Any Major Dude With Half A Heart

I was not going to do an Any Major Soul 1986, given the absence of comments over the past few years. But at the end of the year, a reader asked that I continue the series. I’m glad he did, and I loved putting this mix together. 1986 was not a year of transition and innovation, but it was a fine vintage for soul music.

Maze, led by the late, great Frankie Beverley, released their second live double-album, Live In LA. It was every bit the equal of their classic Live In New Orleans set from 1981. The Manhattans, (featuring here in a duet with Regina Belle), The Temptations and George Benson were still around, as were Beau Williams (whose Elvina was a big soul hit in 1982), and the Crown Heights Affair, whose recording career was nearing its end.

Luther Vandross finally hit the big time with his glossily-produced Give Me The Reason album. Much of it was likable soul-pop and superb soul balladry; the featured track, See Me was a true soul groove number.

Freddie Jackson consolidated his success in 1985 with five consecutive US R&B #1 hits from his Just Like The First Time album, including his lovely duet with Melba Moore, A Little Bit More, which features here. In the UK, he had a breakthrough in 1986 with Rock Me Tonight, a US Top 20 hit the previous year.

The breakout star of 1986 was Anita Baker. Her sophomore album, Rapture, was flawless, with Baker fusing her naturally jazzy vocals with a soul sensibility. The other soul singer making it big in 1986 was Alexander O’Neal, but since his debut album was issued in 1985, as was his hit with Cherelle, Saturday Love, he doesn’t feature here (of course, he was on Any Major Soul 1985 as well as on Any Major Albums 1985). Well, he actually does feature here — unmistakably as a backing vocalist on The S.O.S. Band’s The Finest, produced by Jam & Lewis, who also produced O’Neal.

Other soul acts broke big in 1986, but few followed on from that success. Oran Jones, inevitably nicknamed “Juice”, turned out to be a one-hit wonder with his spectacularly misogynistic The Rain, which one must hope is a parody rather than an expression of Mr Jones’ character. Either way, it has a great groove, and some fabulous one-liners (“you without me is like corn flakes without the milk!”), delivered with relish (“You gotta get on outta here with that alley-cat-coat wearin’ Hush-Puppy-shoe-wearing crumb cake I saw you with”). Don’t touch that coat!

Gregory Abbot, ex-husband of soul legend Freda Payne, gave up a career as a professor in English at the University of Berkeley to pursue his vocation as a soul singer-songwriter. He had a huge hit in 1986 with Shake You Down, and his debut album of the same name was a best-seller. But after that, Abbot largely disappeared from the charts. Abbot’s last album, his fifth, came out in 2011.

Another soul act that broke through in 1986 was the trio Surface. Happy was their first pop hit, reaching #20 in the US (written by the members of Surface, it had first been recorded by UK funk group Hi-Tension in 1984). They went on to have more success, especially with the US #1 hit The First Time in 1990, and a #5 the previous year with Shower Me With Your Love, both sweetly-soppy ballads.

Two acts here represent UK soul. The wonderful Ruby Turner features with her magnificent cover of I’d Rather Go Blind, apparently issued on single “by popular demand”. Jaki Graham duets with Derek Bramble. Her partner was no lucky hanger-on. Bramble wrote all but one of the tracks on Jaki’s Breaking Free album, produced it, arranged it, co-engineered it, played bass on all tracks, and keyboards and guitar on some, and contributed vocals on two duets and backing vocals on most. Previously he had co-produced David Bowie’s Tonight album.

As always, this mix is timed to fit on a standard CD-R and includes home-raptured covers and the above text in PDF format. PW in Comments.

1. Maze Featuring Frankie Beverly – Happy Feelings (live)
2. Luther Vandross – See Me
3. Anita Baker – Same Ole Love
4. Freddie Jackson & Melba Moore – Just A Little Bit More
5. Gregory Abbot – I Got The Feelin’ (It’s Over)
6. The Manhattans feat. Regina Belle – Where Did We Go Wrong
7. The Temptations – Lady Soul
8. Surface – Happy
9. Oran ‘Juice’ Jones – The Rain
10. Epicenter feat. Sandra Feva – You Can’t Come Up In Here No More
11. Beau Williams – All Because You
12. Gwen Guthrie – You Touched My Life
13. Jaki Graham & Derek Bramble – Let’s Get Blue
14. Ruby Turner – I’d Rather Go Blind
15. George Benson – Kisses In The Moonlight
16. Crown Heights Affair – Make Me The One
17. S.O.S. Band – The Finest

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More Any Major Soul

Soul music by 1985 — 40 years ago — was finding its stride, after a couple of years of searching. The good years were beginning. That isn’t to say that there weren’t some songs and sounds that have aged poorly and weren’t that great to start with, much like episodes of The Apprentice. Those horrible synth stabs, drum-machines and basslines cut-and-pasted from every coke-fuelled mid-1980s Hollywood blockbuster soundtrack have aged as well as the ghost of Studio 54 in a polyester tracksuit.

But there was also some beautiful soul music being released, including what I would name the greatest soul song of the 1980s: If You Were Here Tonight by Alexander O’Neal. That one doesn’t feature here — you’re getting a fine O’Neal deep cut instead — because it’s on the Any Major Babymaking Music Vol. 2 mix, as is Cameo’s gorgeous I’ll Never Look For Love (Cameo are still represented on this mix, too).

O’Neal was produced by the up-and-coming Jimmy Jam & Terry Lewis team, as was Atlantic Starr’s wonderful Silver Shadow, and Force M.D.’s Tender Love (a hit in 1986 but released in ’85). They cut their teeth with acts like Klymaxx, Cheryl Lynn, Cherelle, and The S.O.S. Band (whose Weekend Girl appeared on Any Major Soul 1984, as does Cherrelle’s Who’s It Gonna Be). Jimmy Jam and Terry Lewis went on to change soul music.

Another track here was produced by a team that would come to dominate pop music, at least in the UK. Princess’ Say I’m Your Number One was produced by Stock-Aitken-Waterman, who started out making some high-class records before becoming cookie-cutter hitmakers. This was UK soul at its finest.

For a couple of acts here, 1985 was the end of the road. Bill Withers retired after releasing his first album in seven years, Watching You Watching Me, which included the gorgeous Oh Yeah. And funk veterans Skool Boyz split after issuing their This Is The Real Thing LP.

Some other soul veterans were still making themselves relevant in 1985 — Bobby Womack, Timmy Thomas, Johnnie Taylor — while others were at the beginning of their careers. Although they had been around for a while, Alexander O’Neal and Freddie Jackson released their debut albums, and carried the baton forward.

But it was Whitney Houston who became a legend. Her eponymous album was a carefully calculated effort. It clearly was intended to appeal to both soul and pop crowds, with the soul sufficiently sanitised to appeal to the pop crowd.

Tracks like the upbeat How Will I Know and the ballad All At Once, both fine songs, were clearly aimed at the pop market. Songs like You Give Good Love (featured here) and the duets with Jermaine Jackson and Teddy Pendergrass were directed at the soul listener. The breakthrough came with a cover of a soul number, Marilyn McCoo’s Saving All My Love For You (see Any Major Originals – Soul Vol. 1). The calculation worked out, and the well-crafted album stands up well even today — maybe because of the lack of those damn synth stabs.

As always, this mix is timed to fit on a standard CD-R and includes home-programmed covers and the above text in PDF format. PW in Comments.

1. Princess – Say I’m Your Number One
2. Atlantic Starr – Silver Shadow
3. Nicole with Timmy Thomas – New York Eyes
4. Cameo – A Good-Bye
5. Maze Featuring Frankie Beverly – Too Many Games
6. Bill Withers – Oh Yeah!
7. Freddie Jackson – You Are My Lady
8. Luther Vandross – Wait For Love
9. Whitney Houston – You Give Good Love
10. Alexander O’Neal – Look At Us Now
11. Eugene Wilde – Don’t Say No (Tonight)
12. Force M.D.’s – Tender Love
13. 9.9 – All Of Me For All Of You
14. Skool Boyz – You Are My Love
15. Bobby Womack – I Wish He Didn’t Trust Me So Much
16. Johnnie Taylor – Just Because
17. George Benson & Roberta Flack – You Are The Love Of My Life
BONUS TRACKS
18. Con Funk Shun – I’m Leaving Baby
19. Loose Ends – Hangin’ On A String (Contemplating)
20. Starpoint – Object Of My Desire
21. Mary Jane Girls – In My House

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More Any Major Soul

In the mid-1980s, much of soul music sounded like action-comedy movie soundtrack fillers: stabbing synth, plastic funk bass, dull drum machines, and soulless electric guitars that tried to recreate the magic of Van Halen’s solo on Beat It and failing dismally in doing so. It was mostly horrible. Diana Ross’ Swept Away is a perfect example of that hideous kind of overproduced musical sterility, the sort of thing no baby was ever made to.

This mix of soul from 1984 avoids these abominations, and there may well be people in their late 30s in the world today who were conceived to one or the other track on this collection. The year 1984 was not a high-water mark for soul music. Perhaps it was its nadir. And yet, I felt compelled to add six bonus tracks, on top of the CD-R length mix. It can’t have been that bad.

By the mid-1980s, the social commentary songs and declarations by strong women telling their no-good men where to get off from the 1970s had made way for love-and-sex lyrics, some as greasy as jheri curls and as predictable as AI prose.

Words were secondary to the jam. And there were some solid jams. The best slow jam of 1984 might have been Eugene Wilde’s Gotta Get You Home Tonight, which featured on Any Major Soul 1984/85. Wilde, who was born as Ronald Eugene Broomfield, returns here with a deep cut from his most successful of the four albums he released between 1984 and 1991 (another one followed in 2011).  After his singing career had fizzled out, Wilde became a songwriter.

Like Wilde, O’Bryan had that jheri-curled look which might detract from his talent (incidentally, O’Bryan and Wilde were born a day apart in December 1961). The singer, whose full and magnificent name is O’Bryan McCoy Burnette II, was a prodigy of Don Cornelius, who used O’Bryan’s funky Soul Train’s A Comin’ as the theme of Soul Train from 1983-87. O’Bryan’s 1984 album Be My Lover was his most successful. By 1986, diminishing returns had set in.

This set opens with a couple of songs that became hits only in 1985. The Intruders’ Who Do You Love was a single release in 1984; a longer version appeared on their 1985 album. A few other acts from back when were still producing good things in 1984. Featured here are the Bar-Kays, Bobby Womack and Major Harris, the Delfonics alumnus whose I Believe In Love was an outstanding comeback, which sadly was not the commercial success it deserved to be.

1980s soul often shone brightest when great singers collaborated with jazz fusion artists (and when these jazz artists appeared on their records). We have two such collaborations here. Bill Withers guests on percussionist Ralph MacDonald’s album. The line-up of musicians on In The Name Of Love, co-written by Withers, is impressive: Steve Gadd on drums, Marcus Miller on bass, Eric Gale on guitar, Richard Tee on electric piano, and Randy Brecker on trumpet. If the sounds seem familiar, it is because you’ve heard these guys play on countless records. Just check out the series of Steve Gadd Collections (Vol. 1, Vol. 2 and Vol. 3).

My favourite track on this collection is Roberta Flack’s collaboration with veteran Japanese fusion saxophonist Sadao Watanabe, Here’s To Love. And guess who the session musicians on that track are: MacDonald, Miller, Gale and Tee, and the great Barry Eastmond on synth.

Among the bonus tracks is a version of I Feel For You by Rebbie Jackson. It was released at the same time as the lightning-in-a-bottle version by Chaka Khan (whose follow-up single, Eye To Eye, features here). The song was originally written in 1979 by Prince for Patrice Rushen — who turned it down. Of course, Rushen features here as well.

.All Any Major Soul mixes from 1964 onwards are up again. Like all of them, this mix  timed to fit on a standard CD-R, and includes home-jhericurled covers, and the above text in a PDF. PW in comments.

1. The Intruders – Who Do You Love
2. The S.O.S. Band – Weekend Girl
3. Evelyn ‘Champagne’ King – Till Midnight
4. Patrice Rushen – High In Me
5. Bobby Womack & Patti LaBelle – Love Has Finally Come At Last
6. Loose Ends – Feel So Right Now
7. Ralph MacDonald feat. Bill Withers – In The Name Of Love
8. Sadao Watanabe feat. Roberta Flack – Here’s To Love
9. Chaka Khan – Eye To Eye
10. Amii Stewart – That Loving Feeling
11. Glenn Jones – Show Me
12. O’Bryan – Go On And Cry
13. Major Harris – Spend Some Time
14. Bar-Kays – Lovers Should Never Fall In Love
15. Mtume – You, Me And He
16. Jermaine Jackson – Do What You Do
17. Eugene Wilde – Rainbow
18. Teddy Pendergrass – This Time Is Ours
BONUS TRACKS
19. Peabo Bryson – If Ever You’re In My Arms Again
20. One Way – Lady You Are
21. Lenis Guess – Lay Your Head Down On Me
22. Cameo – She’s Strange
23. Cherrelle – Who’s It Gonna Be
24. Rebbie Jackson – I Feel For You

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More Any Major Soul

Nobody vaguely sane has ever claimed that 1983 represents a pinnacle in soul music. Still, there was enough good stuff around to produce a fine mix — one on which synth stabs and lazily programmed drum machines, which blighted so much soul in the ’80s, are in short supply. So the music on this mix is relatively timeless, rather than being a time capsule.

If Patti LaBelle’s Love, Need And Want You sounds vaguely familiar, then it is because it was prominently sampled by Nelly for his 2002 hit with Kelly Rowland, the superb Dilemma. In the video, LaBelle appeared as Kelly’s mother, which was a great touch.

The Mary Jane Girls’ All Night Long has also been liberally sampled, most famously by LL Cool J on his 1991 hit Around The Way Girl, and a few years later by Mary J Blige on Mary Jane (All Night Long), which was more tribute than sample. But in recording the Mary Jane Girls song, Rick James did a bit of copying themselves: the bassline borrows from Keni Burke’s song Risin’ To The Top from a year earlier.

Perhaps the most sampled song on this mix is Between The Sheets by the Isley Brothers. Wikipedia counts 50 samples, including on Da Brat’s Funkified, The Notorious B.I.G.’s Big Poppa, Doja Cat’s Like That, Gwen Stefani’s Luxurious, and Pretty Ricky’s On The Hotline.

One place you probably would not begin a search for soul music is Sweden. And yet, our Scandinavian friends are represented here in the form of the band Shine. The band’s creative main man was the Ghanaian/Dutch jazz funk musician Kofi Bentsi-Enchill, who also takes lead vocals on So Into You, along with Swedish-French jazz singer Babette Kontomanou. Shine released one album, and then faded away. Babette went on to have a good solo career.

Joyce Lawson has three albums to her credit. Her eponymous 1983 debut was followed by an album in 1987, and a third set 14 years after that. Her career took off after winning the US talent programme The Gong Show. I have found no further biographical info on Lawson, except that she appears to be no longer with us.

I think I ought to issue an earworm warning in regard to Baby I’m Scared Of You by Womack & Womack. That line, “Houdini, was great magician, he could crack a lock [dut dut] from any position”, has kept me awake as it refused to leave my ear. And once I succeeded to dispel it, there was Cecil Womack sitting in my ear: “Oh, like Rudolph Valentino, I can fall down on my knees…” You’ve been warned!

The great cover version of Superstar by Luther Vandross was one of the first tracks on my shortlist, but at nine minutes it’s rather too long to be included on a CD-R length mix. It’s included as a bonus track. Superstar is the redeeming feature of the album it closes, Busy Body, which I regard as Luther Vandross’ weakest effort.

By the way, all Any Major Soul mixes from 1964 onwards are up again.

As ever, the mix is timed to fit on a standard CD-R, and includes home-houdinied covers. PW in comments.

1. Rufus & Chaka Khan – Ain’t Nobody
2. Lionel Richie – Love Will Find A Way
3. Isley Brothers – Between The Sheets
4. The Manhattans – Forever By Your Side
5. Womack & Womack – Baby I’m Scared Of You Baby
6. Patti LaBelle – Love, Need And Want You
7. Al Jarreau – I Will Be Here For You (Nitakungodea Milele)
8. Randy Crawford – Why?
9. Roberta Flack & Peabo Bryson – Maybe
10. Enchantment – Don’t Fight The Feeling
11. Gwen Guthrie – Oh What A Life
12. Shine – So Into You
13. Joyce Lawson – Try Me Tonight
14. Sister Sledge – Gotta Get Back To Love
15. Atlantic Starr – Touch A Four Leaf Clover
16. Mtume – Juicy Fruit
17. Mary Jane Girls – All Night Long
Bonus Track:
Luther Vandross – Superstar

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More Any Major Soul

The alert follower of this corner of the Internet will have spotted that the Any Major Soul series now runs only once a year, to mark the 40^th anniversary of the featured year. And when I contemplate that 1982 is now equidistant to 1942, I feel quite dizzy. But somehow, I don’t think the distance between now and 1982 is as culturally, socially or politically big as that between 1982 and 1942.

That, I think, applies to music as well. In fact, today’s R&B artists especially have an affinity for the stuff that was big four decades ago.

Before the ‘Betrayal’
The opening track on this mix shows how quick things can go downhill. In 1982, Stevie Wonder was still in best form, with songs like That Girl and the majestic Do I Do. By 1984, Stevie issued that song which for once confirms received wisdom, the shameful I Just Called To Say I Love You; a song I could not hate more if it was sung by Michael F Bolton. I had anticipated the new Stevie song with such anticipation that September day in 1984, and felt betrayed when I heard it on the radio. To wash the grease of I Just Called… out of my ears, I put on the Original Musiquarium album. On that “Best Of” type double-LP set, every side ended with a previously unreleased track. All of these would have merited a place on any of the great Stevie Wonder albums of the 1970s.

Knitted Jersey Soul
For those who lived through the ’80s, it is tempting to dismiss Lionel Richie as a somewhat naff pop singer of syrupy ballads and party tunes, whose sartorial style was like a parody of 1980s fashion when 1980s fashion was still happening. And fair enough, I don’t like Dancing On The Ceiling or Hello or Ballerina Girl. But Richie, we must never forget, was also the man from The Commodores, whose place in the pantheon of soul acts is unassailable. And that Richie was also present on his solo albums. The featured track, Round And Round, is a delightfully upbeat song from his eponymous 1982 album.

Not a Smith
I recall arriving in London in 1984 and seeing concert listings announcing gigs by Morrissey-Mullen. I had no ideas what music I might hear at such gigs, and I never sought to find out. But since I loved The Smiths, the name stuck in my mind. Later I learnt that this lot had no truck with the pretentious lyrics and nasty bigotry of their part-namesake. Morrissey-Mullen were a pretty funky jazz fusion act, with Dick Morrissey on saxophones and flute, and Jim Mullen on guitar. Morrissey left us in 2000 at the age of 60.

On the featured track, their groove is given life by the vocals by British singer Carol Kenyon, whose voice you may well know from Heaven 17’s 1983 hit Temptation (featured on A Life in Vinyl 1983), or from Paul Hardcastle’s 1986 hit Don’t Waste My Time. She was a prolific backing singer.

Fifth Stairstep
Keni Burke started his career as a kid in the Five Stairsteps, and wrote the group’s first successful single, You Waited Too Long, in 1966, before he was even 13. A talented multi-instrumentalist, he backed some of the biggest names in soul music while also pursuing a solo career that yielded three albums between 1977 and 1982, followed by another in 1998.

Short Careers
It is a little sad to know that Mighty Fire released only two albums, in 1981 and ’82, before they split. Member Darryl K. Roberts, a singer, bassist and keyboardist, went on to write the Anita Baker song Same Ole Love. Mel Bolton, who also produced the Mighty Fire, had been an arranger for Motown, including the tribute to Berry Gordy, Pops, We Love You, which was recorded by two acts that also feature on this mix: Marvin Gaye and Stevie Wonder (along with Diana Ross and Smokey Robinson).

Even fewer releases were issued by Wisconsin soul acts Majestics: one single, the featured The Key To Love Is Understanding. The song must have sounded dated in 1982. Today, it is a gorgeous slow burner that really belongs in the 1970s.

Was he?
You may recognise Sweet Pea Atkinson’s voice from Was (Not Was) hits like Spy In The House Of Love and Walk The Dinosaur. On his own Atkinson, who died in 2020, released only two albums, one in 1982 and the other in 2017. Who knows, maybe I’ll feature a track from the latter on this blog in 2057.

A Original?
On the Originals of 1990s hits I included Linda Clifford’s first version 1990 Whitney Houston hit All The Man I Need. It is actually not clear whether Clifford’s version or that by Sister Sledge was the original version. Both were released in 1980, and if Discogs and Wikipedia are correct, the Sister Sledge version came out a month before Clifford’s (other sources date the release of the former to four months later). If Secondhandsongs.com and Whosampledwho.com have it right, Clifford’s recording precedes that of the sisters. Whatever the case, the Sister Sledge version is included here. The uncredited male vocals on what is really Kathy Sledge’s song, by what sounds like Barry White’s kid brother, are those of Philadelphia singer David Simmons.

Long Note
Finally, Melba Moore needs no introduction. But do listen to that absurdly long note she holds at the end of The Other Side Of The Rainbow. That’s no saxophone; it’s Melba!

A companion mix to this collection is Any Major Soul 1982/83, which I posted — gulp — 12 years ago. The Zippy link is still live.

As always, CD-R length, covers, text above in PDF, PW in comments…

1. Stevie Wonder – That Girl
2. Junior – Mama Used To Say
3. Mighty Fire – Just A Little Bit
4. Marvin Gaye – My Love Is Waiting
5. Lionel Richie – Round And Round
6. Luther Vandross – Once You Know How
7. Morrissey-Mullen feat. Carol Kenyon – Ships That Pass In The Night
8. Marlena Shaw – Next Time I Fall In Love
9. Syl Johnson – They Can’t See Your Good Side
10. Majestics – Key To Love Is Understanding
11. Melba Moore – The Other Side Of The Rainbow
12. Patrice Rushen – Where There Is Love
13. Howard Johnson – Take Me Through The Night
14. Mike & Brenda Sutton – All Worth Loving For
15. Sweet Pea Atkinson – Don’t Walk Away
16. Z.Z. Hill – Cheating In The Next Room
17. Keni Burke – One Minute More
18. Sister Sledge feat. David Simmons – All The Man I Need

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More Any Major Soul

This collection of soul acts performing their songs live on stage was inspired by the superb documentary The Summer of Soul, which tells the story of a series of six free music festivals held in Harlem in the summer of 1969 (see the trailer here). Despite drawing an audience of 300,000 and featuring an array of big stars, the Harlem Cultural Festival was practically forgotten — while the mostly white Woodstock was mythologised, in nearly an instant (and not unfairly so, as I suggested at its 50^th anniversary).

I knew about 1972’s Operation PUSH Expo’s “Save The Children” festival in Chicago, having cherished the double album soundtrack since the 1980s, and about 1972’s Wattstax festival. Both events provide a number of tracks on this mix. But I had never heard of the Harlem Cultural Festival, and I don’t suppose that this owed to a blind spot in my soul education. The event was filmed, but found no takers. So it languished in a basement for decades.

It was as if a conspiracy of silence suppressed the event. Why? Well, it was an event of black consciousness at which the Panthers provided security (because the NYPD refused to)! There was no place in Nixon’s America for such subversion, even if Republican NYC mayor Lindsey made a turn at the event. And, yes, it was political. Nina Simone alone was so powerful, she’d have Dewey Crow raise his fist in salute. But Wattstax was also political, and in Chicago, even Nixon-supporting Sammy Davis Jr asserted his blackness.

There was little overlap between the three events. Rev Jesse Jackson spoke at all three of them, every time delivering the “I Am Somebody” litany.  Gladys Knight and the Pips were at the Harlem and PUSH events; The Staples Singers at Harlem and Wattstax. And Sly & The Family Stone were at Harlem and Woodstock, that summer of ’69.

I thoroughly recommend The Summer of Soul, which was directed by Qwestlove of The Roots. It is engrossing, exhilarating and emotional. The Guardian called it the best-ever music documentary ever, which is an excited claim. But if it isn’t, it’s certainly right up there among the best.

This mix is bringing together performances by soul acts from 1972 (the first six tracks are from the Wattstax and PUSH events) to 1985 (Maze featuring Frankie Beverley). In that way, it’s a festival across ages. I think the concept works well, and I probably will compile more such mixes for my pleasure. If this mix is getting a good reaction, I shall share those too.

As always, the mix is timed to fit on as standard CD-R, includes home-encored covers, and the above text in illustrated PDF format. PW in comments.

1. Isaac Hayes – Theme From Shaft (Los Angeles, 1973)
2. Isaac Hayes – Soulsville (Los Angeles, 1973)
3. The Staple Singers – Respect Yourself (Los Angeles, 1973)
4. The Main Ingredient – Everybody Plays The Fool (Chicago, 1973)
5. The Temptations – Papa Was A Rolling Stone (Chicago, 1973)
6. Rufus Thomas – The Breakdown (Los Angeles, 1973)
7. Curtis Mayfield – Superfly (Chicago, 1973)
8. Bill Withers – Ain’t No Sunshine (New York, 1972)
9. Earth, Wind & Fire – Shining Star (1975)
10. Earth, Wind & Fire – Devotion (1975)
11. Maze feat. Frankie Beverley – Before I Let Go (Los Angeles, 1985)
12. Maze feat. Frankie Beverley – Joy And Pain (Los Angeles, 1985)
13. Al Jarreau – We’re In This Love Together (London, 1984)
14. Al Jarreau & Randy Crawford – Your Precious Love (Montreux, 1981)
15. Randy Crawford & Yellowjackets – Imagine (Montreux, 1981)
16. Rufus and Chaka Khan – Stay (New York, 1982)
17. Rufus and Chaka Khan – What Cha’ Gonna Do For Me (New York, 1982)

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More CD-R Mixes
More 1970s Soul
More 1980s Soul

While the Any Major Soul series will continue with the mixes covering the 1980s year-by-year (the most recent being Any Major Soul 1981), we’ll also be jumping ahead to the 1990s.

It was arguably the last “golden age” of soul, and the last decade in which soul was the dominant African-American genre. One might have fruitful arguments about how hip hop and soul have fused to such an extent that they are merchandise in the same bag, symbolised by the union of Beyoncé and Jay-Z. But today is not the time for that discussion, though the flirtation between soul and hip hop had already begun in the 1990s.

As the 1980s turned into the 1990s, soul became more youthful, even as veterans such as Roberta Flack and Luther Vandross were still scoring hits. Indeed, on this mix, several veterans strut their middle-aged stuff: Chaka Khan, Curtis Mayfield, Anita Baker and Gerald Alston (former lead singer of The Manhattans).

At the dawn of the 1990s, there was the New Jack Swing movement, pioneered already in the ’80s by people like Keith Sweat (remarkably, his real name), which drew from the rhythms of hip hop. In its purest form, it was short-lived, but its legacy was heavily felt throughout the decade and beyond. The awful 1980s synthethisers and screeching movie soundtrack guitars were fading away, and the primacy of the bass returned.

Return of the Band

After a decade-and-half of solo singers grabbing most of the success, groups were back. And their influences went way back to doo wop, as outfits like Boyz II Men (featured here with the marvellous Motownphilly), Shai, All-4-One et al showed. Girl bands were also back, and this time they needn’t be families like the Pointers, Sledges or Joneses.  Now there were mostly trios of Sistas: TLC, En Vogue, SWV, Jade, Eternal, Xscape, Brownstone and so on.

Of course, there were still solo singers, and some of them were of the old school, like the singer of this set’s stand-out track, Keith Washington. But new stars emerged, even if for a brief shift at the top. One of them was Johnny Gill, alumnus of New Edition, whose My My My offered the promise of first-rate sex in the class of Teddy Pendergrass. But where TP was all hairy face, Gill was shaved balls. Soul machismo had a new look, all short-sides and flattop, and waxed chests.

Sex ‘n’ Soul

In the 1990s, soul music became more sexually explicit, though not yet in the misogynistic crudeness which would be spearheaded in hip hop with its demeaning rhymes about assorted bitches and ho’s who reportedly ain’t shit. Our soul singers were still cut from the romantic cloth, and their romancing included few sartorial uses, other than the strategic discarding of garments. The vague suggestion of sweet lovin’ through the night, baby, became more specific in the soul mainstream, recalling TP’s radical proposal a decade earlier of showering together for the purpose of mutually administered personal hygiene before sweaty proceedings could commence in the darkness.

Case in point: cunnilingus. Previously all kinds of metaphors would protect the fainthearted from exposure to this particular form of oral sex (and here we welcome the lost porn-googlers. Stick around, new arrivals, and enjoy the music). Pop band Spandau Ballet pushed the tongue out wide when in True, their 1983 hit, they referred to the “pill on my tongue”, which was not a pharmaceutical reference. Ten years later, Tony Toni Toné in their song Put Your Head On My Pillow issued an explicit instruction manual to cunnilingus (you find that track on Any Major Babymaking Music Vol. 2). And we will not even mention that unmentionable Bump n’ Grinder.

Soul Yodel

The 1990s produced the girl groups, but the decade also offered scope to female solo singers. The decade’s two biggest stars in soul were ground-breaking women: Whitney Houston and Mariah Carey (neither feature on this mix, but might well have). Both of them have become symbols for bombastic vocals with an excessive of melisma (the proper term for soul yodelling). Yet. both singers merit a thorough rehabilitation. They were magnificent vocalists with some great pop and a few superb soul songs (and also some unfortunate material). I shall discuss the melisma mania in the linernotes for the next mix, but it would be negligent of me to fail pointing out that summarily dismissing the vocals of I Will Always Love You or Vision Of Love simply because they include vocal gymnastics is an act of foolishness.

Women were taking their place of primacy in soul. I don’t imagine any major soul mix of the 1980s would kick off with five songs by women, or have a female presence of about two-thirds of the playlist. In my selection of tracks, this was entirely unintended. Even on the shortlist, men constituted only half of the volume. But it shows that in the 1990s, things in soul were changing.

As always, the mix is timed to fit on a standard CD-R and includes home-shellsuited covers and the text above in PDF format. PW in comments.

1. Soul II Soul feat. Kym Mazelle – Missing You (1990)
2. The Chimes – True Love (1990)
3. Mary J. Blige – Real Love (1992)
4. SWV – Weak (1992)
5. Cheryl Pepsii Riley – I Don’t Wanna Be Alone (1991)
6. Keith Washington – Kissing You (1991)
7. Curtis Mayfield – Do Be Down (1990)
8. Gerald Alston – Slow Motion (1990)
9. Chanté Moore – Love’s Taken Over (1992)
10. Jade – Don’t Walk Away (1992)
11. Johnny Gill – My My My (1990)
12. Mica Paris – You Put A Move On My Heart (1992)
13. Lisa Fischer – How Can I Ease The Pain (1991)
14. Anita Baker – Soul Inspiration (1990)
15. Chaka Khan – Love You All My Lifetime (1992)
16. Boyz II Men – Motownphilly (1991)
17. Shai – If I Ever Fall In Love (1992)

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Any Major Soul 1960s
Any Major Soul 1970s
Any Major Soul 1980s

There was still a lot of great soul in the early 1980s. In fact, there was a lot of great soul throughout the decade; it’s just the famous hits that got worse.

Dimples
One of the better hits of the mid-1980s was the rather misogynist Oran ‘Juice’ Jones hit The Rain, in which the singer delivers a spoken diatribe to effect a break-up with his cheating girlfriend (“Don’t touch that coat!”). On this mix, the roles are reversed as Betty Wright cuts down the hapless Richard ‘Dimples’ Fields, on whom she has served divorce papers. And with good reason, for he is seeking to get his jollies elsewhere. Her rap as she cuts the cad down to size is quite spectacular. Fields, who begins the track by framing himself as a victim, merits our applause for setting himself up in this song as a target for a woman’s righteous fury.

Fields went on to have an R&B hit in 1982 with If It Ain’t One Thing, It’s Another (a re-recording of a track he had originally released in 1975), and a number of low-charting releases, but he enjoyed less success than he deserved. Dimples, his nickname by which he went on his later recordings (given to him for his ready smile), died at only 57 in 2000.

Jones Girls
His She’s Got Papers On Me is one of two tracks here which I might have held back for a mix I’m plotting of songs with spoken words; the other is The Jones Girls I Just Love The Man, in which the girl’s take issue with the quality of a sister’s no-good boyfriend. In some families, I suspect, this song could be the national anthem.

The sisters — Shirley, Brenda and Valerie  — found success with Gamble & Huff, having first been mentored by Curtis Mayfield, through whom they got to work with Aretha Franklin. It was as a support act for Diana Ross that the Jones Girls came to Gamble & Huff’s attention. Besides releasing their own albums, they also provided backing vocals for the PIR roster. Of the three sisters, only lead singer Shirley (who in the featured song is the no-good man’s girlfriend) is still alive. Valorie died in 2001; Brenda in 2017. The Jones Girls previously featured on Any Major Soul 1980/81 and Any Major Soul 1978/79.

Apollo Creed sings!
One singer here is more famous as a movie star, or even as an American football player than as a soul crooner. In 1981, Carl Weathers (Apollo Creed in Rocky). You Ought To Be With Me, on which the actor has a writing credit, was his single foray into recording music. Which is a pity: Weathers is doing a creditable job of it.

Blues ‘n’ Soul
Another act is not really known as a soul singer. Bobby Rush was a veteran blues singer by the time Talk To Your Daughter came out. As a young man, he was friends with blues legends like Elmore James and Pinetop Perkins, and with Ike Turner. The featured track is from the period in his long career when Rush was produced by Philly soul pioneer Kenny Gamble. Rush, who veers into the fields of soul, funk and even hip hop, won his first Grammy in 2017, at the age of 87.

Tutored by B.B.
And a nephew of Rush’s old pal Emore James features here, too. L.V. Johnson was better known as a session guitarist — he was taught to play that instrument by B.B. King — for acts like the Bar-Kays, Johnnie Taylor, and the Soul Children. After strumming and also writing for other acts, and releasing a few singles in the 1970s, he released his debut album in 1981 (it also included a soul version of Danny Boy, featured on Covered With Soul Vol. 22). Several albums followed, none particularly successful. L.V. Johnson died in 1994 at the age of 48.

Feva
Sandra Feva released three LPs and a succession of singles, under her stage name and real name, Sandra Richardson. The breakthrough never came, but in the 1980s Feva was also a session singer, backing he likes of Aretha Franklin (including on Who’s Zooming Who), Prince, George Clinton/Paliament/Funkadelic, and others. Feva died at 73 in 2020.

As always, CD-R length, covers, text above in PDF, PW in comments…

1. The Whispers – Love Is Where You Find It
2. Luther Vandross – Sugar And Spice
3. Ray Parker Jr. – A Woman Needs Love
4. Sandra Feva – Tell ’Em That I Heard It
5. Tyrone Davis – Love (Ain’t Over There)
6. Chaka Khan – Any Old Sunday
7. The Jones Girls – I Just Love The Man
8. Richard ‘Dimples’ Fields feat. Betty Wright – She’s Got Papers On Me
9. Al Jarreau – Breakin’ Away
10. Debra Laws feat. Ronnie Laws – Very Special
11. Bobby Womack – Where Do We Go From Here?
12. Thelma Houston – There’s No Running Away From Love
13. Carl Weathers – You Ought To Be With Me
14. Yvonne Gage – Tonight (I Wanna Love You)
15. Earth, Wind & Fire – Wanna Be With You
16. L.V. Johnson – We Belong Together
17. Bobby Rush – Talk To Your Daughter
Bonus track: Fifth Avenue – Miracles

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These ABCs of… mixes are a great way to spend some time: making them and, I hope, listening to them.

The concept is simple: one artist per letter (with solo artists going by the first letter of their first name), from A-Z. And that’s where the fun comes in: for most letters there are so many different acts one can choose, and from those so many different songs. My method was easy: instead of surveying every soul artist beginning with B or S, I went for the acts that first came to mind. For X, the search went on for a bit longer…

I set myself a challenge: it was my goal to limit the running time of the mix to fit the whole thing on to a standard CD-R. All the while keeping in mind that I’ll have to enjoy the end result. Well, I’ve listened to the result many times over, and I do enjoy it very much.

PW in comments.

1. Arthur Conley – Sweet Soul Music (1967)
2. Blackbyrds – Walking In Rhythm (1974)
3. Chairmen Of The Board – Pay To The Piper (1970)
4. Denise LaSalle – Trapped By A Thing Called Love (1972)
5. Earth, Wind & Fire – Sing A Song (1975)
6. Flirtations – Nothing But A Heartache (1969)
7. Geno Washington – Michael (1966)
8. Honey Cone – Want Ads (1971)
9. Irma Thomas – It’s Raining (1962)
10. Jimmy Ruffin – Its Wonderful (To Be Loved By You) (1970)
11. Keni Stevens – Never Gonna Give You Up (1988)
12. Laura Lee – Wedlock Is A Padlock (1972)
13. Marlena Shaw – Liberation Conversation (1969)
14. Nicole Willis & The Soul Investigators – If This Ain’t Love (Don’t Know What Is) (2005)
15. O’Jays – Love Train (1972)
16. Peaches & Herb – Close Your Eyes (1967)
17. Quincy Jones – Betcha’ Wouldn’t Hurt Me (1980)
18. Randy Crawford – Tender Falls The Rain (1980)
19. Sly and The Family Stone – Everyday People (1969)
20. Temptations – Since I Lost My Baby (1965)
21. Una Valli– Satisfaction (1968)
22. Velvelettes – Needle In A Haystack (1964)
23. Windjammer – Tossing And Turning (1984)
24. Xscape – Who Can I Run To (1995)
25. Yellow Sunshine – Yellow Sunshine (1973)
26. Zulema – You Changed On Me (1974)

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More ABCs
More ’60s Soul
More ’70s Soul
More ’80s Soul

By popular request, the Any Major Soul series will go into the 1980s. And by popular request I mean the two people who expressed their wish to this effect.

The Any Major Soul 1980/81 mix showed that soul was still in good health as the 1970s turned into the ’80s. Bass and synth-driven disco had already made its impact on soul, and the harmonising falsettos and strings of just five years earlier were out of fashion.

But by then disco was dying, living on by whatever name in black music, without the distractions of the cultural appropriation by white suits and Ethel Merman. It was a happy marriage between funky dance music and balladeering soul.

A good example of that is Positive Force, whose We Got The Funk (as featured on Any Major Funk Vol. 1) was a minor hit in many parts of the world — except in the US. Here they feature with a fine mid-tempo number. The eight-piece band recorded on Sugar Hill Records, and the party ambience on that label’s breakthrough hit, Rapper’s Delight, was created by them. After an unsuccessful second LP, the force turned negative, and the band was done.

The set opens with a track by a singer who deserves to be better known than she is. Sylvia St. James was a backing singer and member of Side Effect before going solo in 1979. Her two albums of sophisticated soul were very good but brought no commercial success. St. James returned to session work, backing acts like Stevie Wonder, George Duke, Barbra Streisand, Harry Connick, Jr. and Michael Bublé.

Her previous band, Side Effect, also feature here, with a song from the LP they released after St. James departed. The group was produced by the Crusaders’ Wayne Henderson, and at one point featured singer Niki Howard on vocals.

Two acts here have singers whose voices you may recognise (if you don’t already know that these singers fronted the bands). It is well-known that Jeffrey Osborne sang with L.T.D., who had 1970s hits with Back In Love Again and Love Ballad. The other group is Zingara, who featured James Ingram on the lead vocals.

The expert and the eagle-eyed student of ID3 tags will notice that the Zingara album from which Love’s Calling comes was released in 1981; the song itself was issued as a single in 1980. The same applies to the Debra Laws song featured here.

Debra Laws, who featured on Any Major Disco Vol. 4 with the wonderful On My Own, comes from a famous jazz/soul family: she is the sister of Eloise, Ronnie and Hubert Laws. Two albums, in 1981 and 1993, and a bunch of singles accounted for Laws’ career.

Ty Karim is an insider’s tip for quality 1960s soul especially her 1967 song Lightin’ Up, but commercial success eluded her; she never even released an LP. In the 1970s she briefly recorded as Towana & The Total Destruction. Karim’s 1980 collaboration with George Griffin, Keep On Doin’ Whatcha Doin’, which features here, enjoyed some popularity on the UK club circuit, but didn’t provide a hit either. Karim died in 1983.

One singer who featured on previous Any Major Soul mixes died this month, and is represented here on backing vocals on the Stevie Wonder track — quite by coincidence; this mix was put together well before the death of Betty Wright. She featured on Any Major Soul 1968, 1970-71, 1972 and 1974 as well as on Covered With Soul Vol. 5,  Any Major Disco Vol. 6

As always, CD-R length, home-souled covers, PW in comments. If you’re digging this mix, thank readers Wolfgang and JOI for asking me to carry Any Major Soul into the 1980s.

1. Sylvia St. James – Can’t Make You Mine
2. Randy Brown – We Ought To Be Doin’ It
3. L.T.D. – You Gave Me Love
4. Positive Force – Tell Me What You See
5. Crown Heights Affair – Tell Me You Love Me
6. The Manhattans – Shining Star
7. Zingara – Love’s Calling
8. George Benson – Midnight Love Affair
9. Stevie Wonder – All I Do
10. Earth, Wind & Fire – Sparkle
11. Debra Laws – Be Yourself
12. Chaka Khan – Papillon (AKA Hot Butterfly)
13. Edmund Sylvers – Beauty Of Nature
14. Sister Sledge – All The Man I Need
15. Dee Dee Sharp Gamble – If We’re Going To Stay Together
16. Odyssey – Never Had It At All
17. Larry Graham – One In A Million
18. Side Effect – The Thrill Is Gone
19. Ty Karim & George Griffin – Keep On Doin’ Whatcha Doin’

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