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Posts Tagged ‘Rickie Lee Jones’

In the middle of the road: Part 2

October 19th, 2007 7 comments

More music for long drives and such things.

Ace – How Long.mp3
I love the way this song begins. A bassline, then a discreet percussive beat, enter the guitar and launch straight into the chorus with its West Coast rock harmonies. Like Rupert Holmes in “Him”, the good woman at home has been cheating, and like Holmes, our man isn’t “as dumb as [he] seems”. He figured it out even without give-away cigarettes on the window sill. Except… “How Long” is actually about their former bassplayer who played with other bands, apparently. Maybe the callous-fingered cheat left his Marlboros on the wrong amplifier.

England Dan & John Ford Coley – I’d Really Like To See You Tonight.mp3
One of the definitive AOR driving tracks, thanks to its great chorus. It’s quite a sad song about a guy trying to hook up with an ex (or object of unrequited love, perhaps) whom he really misses. He just wants to meet her as a friend, and then proceeds to suggest a whole lot of romantic things to do. Sounds a bit pathetic, but it isn’t. England Dan (Seals) is the bother of Jim Seals in the next act.

Seals & Croft – Summer Breeze.mp3
Jim Seals and Dash Croft started their career as members of the Champs, a group that also included Glenn Campbell, and had a hit in 1958 with “Tequila” (yes, that “Tequila” song). By the time they recorded under their surnames Jim and Dash had dropped the faux-Latin novelty hits in favour of evocative country-rock. Fantastic as their original version of “Summer Breeze” is, the cover by the Isley Brothers a year later, with Ernie Isley’s superb guitar solo, is even better. Lyrics about metereological phenomena don’t get much better than this: “Summer breeze, makes me feel fine, blowing through the jasmine in my mind.”

Rickie Lee Jones – Chuck E’s In Love.mp3
I think Rickie Lee Jones had one of the sexiest voices in pop, in a cute way. Rickie Lee Jones’ vocal performance, especially the way she toys with the vowels, is hugely appealing. I fall in love with her whenever I hear the “Look in the poolhall, is he there?” part. The lyrics of this song are quite wonderful, with that lovely denouement.

King Harvest – Dancing In The Moonlight.mp3
When singing along to this, can one do so without copying the singer’s accent? Uvraborday is executing rhythmic movements outdoors at night, apparently. Even the shortlived British outfit Toploader replicated the accent on their inferior cover version a few years ago. Unlike the cover, King Harvest’s 1973 version exudes joy and visions of a hippie party where nurborday’s wearing clothes.

Bob Seger – Night Moves.mp3
Poor man’s Springsteen, they called him. And, hey, he’s singing about riding in a “60 Chevy. Seger has always been a bit underestimated. The man had some great tunes, especially his mid-tempo tracks and the occasional ballad. I can do without his rocking out stuff . “Night Moves” is a fine summer sex song, which really gets good when he goes all emotional with sexual nostalgia, then goes quietly reflective with just some soft acoustic guitar strumming, before the whole thing picks up to the great extended climax with the female backing singers urging the Night Moves and Bob riffing about memories and thunder and such things (yup, another metereological theme). Glorious.

Linda Ronstadt – You’re No Good.mp3
A couple of years ago, Linda Ronstadt performed at the Aladdin Hotel in Las Vegas when she praised Michael Moore’s Fahrenheit 9/11. A shitstorm broke loose, with members of the audience exercising their right to free expression by booing the singer, throwing stuff at her and vandalising promotional material. Aladdin Hotel’s management then threw Ronstadt out of the hotel. Which isn’t very nice. She possibly sang “You’re No Good” at that concert (how’s that for a link?). It’s a very interesting song. Originally recorded by soul singer Betty Everett, it is heavily R&B-influenced (especially the backing vocals) yet still in the country-rock genre with guitars that sound like George Harrison’s on the White Album and Abbey Road, and strings which, during the long outro, borrow from Philly soul-disco. And it all comes together (geddit?) admirably.

Christopher Cross – Sailing.mp3
I suspect that having had a hit with the theme for the Dudley Moore rom-com Arthur killed Cross” career. As fine a song as it was (it’s the one about the moon and New York City), it was hardly fashionable. Indeed, “Sailing” and the equally good “Ride Like The Wind” were not exactly hip either even when they came out. They were big hits, but they were not hip. I’m not sure whether the Taste Police would approve of “Sailing” even now. Well, it does have a great chorus, and the piano interlude at 2:44 is rather lovely. And, yes, the song actually is about sailing.

Boz Scaggs – Lowdown.mp3
A song to groove to. Try sitting still when “Lowdown” comes on, and try not to sing along when Scaggs goes “Low low low low loooow down” and then play the old air guitar with the solo that follows. A strange hybrid of a song that did well on pop, adult contemporary and black radio. The story goes that Scaggs declined to have “Lowdown” included on the Saturday Night Fever soundtrack: a triumph for artistic integrity, a Decca moment for Boz’s bank balance.

Peter Frampton – Baby, I Love Your Way.mp3
In 1976/77, Frampton was one of the biggest stars in the world. A couple of years later, our curly-haired pal was as unfashionable as John Travolta. Unlike the cardinal in the “Church” of Scientology, Frampton never became cool again. Frampton Comes Alive (in its time the best-selling live album of all time) is better than collective memory suggests. Recorded in San Francisco, it captures a great atmosphere. It is strange that rational people will claim to hate this song when they secretly love it. A scene in Hi Fidelity captures that attitude nicely: John Cusack’s character “” doubtlessly a high-ranking member of the Taste Police, a colonel probably “” professes to despise the song, until he hears a girl he likes sing it. He then loves it. Just cut out the middlewoman, dude.

Little River Band – The Night Owls.mp3
Earlier I uploaded an incorrectly filenamed track under this title. The tune is in fact Pablo Cruise’s “Whatcha Gonna Do” (1977). I’ve uploaded the correct file now. So, to avoid confusion, if you DLed Little River Band – The Night Owls.mp3, change the file name to the Pablo Cruise song. The real “Night Owls” is filenamed Little River Band – The Night Owls (halfhearteddude.blogspot.com).mp3 Sorry about the confusion…
Pablo Cruise – Whatcha Gonna Do.mp3 (rename incorrectly slugged file)

The Songbirds Vol. 1

August 4th, 2007 No comments

I love the current crop of songbirds (a term which might invoke notions of Eva Cassidy, who has been posthumously overrated) better than any of the old crops — including the class of the 1970s. In fact, I can’t even describe myself as a fan of Joni Mitchell; it’s her voice, rather than material, that renders her music unlistenable to me. So here is the first installment of a (possibly fairly extensive) series of contemporary songbirds I love.

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Rickie Lee Jones

It seems right to kick off with an old songbird. Jones has released one of the most fascinating albums of the year, The Sermon On Exposition Boulevard. Candidly, I didn’t enjoy it at first, but was nevertheless intrigued. The sound is very raw (presumably the album was recorded as live), some songs are objectively mediocre, and Jones sounds like she had a case of severe hayfever. The lyrical matter — religious faith — might put some off as well, although it shouldn’t, for Jones explores rather than preaches. The sound might be described as rootsy folk-rock; some tracks seem like inversions of “Sympathy For The Evil”. This is the sort of album one needs to become intimate with — best on an iPod without distraction — to discern moments of excellence, eureka moments.
Rickie Lee Jones – Circle In The Sand.mp3
Rickie Lee Jones – Gethsemane.mp3

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Mindy Smith

Recently I read a review of Mindy Smith in which the clown-with-internet-acess made an unforgivable statement along the lines of: “Mindy Smith could be to the singer-songwriter genre what Norah Jones has been to lounge jazz”. No she can’t, Bozo! Where Norah Jones provides a new definition for coma-inducing blandness, Mindy Smith engages the listener. Bozo presumably meant that Mindy could become the superstar in her genre, attributing to her an accessibility that could be commercially exploited. Mindy’s music certainly is accessible, but not at such a level as to grab the musically disinterested masses who buy their Norah Jones, Travis and Dido CDs at the supermarket, and feel like riding on the syrated edge of the knife when they put on their Coldplay disc. Mindy Smith will not become Norah Jones’ equivalent because there is a depth, a spirit of independence to her lyrics and the music that score these. And thank goodness for that.
Mindy Smith – Out Loud.mp3
Mindy Smith – Long Island Shores.mp3
Mindy Smith – Falling.mp3
Mindy Smith – Angel Dove.mp3

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Michelle Featherstone

Michelle Featherstone’s music has been featured on several TV shows, from Grey’s Anatomy to One Tree Hill, yet I could not find her on amazon.com, and information on Featherstone is sketchy beyond her website. It seems the album is available only on iTunes. I find that puzzling, for here is somebody with immense talent. The haunting “Falling” from a couple of years ago is what Dido could sound like if she had the ambition to actually be interesting: a bit like the wonderful Mazzy Star (death threats for mentioning the great Hope Sandoval in the same thought as boring old Dido to the usual address, please).

I fully expect “Rest Of My Life” (on Featherstone’s new album, “Fallen Down”) to play when McDreamy eventually settles down with an uncertain Meredith, at which point it will be a hugely sought-after track. It deserves to be hugely sought-after now.
Michelle Featherstone – Rest of My Life.mp3
Michelle Featherstone – Falling.mp3

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Missy Higgins

Huge in her native Australia, Missy Higgins is just delightful with her Aussie wicketkeeper’s twang. Higgins (Missy is a diminutive of her first name, Melissa) has a great line in outstanding lyrics and appealing melodies. The debut album, The Sound Of White, was lyrically a bit downbeat, with themes of death (on the stunning title track she sings to her sister, who died in a car crash), depression and what appears to be a story about child murder. The new set, On A Clear Night (two tracks of which below), has its morose moments, but is a more affirming album. Lead single “Steer” could become an anthem for every newly divorced woman who feels she is taking charge of her life.
Missy Higgins – Where I Stood.mp3
Missy Higgins – Steer.mp3
Missy Higgins – The Wrong Girl.mp3
Missy Higgins – The Sound Of White.mp3

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A Fine Frenzy

Currently supporting Rufus Wainwright on his US tour, and previously the wonderful Brandi Carlile (to be featured soon), A Fine Frenzy is 21-year-old Alison Sudol. Her debut album, One Cell In The Sea, marks her out as a massive talent. Just a couple of fewer songs shorter, and One Cell… could be a strong contender for the songbird album of the year (which right now seems like a mammoth battle between Rosie Thomas and Brandi Carlile). Visit The Late Greats blog for two more songs, including the excellent and very sad lead single “Almost Lover” (video here).
A Fine Frenzy – Whisper.mp3
A Fine Frenzy – Liar Liar.mp3