Sandy Posey – Bring Him Home Safely To Me (1971)

Evelyn Thomas, 70, soul and dance singer, on July 21
Evelyn Thomas – Doomsday (1976)
Evelyn Thomas – High Energy (1984)

Duke Fakir, 88, singer with the Four Tops, on July 22
Four Tops – Kiss Me Baby (1956)
Four Tops – It’s The Same Old Song (1965)
Four Tops – Keeper Of The Castle (1972)
Four Tops – Tonight I’m Gonna Love You All Over (1981)

John Mayall, 90, British blues musician, songwriter and producer, on July 22
John Mayall & The Blues Breakers – I’m Your Witchdoctor (1964, also as writer)
John Mayall – Don’t Pick A Flower (1969, also as writer and producer)
John Mayall – Sunshine (1976, also as writer and producer)

Craig Figl, ex-guitarist of Australian metal band Mortality, announced on July 23

Malome Vector, 32, Lesotho-born South African rapper and singer, in car crash on July 24
Malome Vector – Naledi (2024, also as co-writer)

Shafin Ahmed, 63, singer and songwriter of Bangladeshi rock band Miles, on July 24
Miles – Been Too Long (1986)

Antonio Cabán ‘El Topo’ Vale, 81, Puerto Rican guitarist, singer and composer, on July 24
Antonio Cabán Vale – Verde Luz (1973)

Bill Crook, Canadian metal musician (Spiritbox, Living With Lions), announced July 24

Pascal Danel, 80, French pop singer-songwriter, on July 25
Pascal Danel – Kilimandjaro (1966)

Tadashi Yabe, 59, Japanese DJ with nu-jazz outfit United Future Organization, on July 25
United Future Organization – United Future Airlines (1995)

Tomáš Vendl, 52, bassist of Czech black metal band Master’s Hammer, on July 26

Kelly Nelon Clark, 64, alto singer with gospel group The Nelons, in plane crash on July 26
Jason Clark, lead singer with gospel group The Nelons, in plane crash on July 26
Amber Nelon Kistler, soprano singer with gospel group The Nelons, in plane crash on July 26
The Nelons – Look For Me (2023)

Misia, 69, Portuguese fado singer, on July 27
Misia – Unicórnio (1995)

Pat Collier, 72, bassist of English punk band The Vibrators and producer, on July 27
The Vibrators – Baby Baby (1977)
Katrina & The Waves – Walking On Sunshine (1985, as producer)

DJ Polo, DJ with hip hop collective Juice Crew and producer, on July 27
Kool G Rap & DJ Polo – Trilogy Of Terror (1989)

Chino XL, 50, rapper and actor, on July 28
Chino XL – Kreep (1996)

Martin Phillipps, 61, guitarist and songwriter of New Zealand indie band The Chills, on July 28
The Chills – Kaleidoscope World (1986, also as writer)

Mick Underwood, 78, English hard rock drummer, on July 28
Quatermass – Gemini (1970, as member)
Gillan – Restless (1981, as member)

Onyeka Onwenu, 72, Nigerian singer, actress and activist, on July 30
Onyeka Onwenu – Endless Life (1982)

DJ Randall, 54, British drum and bass DJ and producer, on July 31

Arthur Miles, 74, R&B, dance and jazz musician, on July 31
Arthur Miles – Victims Of Our Love (1991)

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