Any Major Dude With Half A Heart

The Grim Reaper feasted on a rich harvest in October, though he (or she; let’s not be sexist about grim reaping) thankfully let off a bit towards the end. Incidentally, today’s post is the best-timed of the year: published on All Souls Day.

The headline death this month probably is that of folk-music legend Bert Jansch, who influenced so many musicians ““ and not only folkies. Among those who cited Jansch as influences are Jimmy Page, Elton John, Nick Drake, Johnny Marr, Mazzy Starr’s Hope Sandoval, Neil Young, Donovan, Blur’s Graham Coxon, Suede’s Bernard Butler, Al Stewart, The Fleet Foxes and Paul Simon.

Clarence Johnson, who has died at 69, might have become a soul legend with the Chi-Lites; instead he became a fine producer of soul music. With future Chi-Lites frontman Eugene Record and Robert “Squirrel” Lester (the good-looking one in the Chi-Lites), he was a member of doo wop band The Chanteurs. That band then merged with members of The Desideros to form The Hi-Lites who, after Johnson left, renamed themselves the Chi-Lites (in tribute to their hometown of Chicago). Of the Hi-Lites line-up, only one member, Marshall Thompson, is still alive.

Even if the name means nothing to you, you’ll be familiar with the photography of Barry Feinstein, who died at the age of 80. Many Feinstein photos became famous album covers, including Bob Dylan’s The Times They Are A-Changing, George Harrison’s All Things Must Pass, Janis Joplin’s Pearl, The Byrd’s Mr. Tambourine Man, and Eric Clapton’s eponymous solo debut.

Two young musicians died young of brain haemorrhage. Peter Sykes of the upcoming British Indie group This Many Boyfriends (I’ve been unable to ascertain his age) and Zimbabwean musician Taku Mafika, 28. Both tracks included here to mark their passing are quite excellent.

Tragically upcoming R&B singer Gilani Taylor, 27, died in Los Angeles of injuries sustained in a car accident three weeks earlier which also killed her young daughter. It seems the driver of the car that caused the accident fled the scene. A tragic story. Likewise, Joel “Taz” DiGregorio of country band Charlie Daniels Band (whose big hit The Devil Went Down To Georgia he co-wrote) died in a car crash. Another band member and co-writer of Devil, Tommy Crain, died in January. And Aaron Beamish, drummer of Canadian rock band Slow Motion Victory, died in a skateboarding accident, apparently after being hit by a car. At 25, Beamish is the month’s youngest dead. He died on the same day as the month’s oldest, 100-year-old Edmundo Ros.

The most bizarre death must be that of Finnish metal guitarist Mikko Laine, who was run over by a truck while apparently sleeping backstage in Holland. Also strange was the death of hard rock guitarist Terry Span, who fell into a coma after being hit by a fellow band member. It seems Span had tried to break up a fight between band mates.

As a fan of The Blues Brothers, I must also note the death at 75 on October 5 of actor Charles Napier, who played Tucker McElroy, the grudge-bearing leader of the Good Ole Boys.

Clarence Johnson, 69, soul producer and doop wop singer with The Chanteurs (who would become the Chi-Lites), on September 23
The Chanteurs – Wishin’ Well (1961)
The Brighter Side of Darkness – Love Jones (1973, as producer) Read more…

Having rounded up most of the deaths of musicians in 2009, I”ll start to do so monthly as of now. I won”t include everybody who has died. So jazz drummer Ed Thigpen, who died on 13 January at 79, doesn”t feature because I have no music by him. Others won”t feature because their genre is meaningless to me (death metal, for ironic example). And a few will surely slip under my radar, though probably fewer than the numbers ignored by the Grammys. I will include only musicians; songwriters, producers, managers, label bosses and so on are excluded unless they also recorded, as is the case with the man who heads this month”s list and was all these things. The Grim Reaper certainly had a productive month in January…

* * *

Willie Mitchell, 81, soul/jazz musician, producer, boss of Hi Records, on January 5.
Willie Mitchell – Mercy Mercy Mercy

Robert “˜Squirrel” Lester, 67, second tenor in “70s soul group The Chi-Lites, on January 22
The Chi-Lites – Stoned Out Of My Mind

Sandra Wright, 61, gospel, blues and soul singer, on January 11.
Canned Soul – Unbelievable

Teddy Pendergrass, 59, soul singer, on January 13
Teddy Pendergrass – It Don’t Hurt Now Read more…

Here is a music cliché that pisses me off: that a singer who is able to hit high notes must have a problem with testicular position, constriction or development. Or maybe I’m just being sensitive because I can do a mean falsetto and the contents of my scrotum are in perfect working order (too much information, right?). In honour of all men who can hit the high notes, here are some of the best:

Philip Bailey of Earth, Wind & Fire has a good claim to be the king of falsettoists. Check out the live version of the magnificent “Reasons” when he goes into duel with the alto sax. But Bailey demonstrates the skill it takes to sing falsetto not when hitting the glass-shattering high notes, but when he goes down deep (listen to his “ba-a-a-aby” just before the sax comes in).
Earth, Wind & Fire – Reasons.mp3

They say “Keep On Trucking” was the first disco hit when it reached the US #1 in 1973. By then, Eddie Kendricks had already established his legendary status as a member of the Temptations. The falsetto you hear on “Get Ready” is Kendricks’. I’d say in the battle of ’60s falsettos, Eddie wipes the floor with the chipmunkish novelty yelpings of Frankie Valli.
Eddie Kendricks – Keep On Trucking.mp3

Closer to the Valli sound was Eddie Holman, who had a hit with the cute “Hey There Lonely Girl” in 1970. This signalled the emergence a whole string of falsetto-dominated soul acts throughout the ’70s. Most, like the excellent Chi-Lites, the Delfonics, the Manhattans or the more poppy Stylistics, alternated the high pitches with deeper voices. Some, like Blue Magic led with the falsetto “” and it was beautiful. These acts enjoyed a fair run of success. Poor Jimmy Helms remained a one-hit wonder. His exquisite falsetto on “Gonna Make You An Offer You Can’t Refuse” suggests that this was a musical tragedy.
Eddie Holman – Hey There Lonely Girl.mp3
The Chi-Lites – Stoned Out Of My Mind.mp3
Blue Magic – Sideshow.mp3
Jimmy Helms – Gonna Make You An Offer You Can’t Refuse

By the ’80s, the falsetto had become unfashionable, perhaps because of its association with disco acts (if so, then unfairly so). There were a few exceptions, but even then, only a handful found commercial success. One singer cruelly denied such recognition was Paul Johnson, the bespectacled British soulster whose joyful 1987 single “When Love Comes Calling” was one of the finest recordings in its genre in the decade (oh yes), and arguably the finest falsetto performance of the past 25 years. I can think of only one rival to that claim: Prince (or “symbol”, as he called himself then) singing “The Most Beautiful Girl In The World”.
Paul Johnson – When Love Comes Calling.mp3
Prince – The Most Beautiful Girl In The World.mp3

Lastly, an artist whose gentle countertenor would sometimes slip into a most restrained falsetto and back again: Curtis Mayfield. This song is not a falsetto, and I’m posting it gratuitously because it is a most beautiful song most beautifully performed. Released just a few weeks before the accident that robbed Curtis of his mobility in August 1990, this belongs in the canon of Mayfield’s absolutely greatest hits. But nobody seems to have picked up on that. You judge:
Curtis Mayfield – Do Be Down.mp3