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In Memoriam – November/December 2010

January 5th, 2011 8 comments

The Grim Reaper took things easy in November ““ so much so that there was no pressing need for an update “” but he could barely stop himself once he got into the swing of things in the fnal month of 2010 (and, alas, has not wasted time getting going in 2011).

A couple of artists fell victim to violent crime: New Orleans rapper Magnolia $horty died in an apparent drive-by shooting (as for the lyrics of her song…oh my), and jazz rock drummer Billy Maddox was shot dead in a burglary in Austin, Texas.

Also desperately sad was the suicide of Barclay James Harvest’s Woolly Wolstenholme. The prog-rocker apparently had gone through mental suffering for a long time. In 1976 he and his band released a most affecting song titled Suicide (which calls to mind Sailing); my choice of it to mark Wolstenholme’s death is not intended to be ironic.

Australian rock singer James Freud also took his own life, apparently giving up his battle against alcoholism. The anguish of those who commit suicide is unimaginable to those of us who have not been on that edge. It’s not the coward’s way out, as the cliché would have it, for it takes immense courage to go through with suicide. Nor is it selfish, because surely their pain overrides all other considerations.

The Grim Reaper launched an onslaught on the world of R&B in late December, claming on successive days Sweet Inspiration Myrna Smith, Dorothy Jones of the Cookies, Bernard Wilson of Harold Melvin & the Bluenotes, and Teena Marie.

On a personal level, I was sad to learn of the not unexpected death of Cape Town jazz maestro Tony Schilder, who provided me with many hours of top notch jazz entertainment. Tony was an immensely talented musician and a true gentleman. I marked his death over at Star Maker Machine. The guitar solo on the featured song, incidentally, is by Jonathan Butler.

Talking of jazz men, James Moody also passed away; fans of Aretha Franklin, George Benson and Amy Whitehouse will be familiar with the vocal takes on his mood.

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