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In Memoriam – February 2021

March 4th, 2021 5 comments

The Reaper continued his furious ways for the first half of the month, culminating in 16 deaths in four days, between February 16-19. After that, things eased up a little. And while I was preparing the February round-up, news came of the death of Bunny Wailer, who’ll feature next month.

The Supreme
In 1959, Detroit teenager Betty McGlown was roped in by her boyfriend Paul Williams to form a singing group. Betty recruited the talented local teenager Florence Ballard, who then recruited her friend Mary Wilson, and Mary in turn recruited a girl from her school called Diane. Finally Betty herself joined, but soon left again. The new group was called The Primettes, to support a boy band who called themselves The Primes, with guitarist Marvin Tarplin backing the girls.

You know how the story ends: The Primes became The Temptations, the group Betty, Florence and Mary founded became The Supremes, and Diane became Diana. Soon enough, Florence and Mary were reduced to be Diana’s backing singers, even though there are those who credit them with being as good, or even better, singers than Diana (but not as good interpreters of lyrics). Still, the trio had success like no girl group had ever had.

Eventually Florence would be thrown out of the band, and Diana would make a diva-like exit, but Wilson stuck it out with new line-ups, even enjoying a few hits without Diana (despite Motown’s less-than-enthusiastic promotion), until the group split in 1977. Wilson was a constant throughout the life of The Supremes. In 1979 she released a solo album, which was not bad and certainly showed that Mary really could sing. Motown didn’t promote it, and dropped Wilson while she was recording a follow-up.

Wilson worked in the theatre in the 1980s, and published her bestselling memoirs in 1986 in which she refers to Ross only as “Diane”, and generally took a dimmer view of her old friend than she would in later years. Wilson, who suffered personal tragedy in 1994 when her 14-year-old son died in a car accident, recorded intermittently, with her final outing in 2015. In 2019 she featured on the Dancing With the Stars TV show. She still planned for future when she suddenly died at 76.

The Fusion Pioneer
Without Chick Corea, who knows how jazz might have developed, especially in its fusion forms? Corea had a guiding hand in Miles Davis’ pioneering work in jazz-rock fusion. In his own work, he was always seeking, experimenting and breaking ground. Corea could be free-jazzing as well as producing works of exquisite melodic beauty, and even creating modern classical music.

Born Armando Corea, the son of a jazz musician was already in his early 20s played with pioneers such as Mongo Santamaria, Willie Bobo, Cal Tjader, Blue Mitchell, Herbie Mann, Hubert Laws, and Stan Getz. Corea won 23 Grammys and was nominated for 60, which is impressive, even if one regards those awards dimly.

The Knight Writer
Even if you don’t know the name of Jim Weatherly, the country singer-songwriter (and one-time all-star quarterback) who has died at 77, you’ll probably know his most famous three songs. All three were big hits for Gladys Knight & The Pips, who recorded a dozen of Weatherly compositions. There’s the gorgeous Best Thing That Ever Happened To Me, the heartbreaking Neither One Of Us, and the most famous one of them: Midnight Train To Georgia. That song wasn’t called that when Weatherly first wrote and recorded it. Then it was Midnight Plane To Houston (that was changed when, ironically enough, Cissy Houston covered it). The story and Weatherley’s original version, as well as the original of Best Thing That Ever Happened To Me by Steve Lawrence, is in The Originals – Soul Vol. 1. Neither One Of Us features on The Originals – Soul Vol. 2, which was in the works when Weatherly died.

The Salsa Pioneer
In the world of Latin music, Johnny Pacheco was a pivotal figure. Born in the Dominican Republic, Pacheco helped develop the salsa scene, fusing it with other Latin rhythms, especially Cuban styles. He even lent part of his name to a dancestyle and subgenre in the late 1950s, the Pachenga, which became hugely popular in the United States in the early 1960s.

Pacheco, a percussionist who came to the US at 11, co-founded a record label, Fania, in 1964. It became the premium producer of salsa records, while Pachega led its house band in jam sessions (descargas) with sine of the greatest names in Latin jazz, under the Fania All-Stars banner (among those playing on the featured track are Mongo Santamaria, Jan Hammer, Manu Dibango, Bobby Valentin and guitarist Jorge Santana). Pachega, who was also a prolific songwriter, was awarded the Latin Grammy Lifetime Achievement Award in 2005, and the Dominican Republic’s Presidential Medal of Honour.The Electric Light Conductor
Do you remember the Hooked On Classics series in the 1980s? Sort of based on the Stars on 45 model, it was created and produced by English arranger and conductor Louis Clark. If that doesn’t impress you (and it’s OK if it doesn’t), his marvellous work with the Electric Light Orchestra should. All those wonderful string arrangements on ELO songs were co-created by Clark. Later, in 1983, he played keyboards for ELO on tour. After ELO and the Royal Philharmonic hooking us on the classics, Clark arranged for the likes of Ozzy Osborne, Roy Orbison, Asia, Kiki Dee, and others.

The Producer
If you own a Neil Young record made between 1971 and 1992, chances are that producer and engineer Elliot Mazer had a hand in it. Before he hooked up with Young, he had worked with acts as diverse as Chubby Checker, Janis Joplin and Gordon Lightfoot. For Joplin he produced tracks like Try (Just A Little Bit Harder); for Lightfoot he produced If I Could. He produced and engineered Linda Ronstadt’s debut Silk Purse, and then set to work assembling the Stray Gators, the backing band for Neil Young with which they’d record the Harvest album (with the classics Heart Of Gold and The Needle And The Damage Done). He later produced acts such as Barclay James Harvest, Frankie Miller, Juice Newton, David Soul, and the Dead Kennedys.

The Silence Of Music
By cruel coincidence, The Sound of Music’s original London stage Maria, Jean Bayless, and the film’s Captain von Trapp died on the same day. Spookily, on that very day I learnt that Edelweiss was the last song Oscar Hammerstein ever wrote. In the film, it’s not Christopher Plummer who sings that song; it was dubbed. Plummer hated The Sound of Music with a special passion anyway. So the song included here as the tribute to him is from the stage musical Cyrano. Whereas Bayless gets the title song of the musical she helped inaugurate.

The Emcee
You’ll have watched, and probably admired, Danny Ray if you have ever watched James Brown’s theatrics during his performances of Please Please Please. Brown is led off in a state of emotional exhaustion, and Ray dotingly drapes a vape over his boss’ shoulders, whereupon Brown explodes with a burst of energy to restate his plea to the object of his affection to please not go. The scene repeats itself to comic effect.

Ray was the show’s emcee, so the introductions and outros (and occasional interjections) during Brown’s shows from the 1960s till the singer’s death in 2006 was his work. At Brown’s funeral, Ray draped a gold cape over the coffin of his boss, who had finally departed the stage.

As always, this post is reproduced in PDF format in the package, which also includes my personal playlist of the featured tracks. PW in comments.

Danny Ray, 85, James Brown’s emcee, on Feb. 2
Danny Ray – Introduction Of The J.B.s (1972)

Aaron Wegelin, ex-drummer of indie band Elf Power, on Feb. 2
Elf Power – Jane (1999)

Jim Weatherly, 77, country singer-songwriter, on Feb. 3
Cissy Houston – Midnight Train To Georgia (1972, as writer)
Jim Weatherly – Where Peaceful Waters Flow (1973, also as writer)
Gladys Knight & The Pips – Best Thing That Ever Happened To Me (1973, as writer)

Jim Weatherly – All That Keeps Me Going (1977, also as writer)

Anne Feeney, 69, folk singer-songwriter, on Feb. 3
Anne Feeney – Have You Been To Jail for Justice? (1969)

Kris De Bruyne, 70, Belgian singer, on Feb. 3

Nolan Porter, 71, soul singer-songwriter, on Feb. 3
N.F. Porter – Keep On Keeping On (1971)

Gil Saunders, soul singer with Harold Melvin & the Blue Notes, on Feb 3
Harold Melvin & The Blue Notes – Today’s Your Lucky Day (1984, on lead vocals)

Jaime Murrell, 71, Panamanian Christian singer-songwriter, on Feb. 4

Matt Harris, bassist of rock band The Posies, on Feb. 4
The Posies – Second Time Around (2005)

Stefan Cush, 60, singer with UK folk-punk group The Men They Couldn’t Hang, on Feb. 4
The Men They Couldn’t Hang – Ironmaster (1975)
The Men They Couldn’t Hang – The Colours (1988)

Örs Siklósi, 29, singer of Hungarian metal band AWS, on Feb. 5

Christopher Plummer, 91, Canadian actor and stage singer, on Feb. 5
Christopher Plummer – Roxana (1973, from the musical Cyrano)

Jean Bayless, 88, British actress and original Sound of Music Maria, on Feb. 5
Jean Bayless – The Sound Of Music (1961)

Douglas Miller, 71, gospel singer, on Jan. 5

Elliot Mazer, 79, producer and engineer, on Feb. 7
Linda Ronstadt – Long Long Time (1970, as producer)
Neil Young – Old Man (1972, as co-producer)
Frankie Miller – A Fool In Love (1976, as producer)

Corrado Francia, 73, Italian singer, on Feb. 8

Mary Wilson, 76, soul singer with The Supremes, on Feb. 8
The Supremes – Our Day Will Come (1965, on lead vocals)
The Supremes – Floy Joy (1971, on lead vocals)
Mary Wilson – Pick Up The Pieces (1979)
Mary Wilson – Time To Move On (2015)

Servando Cano Rodríguez, 78, Mexican singer-songwriter and producer, on Feb. 8

Cedrick Cotton, 46, singer with R&B band Ideal, fatally stabbed on Feb. 9
Ideal – Get Gone (1999)

Chick Corea, 79, jazz keyboardist and songwriter, on Feb. 9
Hubert Laws – All Soul (1964, on piano as Armando Corea)
Chick Corea – Spain (1972, also as composer)
Chick Corea – The One Step (1978, also as composer)

Richie Albright, 81, drummer of Waylon Jennings’ group Waymore’s Outlaws, on Feb. 9
Jessi Colter – For The First Time (1975, on drums)
Waylon & Willie – Mammas Don’t Let Your Babies Grow Up To Be Cowboys (1978, on drums)

Lee Sexton, 92, banjo player, on Feb. 10

Jon Mark (Burchell), 77, English folk singer-songwriter and guitarist, on Feb. 10
Jon Mark – Paris Bells (1965)

Antonis Kalogiannis, 80, Greek singer, on Feb. 11

Milford Graves, 79, pioneering free jazz drummer, on Feb. 12

Louis Clark, 73, English arranger, conductor and keyboardist, on Feb. 13
Electric Light Orchestra – Mr. Blue Sky (1977, orchestral arranger)
Asia – Rock And Roll Dream (1985, as orchestral conductor)

Sydney Devine, 81, Scottish singer, on Feb. 13

Ari Gold, 47, American singer-songwriter, on Feb. 14
Ari Gold – Love Wasn’t Built In A Day (2007)

Erriquez, 60, singer, guitarist with Italian folk band Bandabardò, on Feb. 14

Raymond Lévesque, 92, Canadian singer-songwriter, actor, on Feb. 15
Raymond Lévesque – Quand les hommes vivront d’amour (1956, also as writer)

Johnny Pacheco, 85, Dominican salsa musician and label executive, on Feb. 15
Pacheco Y Su Charanga – La Malanga (1961)
Johnny Pacheco with Pete Rodriguez – Alto Songo (1971)
Celia Cruz & Johnny Pacheco – Toro Mata (1974)
Fania All Stars – El Raton (1974)

Soul Jah Love, 31, Zimbabwean reggae singer, on Feb. 16

Tonton David, 53, French reggae singer, on Feb. 16
Tonton David – Pretoria (1991)

Erik Swanson, 57, Western swing musician, on Feb. 16

U-Roy, 78, Jamaican reggae singer, on Feb. 17
Hugh Roy & John Holt – Wear You To The Ball (1970)

Omar Moreno Palacios, 82, Argentine folk singer-songwriter, guitarist, on Feb. 17

Andrea Lo Vecchio, 78, Italian singer, songwriter, producer, on Feb. 17
Andrea Lo Vecchio – Dorme la città (1964)

Marc Ellington, 75, Scottish folk-rock singer-songwriter, on Feb. 17
Marc Ellington – Oh No, It Can’t Be So (1971)

Françoise Cactus, 56, French musician with Berlin duo Stereo Total, on Feb. 17
Stereo Total – L’amour à trois (2001)

Gaston Georis, 79, keyboardist of surf rock band The Sandals, on Feb. 17
The Sandals – Theme from Endless Summer (1964, also as co-writer)

Prince Markie Dee, 52, rapper with The Fat Boys, on Feb. 18
Fat Boys – Can You Feel It (1984)
Prince Markie Dee -Typical Reasons (Swing My Way) (1992)

Miles Seaton, 41, member of folk-rock group Akron/Family, announced Feb. 18
Akron/Family – Until The Morning (2013, on vocals)

Mark Ellen, drummer of Vanity Fare (1972-2015), on Feb. 18

James Burke, 70, singer with soul band Five Stairsteps, on Feb. 19
The Five Stairsteps – Don’t Waste Your Time (1966)
The Five Stairsteps – We Must Be in Love (1969)

Đorđe Balašević, 67, Serbian singer-songwriter, on Feb. 19

Philippe Chatel, 72, French singer-songwriter, on Feb. 19
Philippe Chatel – Ma lycéenne (1979)

Luigi Albertelli, 86, Italian songwriter, on Feb. 19
Bobby Solo – Zingara (1969, as co-writer)

Gene Taylor, 68, rock and blues keyboardist and guitarist, on Feb. 20
The Fabulous Thunderbirds – Roll Of The Dice (1995, on piano)

Chris Ajilo, 91, Nigerian highlife musician, on Feb. 20
Chris Ajilo & His Cubanos – Afro Mood (early 1960s)

Hélène Martin, 92, French singer and songwriter, on Feb. 21
Hélène Martin – Le condamné à mort (1968)

Sean Kennedy, 35, Australian metal bassist, suicide on Feb. 23

Peter Ostroushko, 67, folk-violinist and mandolinist, on Feb. 24
Bob Dylan – If You See Her, Say Hello (1975, on mandolin)
Peter Ostroushko – Heart Of The Heartland (1995)

Bob James, 68, singer-songwriter with rock band Montrose, on Feb. 26
Montrose – Let’s Go (1976, on lead vocals and as co-writer)

Danilo Rustici, 72, guitarist of Italian prog-rock band Osanna, on Feb. 27
Osanna – L’uomo (1971)

Ian North, 68, founder of power pop band Milk ‘N’ Cookies, on Feb. 28
Milk ‘N’ Cookies – The Last Letter (1975)

Anna Kast, 39, singer with Russian rave band Little Big, on Feb. 28

Jorge Oñate, 71, Colombian folk singer, on Feb. 28
Jorge Oñate & Nicolas ‘Colacho’ Mendoza – Ausencia (1977)

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In Memoriam – January 2021

February 2nd, 2021 5 comments

The Reaper continues to wreak his relentless havoc in music. This month’s list is long!

The Guitar Animal
The guitar arpeggio intro of The Animal’s House Of The Rising Sun is one of rock music’s most iconic moments. Its creator, Hilton Valentine, has now died at 77, only the second of the five original Animals to go, after bassist Chas Chandler, who died in 1996. Valentine had been the missing piece in the puzzle for the Alan Price Combo that already included Chandler, Price and singer Eric Burdon. When shortly after drummer John Steel joined, the band renamed itself The Animals (Steel would trademark the name, leading the various later incarnations to adapt the name, such as Eric Burdon & The Animals, The Animals And Friends, New Animals, and Animals II).

Valentine stuck it out with The Animals until the split in 1966. An unsuccessful solo album in 1969 followed, and the guitarist joined up with his old chums when The Animals reunited (as The Original Animals) in 1975. Over the next eight years they produced two albums, neither of them hits. But the group, in various formations and under different monikers kept performing, with Valentine a regular feature (including a stint as leader of Valentine’s Animals) until 2001.

The NY Doll
With the death of rhythm guitarist Sylvain Sylvain, only one of the classic line-up of the New York Dolls — the 1973-75 iteration — is still alive, singer David Johansen. Co-founded by Sylvain, the New York Dolls were a shock to the American system, with their make-up, spandex, platforms and crazy hair. Their music was a mélange of garage rock, hard rock, glam rock, art rock and a healthy dose of rock & roll. They were not punk as we know it, but they set the scene for those who’d come in their slipstream. By the time the Ramones and punk arrived, the New York Dolls were already done. Then Mötley Crüe revived their image for a mainstream rock audience.

After the Dolls split, Sylvain, the son of Jewish immigrants from Egypt, went on to record a number of solo albums. When the New York Dolls reformed in 2004, he and Johansen were the two members from the heyday line-up.

The Exile
If you’re a Southern African jazz legend, you want to be particularly wary of the 23rd of January. In 2018, the great Hugh Masekela died on that date; in 2019 it was the Zimbabwean Oliver Mtukudzi; this year the Reaper went to South Africa to take the great trombonist Jonas Gwangwa — just 17 days after the death of his wife, Violet.

One of the giants on South Africa’s vibrant and exciting jazz scene, Gwangwa was one of the many great talents to go into exile because of apartheid, alongside the likes of Masekela, Miriam Makeba, Letta Mbulu, Caiphus Semenya, Abdullah Ibrahim and so on. In the 1980s, Gwangwa headed the ANC’s cultural ensemble, Amandla. In 1987 Gwangwa co-wrote the Oscar-nominated score for the film Cry Freedom, a film about the relationship between the journalist Donald Woods and black consciousness leader Steven Biko. Gwangwa was so big in South Africa that on his death, even the country’s president, Cryril Ramaphosa, paid tribute: “The trombone that boomed with boldness and bravery, and equally warmed our hearts with mellow melody, has lost its life force.”

The Pacemaker
As The Beatles were recording their first single, producer George Martin presented his charges with a song which would be their debut single, a track called How Do You Do It. The Beatles reluctantly recorded it, but were relieved when Martin decided to release their own composition, Love Me Do, instead. Instead he gave the song to another client from Liverpool, Gerry & the Pacemakers — who promptly had a #1 hit with their debut. After three weeks, the Pacemakers, led by the late Gerry Marsden, were knocked off the top of the charts by The Beatles’ first #1 (with their third single, From Me To You). And in turn, Gerry’s lot knocked The Beatles off their perch with follow-up I Like It, and completed their hat-trick of chart-toppers with the old showtune You’ll Never Walk Alone (knocked off the top by… She Loves You).

Gerry and the Pacemakers went on to have three more UK Top 10 hits, but that would be that for the band. The Beatles went on to have a few hits, but the Pacemakers’ record of three #1s with the first three singles wasn’t equaled until 21 years later, by fellow Liverpudlians Frankie Goes To Hollywood. Marsden returned to the charts only in the 1980s with a couple of Band Aid-style charity singles, You’ll Never Walk Alone for the victims of the Bradford Stadium fire in 1985, and Ferry Cross The Mersey for the victims of the Hillsborough tragedy in 1988.The Moral Conundrum
Fans of the art of people like R Kelly, Gary Glitter, Bill Cosby or Roman Polanski will know the moral challenge of separating the art from the person who created it. Phil Spector is the ultimate in that challenge. Here was a thoroughly fucked-up guy (rather more so than just “flawed”, as the BBC suggested in its obituary headline). He was a violent misogynist long before he became a murderer. It’s difficult to sing his praises without forgetting what a monstrous man he was. Perhaps it is easier to separate Spector from his art because his art is conveyed to us through the voices of others: Darlene and Ronnie, Bill and Bobby, Lennon and Harrison, or Joey Ramone.

Say a prayer/expend a thought/send energy, if you like, for Spector. But if you do so, do not forget the name of the woman he murdered on February 3, 2002: Lana Clarkson, a 40-year-old actress and model.

The Arranging Songwriter
A few weeks after Spector, the arranger he used on records such as River Deep, Mountain High, Black Pearl, and Ebb Tide died. By the time he worked with Spector, Perry Botkin Jr had already established a track record as arranger or producer for acts such as Sammy Davis Jr, Bobby Darin, The Lettermen, Connie Stevens, Rod McKuen, Ed Ames, Vic Damone and Glenn Yarborough. His co-writing and production credits also included Jimmy Cross’ bizarre I Want My Baby Back (see Any Major Halloween Vol. 3). Other clients included Harry Nilsson, The Sandpipers, Harpers Bizarre, The Electric Prunes, Bobbie Gentry, The Everly Brothers, Hoyt Axton, José Feliciano, Barbra Streisand, Melanie, Johnny Mathis, Carly Simon, Maureen McGovern, Peggy Lee, Jennifer Warnes, and many others.

His biggest success was his co-written, co-produced Nadia’s Theme, the theme for the soap The Young & The Restless, which in 1976 also served to score the perfect Olympic exploits of gymnast Nadia Comăneci. Decades later Maryy J Blige sample Nadia’s Theme on her hit No More Drama, earning Botkin a writing credit on the R&B diva’s iconic hit. In 1971, Botkin and his regular collaborator Barry DeVorzon received an Oscar nomination for the much-covered Bless the Beasts and Children.

The Manic Wham! Cult
Few producers can claim to have helped acts like Wham! and the Manic Street Preachers to stardom, but so it was with Steve Brown, who has died at 62. After producing the Boomtown Rats’ 1977 debut, Brown was behind the glass for ABC’s debut single, Tears Are Not Enough, and Wham!’s outstanding breakout hits Young Guns (Go For It) and Club Tropicana. In 1985 he produced The Cult’s hit She Sells Sanctuary, and in 1991 the Manic Street Preachers’ debut album Generation Terrorist. He also produced US singer-songwriter Randy Edelman, Freddie Mercury, Then Jericho, Runrig, Alison Moyet, The Pogues, The Alarm and others.

Before he was a producer, he was a recording engineer for acts like Roy Wood, Thin Lizzy, Kraftwerk, The Boomtown Rats, Joan Armatrading, Oingo Boingo and many of the acts whom he produced.The Blower
As a backing man in jazz bands, multi-instrumentalist Howard Johnson had a great track record, playing his saxophone or tuba with the likes of Dizzy Gillespie, Carles Mingus, Hank Crawford, Freddie Hubbard, McCoy Tyner, Rahsaan Roland Kirk, Charlie Haden, Gil Evans, Bill Evans, George Benson, Jaco Pistorius, Buddy Rich, David Sanborn, Bob James, Ralph McDonald, Bob Moses and more.

But he also had a line in backing blues like BB King, Paul Butterfield, Muddy Waters, Taj Mahal, Etta James and John Mayall, soul acts like Angela Bofill, Candi Staton, Ashford & Simpson, Chaka Khan, Linda Clifford, Lou Rawls, and rock acts like The Band (on Rock Of Ages and The Last Waltz), Carly Simon, Maria Muldaur, James Taylor, Paul Simon, Robert Wyatt, and John Lennon (on Walls And Bridges and Double Fantasy) and Yoko Ono. And when James Taylor sang Jelly Man Kelly on Sesame Street, he played the flute. In the 1970s Johnson was the live band conductor of the Saturday Night Live Band, also playing the sax on the famous King Tut sketch.

Bono’s Inspiration
U2 singer Bono claimed that it was seeing Middle of the Road singing Chirpy Chirpy Cheep Cheep on TV that convinced him that anyone could become a pop star (though his band never made a pop record as good as that). But it was local Dublin soft-rock band Bagatelle which young Hewson and pal Larry Mullen Jr looked up to as models for rock success. Now the band’s singer, who saw no cause to adopt a stupid nickname but stuck by his thoroughly Irish name Liam Reilly, has died at 65.

Bagatelle were strictly local heroes, but Reilly got himself a bit of international attention when he came second in the Eurovision Song Contest of 1990 with his travelogue of clichés Somewhere In Europe, a song that should have become a huge country music hit. The jury liked it, and Reilly came joint-second, behind Italy’s Toto Cutugno.

The Other Jimmie Rodgers
As a singer Jimmie Rodgers made his name — which he shared with the country legend who died in 1933, four months before his own birth — by shifting millions of records in the US and UK in the 1950s with songs like Honeycomb, Kisses Sweeter Than Wine, Oh-Oh, I’m Falling in Love Again, Secretly, and (in 1962) English Country Garden, most on Roulette records.

But the more remarkable story is the mystery of what happened on December 1, 1967 on the San Diego Freeway in Los Angeles. What we know is that Rodgers was stopped by an off-duty cop, that at some spot he sustained a serious head injury, that the cops left the unconscious Rodgers in his car and left the scene, and that the singer had no memory of what had happened to him. The last thing he remembered was a bright light in his rear-view mirror. Police say Rodgers got hurt when he fell; the singer believed he had been assaulted. After much legal wrangling, the LAPD paid Rodgers $200,000 to make things go away.

In 2010, singer Tommy James offered a new and plausible theory. According to James, the attack was organised by the mafia-connected owner of Roulette Records, Morris Levy (on whom The Soprano’s Hesh is partly based), after Rodgers had repeatedly demanded to be paid royalties owed to him by the label.

As always, this post is reproduced in PDF format in the package, which also includes my personal playlist of the featured tracks. PW in comments.

Liam Reilly, 65, singer, songwriter with Irish rock band Bagatelle, on Jan. 1
Bagatelle – Summer In Dublin (1980)
Liam Reilly – Somewhere In Europe (1990)

George Gerdes, 72, singer-songwriter and actor, on Jan. 1
George Gerdes – Lap Of Luxury (1971)

Jan Vering, 66, German gospel singer and playwright, on Jan. 1

Misty Morgan, 75, half of country duo Jack Blanchard & Misty Morgan, on Jan. 1
Jack Blanchard & Misty Morgan – Because We Love (1975)

Carlos do Carmo, 81, Portuguese fado singer, on Jan. 1
Carlos do Carmo – Lisboa menina e moça (1976)

Peter Thorp, 76, guitarist of British pop band The Roulettes, on Jan. 2
The Roulettes – Soon You’ll Be Leaving Me (1964)

Steve Brown, 62, British producer, on Jan. 2
Randy Edelman – Pretty Girls (1982, as producer)
Wham! – Young Guns (Go For It!) (1982, as producer)
The Cult – She Sells Sanctuary (1985, as producer, engineer)
Manic Street Preachers – Motorcycle Emptiness (1992, as producer, engineer)

Warren McLean, Australian rock drummer, on Jan. 3
Divinyls – Hey Little Boy (1988, on drums)

Gerry Marsden, 78, English musician, on Jan. 3
Gerry and The Pacemakers – How Do You Do It? (1963)
Gerry and The Pacemakers – Don’t Let The Sun Catch You Crying (1964)

Paul Travis, 73, English singer-guitarist, announced Jan. 4
Liar – Set The World On Fire (1978, as member)

Duris Maxwell, 74, Canadian drummer, on Jan. 4
Heart – How Deep It Goes (1975)

Elias Rahbani, 82, Lebanese composer, arranger, conductor, on Jan. 4
The News – From The Moon (1969, as member and writer)
Elias Rahbani – Love Theme From ‘Habibati’ (1973, also as composer)

Alexi Laiho, 41, singer-guitarist of Finnish death metal Children of Bodom, reported Jan. 5

Bobby Few, 85, jazz pianist, on Jan. 6
Bobby Few – Everybody Has The Right To Be Free (1983)

Yamandú Palacios, 80, Uruguayan singer-songwriter and guitarist, on Jan. 6

Deezer D, 55, rapper and actor (E.R.), on Jan. 7
Deezer D – Ya’ll In The House (2002)

Jamie O’Hara, 70, country singer and songwriter, on Jan. 7
The O’Kanes- Can’t Stop My Heart From Loving You (1987, as member and co-writer)

Ed Bruce, 81, country singer-songwriter, on Jan. 8
Tanya Tucker – The Man That Turned My Mama On (1974, as writer)
Ed Bruce – Mammas Don’t Let Your Babies Grow Up To Be Cowboys (1976, also as co-writer)

Gaynor Bunning, 78, Australian pop singer, on Jan. 8
Gaynor Bunning – Unlock Those Chains (1961)

Michael Fonfara, 74, Canadian keyboardist, on Jan. 8
Lou Reed – Ennui (1974, on mellotron)
Foreigner – Urgent (1981, on keyboards)

Thorleif Torstensson, 71, singer of Swedish danceband Thorleifs, on Jan. 10

Mark Keds, 50, singer of English pop-punk band Senseless Things, on Jan. 11
Senseless Things – Too Much Kissing (1989)

Don Miller, 80, baritone of vocal band The Vogues, on Jan. 11
The Vogues – Turn Around, Look At Me (1968)

Howard Johnson, 79, jazz musician, on Jan. 11
Hank Crawford – Bluff City Blues (1965, on baritone saxophone)
Melvin Van Peebles – Come On Feet Do Your Thing (1971, on saxophone)
The Band – It Makes No Difference (1978, on sax, horns arrangement)
Chaka Khan – Move Me No Mountain (1980, on tuba)

Celia Humphries, singer of British folk-rock band Trees, on Jan. 11
Trees – Geordie (1971)

Shingoose, 74, Canadian folk musician, on Jan. 12
Shingoose – Silver River (1975)

Duke Bootee, 69, rapper, producer and songwriter, on Jan. 13
Grandmaster Flash & the Furious Five – The Message (1982, as co-performer, co-writer)

Sylvain Sylvain, 69, rhythm guitarist of punk pioneers New York Dolls, on Jan. 13
New York Dolls – Jet Boy (1973)
New York Dolls – Stranded In The Jungle (1974)

Tim Bogert, 76, rock bassist, on Jan. 13
Vanilla Fudge – You Keep Me Hangin’ On (1967, as member on bass)
Beck, Bogert & Appice – Superstition (1973, on bass and lead vocals)

Larry Willoughby, 73, country singer-songwriter and music executive, on Jan. 14
Larry Willoughby – Building Bridges (1983, also as co-writer)

Duranice Pace, 62, singer with gospel group The Anointed Pace Sisters, on Jan. 14

Rapper One, 41, Peruvian rapper, on Jan. 15

Phil Spector, 81, producer, songwriter, musician and convicted murderer, on Jan. 15
The Crystals – Then He Kissed Me (1963, as producer and co-writer)
Sonny Charles and The Checkmates – Black Pearl (1969, as producer and co-writer)
John Lennon – Love (1970, on piano & as co-producer)
Ramones – Baby, I Love You (1980, as producer)

Pave Maijanen, 70, producer, musician with Finnish rock bands Hurriganes, Dingo, on Jan. 16
Hurriganes – Bourbon Street (1980, as member and producer)

Jason Cope, 43, co-founder and guitarist of rock band Steel Woods, on Jan. 16
The Steel Woods – Let The Rain Come Down (2017)

Sammy Nestico, 96, jazz trombonist, composer and arranger, on Jan. 17
Count Basie – Hay Burner (1968, as composer and composer)
Sammy Nestico – Night Flight (1985, also as composer, arranger & producer)

Junior Mance, 92, jazz pianist, on Jan. 17
Dinah Washington – Sometimes I’m Happy (1956, on piano)
Junior Mance Trio – Oo-Bla-Dee (1960)

Ebe Gilkes, 90, Guyanese jazz pianist, on Jan. 17

Perry Botkin Jr., 87, composer, arranger, producer and musician, on Jan. 18
Ike & Tina Turner –  A Love Like Yours (Don’t Come Knockin’ Every Day) (1966, as arranger)
Sonny Charles and The Checkmates – Black Pearl (1969, as arranger; see Spector entry)
Carpenters – Bless The Beasts And Children (1972, as co-writer)
Harry Nilsson – Down By The Sea (1975, as arranger)
Barry DeVorzon & Perry Botkin Jr. – Nadia’s Theme (1976, as co-writer, co-producer)

Jimmie Rodgers, 87, American pop singer, on Jan. 18
Jimmie Rodgers – Kisses Sweeter Than Wine (1957)
Jimmie Rodgers – It’s Over (1966)

Yvonne Sterling, 65, Jamaican reggae singer, on Jan. 18
Yvonne Sterling – Oh Jah (1978)

Maria Koterbska, 96, Polish singer, on Jan. 18

Tommy Brannick, 79, pop drummer, on Jan. 19
The Swampseeds – Can I Carry Your Balloon (1968)

Peter Wynne, English crooner, on Jan. 19
Peter Wynne – Ask Anyone In Love (1960)

Malcolm Griffiths, 79, English jazz musician, on Jan. 19

Ronnie Nasralla, 90, Jamaican producer, on Jan. 20
The Maytals – My New Name (1965, as producer)

John Russell, 66, English jazz guitarist, on Jan. 20

Randy Parton, 67, country singer-songwriter, Dolly’s brother, on Jan. 21
Randy Parton – Hold Me Like You Never Had Me (1981)

Keith Nichols, 75, English jazz musician and arranger, on Jan. 21

James Purify, 76, soul singer, on Jan. 22
James & Bobby Purify – I’m Your Puppet (1966)
James & Bobby Purify – Morning Glory (1976)

Gabriel Ruiz Díaz, 45, bassist of Argentine rock band Catupecu Machu, on Jan. 23

Jonas Gwangwa, 83, South African jazz trombonist, composer and producer, on Jan. 23
Jonas Gwangwa – Yebo (1978)
George Fenton & Jonas Gwangwa – The Funeral (Nkosi Sikeleli’ iAfrika) (1987)
Jonas Gwangwa – Theme of ‘Generations’ (1993)
Jonas Gwangwa – Morwa (2001)

Joe Camarillo, 52, drummer, on Jan. 24

Tom Stevens, 64, bassist of alt.country band The Long Ryders, on Jan. 24
The Long Ryders – A Stitch In Time (1987, also as writer)
Tom Stevens – Flying Out Of London In The Rain (2007)

6 Dogs, 21, rapper, suicide on Jan. 26

César Isella, 82, Argentine folk singer-songwriter, on Jan. 28
César Isella – Canción de lejos (1973)

Singing Sandra, 64, Trinidadian calypso singer, on Jan. 28

Sibongile Khumalo, 63, South African jazz, opera and classical singer, on Jan. 28
Sibongile Khumalo – Thula Mama (1996)

Hilton Valentine, 77, guitarist of The Animals, on Jan. 29
The Animals – Bury My Body (1964)
The Animals – I’m Going To Change The World (1965)
Hilton Valentine – Sitting In The Sun (1969)
The Original Animals – Brother Bill (The Last Clean Shirt) (1977)

Grady Gaines, 86, blues saxophonist, on Jan. 29
Little Richard – She’s Got It (1957, on tenor sax)
Grady Gaines & The Texas Upsetters – Looking For One Real Good Friend (1988)

Sophie, 34, Scottish singer-songwriter and producer, on Jan. 30
Sophie – It’s Okay To Cry (2017)

Double K, 43, half of hip hop duo People Under the Stairs, on Jan. 30
People Under The Stairs – We’ll Be There (2000)

Wambali Mkandawire, Malawian jazz musician, on Jan. 31
Friends First – Thula Sizwe/I Shall Be Released (1988, as member)
Mte Wambali Mkandawire – Calabrash Breath (2015)

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In Memoriam – December 2020

January 4th, 2021 8 comments

It was a pretty bad month for bass players, electric or standing. One of the bass thumpers we lost was the last survivor of the Dave Brubeck Quartet that recorded Take Five. Also gone is the last of the McGuire sisters, the one with the most colourful life of the trio.

For a couple of months I stopped marking deaths as being related to Covid-19 but given the second waves in many parts of the world, and the incomprehensibly casual behaviour of some people, some governments and some defeated presidents, noting them might help highlight the need to just be responsible until this pandemic is over.

The Barrier-Breaker
Though I am not a particular fan of his music, I had huge admiration for Charley Pride as a barrier-breaker (even if his career hasn’t produced an excess of black country performers). Apart from a bit of dabbling in gospel, Pride was uncompromisingly country. In that way he reclaimed a little of the black influence on that genre, which in the early days was significant (see my free eBook A Brief History of Country Music). Arguably Pride was not, as the obituaries claimed, country’s first black superstar — that probably was DeFord Bailey, who was a founding member of the Opry until he was abruptly dismissed in 1941. Pride, however, was certainly the biggest black star in country, and he transcended race — without being obsequious, selling out or denying the evil of systemic racism or its effects — as was evidenced when he was named Entertainer of the Year at the Country Music Association Awards in 1971.

And like some other country singers, Pride had a colourful background story. Born into a poor sharecropper family in Sledge, Mississippi, Pride became a professional baseball player. Injuries prevented a sparkling career, but at his last station as a semi-pro (while working for a lead smelter, shovelling coal into the furnace), the team manager recognised Pride’s singing talent and paid him to sing for 15 minutes at games. This led Pride to revive his old dream of recording music — he tried his luck at Sun Records in the 1950s. Local gigs led him to RCA and what turned out to be a fruitful career in music.

The Zorro Rapper
In the rise of hip hop, Whodini played a pioneering role, as we were reminded of by the death at only 56 of co-vocalist John Fletcher, or Ecstasy. In 1982, Whodini became the first rap act to have a proper music video produced to promote a single, their debut Magic’s Wand (whose bassist and co-writer Matthew Seligmann died in April). Whodini were innovators in drawing from influences beyond hip hop and dance music. They were early adopters of R&B and electronic pop. New wave type Thomas Dolby produced that debut single, and Krautrock giant Conny Plank produced Whodini’s eponymous debut album — not in rap capital New York but a bucolic suburb of ancient Cologne. With that sound, Whodini were among the first hip hop acts to cross over to mainstream black radio. While co-vocalist Jalil Hutchins was the main writer, Fletcher was the focal point, with his Zorro hat.

The British Invader
In the vanguard of the British invasion were a softly-singing duo with the well-mannered names of Chad and Jeremy, the first half of which, Chad Stuart (born David Stuart Chadwick) has died. They first hit on both sides of the Atlantic with Yesterday’s Gone, followed by songs such as A Summer Song, Willow Weep for Me, and Before And After. But by 1966 the hits dried up when Jeremy Clyde went on a year’s break to appear in a stage play in London. Chad meanwhile tried to keep the buzz going in the US with his wife Jill, but with no great success.

Back in the UK, Chad and Jeremy collaborated whenever the latter had the time. They also made friends with a young folk singer from the US who had just split from his own duo partner after their debut album flopped. Paul Simon gave Chad & Jeremy a song titled Homeward Bound to record. A few weeks later, Simon & Garfunkel reunited, following the surprise success of a remixed version of their Sound of Silence. Chad & Jeremy had considered Homeward Bound for a single release, but having got wind of Simon & Garfunkel considering the song as a follow-up to their first hit, the British duo opted for a song titled Teenage Failure. It turned out to be just that, a failure, teenage or not. Chad & Jeremy in the end released Homeward Bound in August 1966 on their Distant Shores album. Simon & Garfunkel had a #5 hit with it earlier that year.

Chad & Jeremy recorded another couple of albums and a movie soundtrack, which were critically praised but commercially unsuccessful. They split in 1968, having sporadic reunions thereafter.

The Five Bassist
The last surviving member of the Dave Brubeck Quartet which recorded the timeless Take Five has departed. Bass player Eugene Wright died at the age of 97. The Chicago-born musician made his recording debut in 1947 as a member of Leo Parker’s All Stars, where he played alongside future jazz great Gene Ammons, whom he later backed. Wright went on to play with acts like Count Basie, Oscar Peterson, Cal Tjader, Buddy de Franco, Kenny Drew, and Sonny Stitt. But Wright’s big break came with the Dave Bubeck Quartet, which he belonged to throughout its glory years from the late 1950s to late-1960s. He also backed by the quartet’s saxophonist Paul Desmond, who wrote Take Five, on his solo records.

In between he released one solo record, The Wright Groove in 1962. Unusually, he recorded it in New Zealand, with a trio of local jazz musicians. After Brubeck, Wright joined the Monty Alexander Trio. Wright rarely ventured outside jazz; one occasion when he did so was to play the double-bass on Simon & Garfunkel’s 59th Street Bridge Song.

The Songwriter
On Christmas Eve I stood in my kitchen preparing seasonal deserts and crooning along to Dana’s It’s Going To Be A Cold, Cold Christmas; it was the day the song’s co-writer died, at the age of 86. Geoff Stephens had his first taste of success as the founder of The New Vaudeville Band, who had a worldwide hit with the Grammy-winning Winchester Cathedral, a Stephens composition, in 1967. Stephens also wrote There’s A Kind Of Hush for his band, though it would be a hit for Herman’s Hermits and in the 1960s for the Carpenters. By then he had already written or co-written hits for Dave Berry (The Crying Game, later a hit for Boy George) and The Applejacks (Tell Me When), and co-produced Donovan’s breakout hits Catch The Wind and Universal Soldier.

Stephens’ list of subsequent hits, most of them co-written with Les Reed, is impressive, regardless of what one might think of their uneven quality. His biggest hit was David Soul’s 1977 Silver Lady. Others included You Won’t Find Another Fool Like Me (The New Seekers), Semi-Detached Suburban Mr. James (Manfred Mann), Lights of Cincinnati (Scott Walker), Daddy Don’t You Walk So Fast (Wayne Newton), Sorry Suzanne (The Hollies), Daughter of Darkness (Tom Jones), Like Sister And Brother (The Drifters), Goodbye Sam, Hello Samantha (Cliff Richard), Knock, Knock Who’s There (Mary Hopkin), It’s Like We Never Said Goodbye (Crystal Gayle), and I’ll Put You Together Again (Hot Chocolate).

The Hard Rocker
With the passing of Leslie West, we have lost another musician who took to the stage at Woodstock in 1969 (see mixes here). As guitarist and singer of hard-rock band Mountain, West played a pivotal part in the development of heavy metal, with songs like the cowbell-anthem Mississippi Queen. After Mountain split in 1972, West and Mountain drummer Corky Laing teamed up with Cream’s Jack Bruce and Al Kooper of Blood, Sweat & Tears to record two studio albums, as well as a live set. Soon the band broke up.

Mountain appeared in 2009 at the Woodstock 40th anniversary concert. After they played their set, Leslie West married his fiancée Jenni Maurer on stage under a canopy of guitars. Two years later, he lost a leg due to diabetes, but West kept performing. He released his final album, Soundcheck, in 2015.

The Last Sister
With the death of Phyllis McGuire at 89, the last McGuire Sister has left the stage, with Dottie dying in 2012 and oldest sister Ruby two years and a day before Phyllis. The trio started performing in 1935, when Phyllis was just four years old, launching a 33-year-long career that included two US #1s, Sincerely and Sugartime. The end came in 1968, with a performance on the Ed Sullivan Show, due to Phyllis’ relationship with mafia boss Sam Giancana, which had seen the sisters widely blacklisted. Phyllis had already released a number of solo singles by then, on the Reprise label founded by, of course, Frank Sinatra.

Phyllis certainly picked up architectural taste from her lovers’ milieu. Her Las Vegas mansion included a swan moat and a replica of the Eiffel Tower which protruded through the structure’s roof. She denied that Giancana had bought her that mansion and claimed that she had invested in oil to produce the wealth which she could flaunt in such absurd ways. The sisters reunited in 1986 and performed on and off for the next two decades. The McGuire Sisters featured a few times here: on Any Major ABC of the 1950s; Any Major Jones Vol. 2; and Any Major 1950s Christmas.

As always, this post is reproduced in PDF format in the package, which also includes my personal playlist of the featured tracks. PW in comments.

Dan Morrison, drummer of Australian ska punk band Area-7, on Dec. 1

Ron Mathewson, 76, Scottish jazz double bassist and bass guitarist, of Covid-19 on Dec. 2
Joan Armatrading – Cool Blue Stole My Heart (1975, on double-bass)

Kenny Jeremiah, 77, lead singer of soul group Soul Survivors, of Covid-19 on Dec. 4
Soul Survivors – Expressway To Your Heart (1967)

Franco Bolignari, 91, Italian jazz singer, on Dec. 4
Franco Bolignari – Crudelia De Mon (1961)

Sara Carreira, 21, French-Portuguese singer, traffic collision on Dec. 5

Eric Pacheco, 53, bass guitarist with hard rock band Babylon A.D., on Dec. 6

Howard Wales, 77, keyboardist, on Dec. 7
Grateful Dead – Candyman (1970, on keyboards)
Howard Wales – Rendezvous (Part I) (1976)

Dawn Lindberg, 75, South African folk-singer, of Covid-19 on Dec. 7
Des & Dawn Lindberg – The Seagull’s Name Was Nelson (1971)

LD Beghtol, 55, musician and writer, on Dec. 7
The Magnetic Fields – All My Little Words (1999, vocals)

Harold Budd, 84, avant-garde composer and poet, of Covid-19 on Dec. 8
Harold Budd & Brian Eno – The Silver Ball (1984)

Jason Slater, 49, rock bassist (Third Eye Blind), producer, mixer, on Dec. 9
Snake River Conspiracy – You And Your Friend (2000, as member)
Queensrÿche – All The Promises (2008, as producer, bassist, second drummer)

Sean Malone, 50, bassist with metal bands Cynic, Gordian Knot, Aghora, on Dec. 9

Joseph ‘Mojo’ Morganfield, 56, blues singer (son of Muddy Waters), on Dec. 10
Mojo Morganfield – Who’s Gonna Be Your Sweet Man When I’m Gone (2018)

Barbara Windsor, 83, English actress and singer, on Dec. 10
Barbara Windsor – When I Was A Child (1970)

Ubirany, 80, singer with Brazilian samba band Fundo de Quintal, of Covid-19 on Dec. 11
Fundo de Quintal – Saber Viver (1983)

Dariusz Malinowski, 55, bassist with Polish punk band Siekiera, on Dec. 12

Charley Pride, 86, country legend, of Covid-19 on Dec. 13
Charley Pride – She’s Still Got A Hold On You (1969)
Charley Pride – Kiss An Angel Good Morning (1971)
Charley Pride – Let Me Live (1971)
Charley Pride – Shouldn’t It Be Easier Than This? (1987)

Andrey Sapunov, 64, singer-bassist of Russian rock band Voskreseniye, on Dec. 13

Paulinho dos Santos, 68, singer of Brazilian rock band Roupa Nova, of Covid 19 on Dec. 14
Roupa Nova – Volta pra mim (1987)

Pauline Anna Strom, 74. electronic composer, on Dec. 14

Albert Griffiths, 74, guitarist-singer of Jamaican reggae band The Gladiators, on Dec. 15
The Gladiators – Music Makers From Jamaica (1978)

Sam Jayne, 46, singer of hardcore band Lync, indie band Love as Laughter, found on Dec. 15
Love as Laughter – Don’t Worry (2008)

Carl Mann, 78, rockabilly singer, on Dec. 16
Carl Mann – Mona Lisa (1958)

Emil Cadkin, 100, TV and film composer, on Dec. 16

Stanley Cowell, 79, jazz pianist, co-founder of Strata-East Records, on Dec. 17
Stanley Cowell – Blues For The Viet Cong (1969)
Stanley Cowell – Trying To Find A Way (1975)

Jeff Clayton, 66, jazz saxophonist, on Dec. 17
Patrice Rushen – Wishful Thinking (1978, on oboe)
The Clayton Brothers – Saturday Night Special (1997, on alto sax)

Vinicio Franco, 87, Dominican merengue singer-songwriter, of Covid-19, on Dec. 19

Pepe Salvaderi, guitarist-singer with Italian pop band Dik Dik, on Dec. 19
I Dik Dik – Il Primo Giorno Di Primavera (1969)

Per Alsing, 60, drummer of Roxette, on Dec. 19
Roxette – Sleeping In My Car (1994)

Clay Anthony, 61, bassist of rock band Junkyard (1987-91), traffic accident on Dec. 19
Junkyard – Simple Man (1989)

Chad Stuart, 79, half of English duo Chad & Jeremy, on Dec. 20
Chad & Jeremy – A Summer Song (1964)
Chad & Jeremy – Teenage Failure (1966)
Chad & Jeremy – Homeward Bound (1966)
Chad & Jeremy – Painted Dayglow Smile (1967)

Art DeIrorio, Cajun/country fiddler, on Dec. 20
Link Davis – Have You Heard The News (1948, on fiddle)

K.T. Oslin, 78, country singer-songwriter, on Dec. 21
K.T. Oslin – 80’s Ladies (1987)

Rebecca Luker, 59, musical actress and singer, on Dec. 23
Rebecca Luker – Remember (2009)

Rika Zaraï, 82, Israeli singer and writer, on Dec. 23

Leslie West, 75, singer-guitarist of rock band Mountain, on Dec. 23
The Vagrants – I Can’t Make A Friend (1966)
Mountain – Long Red (Live at Woodstock) (1969)
Mountain – Mississippi Queen (1970)
West, Bruce & Laing – Backfire (1972)

John ‘Ecstasy’ Fletcher, 56, rapper with hip-hop pioneers Whodini, on Dec. 23
Whodini – Friends (1984)
Whodini – Last Night (I Had A Long Talk With Myself) (1986)
Whodini feat. Millie Jackson – Be Yourself (1987)

Geoff Stephens, 86, English songwriter, producer and musician, on Dec. 24
Scott Walker – Lights Of Cincinnati (1969)
Mary Hopkin – Knock Knock Who’s There (1970, as co- writer)
Hot Chocolate – I’ll Put You Together Again (1978)
Boy George – The Crying Game (1992)

Tony Rice, 69, bluegrass musician, on Dec. 25
Tony Rice – Banks Of The Ohio (1977)

Amadeu Casas, 66, Spanish guitarist and blues singer, on Dec. 26

Tito Rojas, 65, Puerto Rican salsa singer, on Dec. 26
Tito Rojas – Siempre Sere (1990)

Víctor Cuica, 71, Venezuelan jazz saxophonist, on Dec. 26
Víctor Cuica  – El Ratón (1993)

Jeff Jacks, singer of rock band The Termites, reported on Dec. 27

Armando Manzanero, 85, Mexican singer-songwriter, Covid-19 on Dec. 28
Armando Manzanero – Somos novios (1968)
Armando Manzanero & Lisset – Nada Personal (1996)

Claude Bolling, 90, French jazz pianist and composer, on Dec. 29
Claude Bolling – Baroque And Blue (1975)

Rudy Salas, 71, member of Latin R&B groups El Chicano, Tierra, on Dec. 29
El Chicano – One More Night (1975)
Tierra – Together (1980)

Gösta Linderholm, 79, Swedish singer and composer, on Dec. 29

Alto Reed, 72, saxophonist in Bob Seger’s Silver Bullet Band, on Dec. 30
Bob Seger – Turn The Page (Live) (1976, on saxophone)
Bob Seger – The Horizontal Bop (1980, on saxophone)

Phyllis McGuire, 89, third of The McGuire Sisters, on Dec. 30
McGuire Sisters – Goodnight, Sweetheart, Goodnight (1954)
McGuire Sisters – Sugartime (1957)
Phyllis McGuire – That’s Life (1966)

‘Senator’ Eugene Wright, 97, bassist with the Dave Brubeck Quartet, on Dec. 30
Leo Parker’s All Stars – El Sino (1947, on double bass)
Dave Brubeck Quartet – Blue Rondo a La Turk (1959, on double bass)
Eugene Wright – The Wright Groove (1962)
Simon & Garfunkel – 59th Street Bridge Song (Feeling Groovy) (1969, on double bass)

Frank Kimbrough, 64, jazz pianist, on Dec. 30
Frank Kimbrough Trio – Hymn (2012)

Seaman Dan, 91, Australian musician, on Dec. 30

Mick Bolton, 72, British keyboardist, reported on Dec. 31
Mott The Hoople – Sweet Angeline (Live) (1974, on keyboards)

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In Memoriam – November 2020

December 3rd, 2020 4 comments

By the nasty standards of this awful year, November was a fairly mild month. Perhaps the Grim Reaper was tied up in recounts, lawsuits about counts trying to make him count votes for some victims but not others, and fictionally dead people claiming to be alive and real dead people not conceding, death certificates notwithstanding. With all that in mind, here’s the final count. In the post-truth world, you are free to deny that any of these people are indeed dead.

 

The Heepster
In September we lost Uriah Heep drummer Lee Kerslake; in November long-time keyboardist Ken Hensley followed him. Hensley was part of the classic Heep line-up, serving the band as keyboardist, guitarist, songwriter and occasionally lead singer. After the departure of lead singer David Byron, Hensley took on the leadership of the group, but departed himself in 1980 when he felt Uriah Heep were taking the wrong musical direction. In 1983/84 he was member of Southern rock band Blackfoot, but in 1985 went into semi-retirement. Hensley is regarded by many as a pivotal figure in the development of keyboard-playing in heavy metal.

The Blue-Eyes Soul Man
Blue-eyed soul singer Len Barry might be best remembered for his 1960s classic 1-2-3, which had a bit of a Motown feel. Barry, who cut his hit-making teeth with doo wop band The Dovells and before that with The Bisstones, toured in Britain with the Motown Revue, supported Sam Cooke on tour, and played in black venues such as the Apollo and other legendary black venues. Later he co-wrote the hits Zoom for Fat Larry’s Band and Love Town for Booker Newberry III.

The Great Engineer
Recording engineers don’t always get the credit they deserve, but they are the ones who make the sound come together, and who’ll get the door to creak on Thriller. The latter effect was among the bag of tricks of Bruce Swedien, the multi-Grammy winner who did a lot of work with Quincy Jones, including all Quincy’s albums from The Dude to Q’s Jook Joint, and many of those he produced, such as George Benson’s Give Me The Night, The Bothers Johnson’s Blam and Light Up The Night (with Stomp), and Michael Jackson’s Off The Wall, Thriller and Bad (Swedien engineered all MJ albums from Thriller to 1996’s HIStory).

Swedien’s career started in 1956, with an album for the Bo Davies Quartet. Subsequent clients included Ramsey Lewis, Count Basie (including his LP of Beatles covers), Art Blakey and Buddy Miles. In the 1970s he engineered his first pop hit, Tyrone Davis’ soul classic Turn Back The Hands Of Time. Other soul acts, such as The Chi-Lites (basically all the big hits), Eddie Harris, and Jackie Wilson followed. He also mixed for acts like Rufus & Chaka Khan, Roberta Flack, Herb Alpert, René & Angela, Donna Summer, Sergio Mendes, and Michael McDonald (on Sweet Freedom).

 

Saving Private Radford
English folk-singer Jim Radford was best-known for his song On The Shores Of Normandy, a lament for the fallen soldiers in the D-Day invasion on 6 June 1944. Radford was well-placed to write such a song: he was part of that invasion, as the youngest-known combatant. He went on to become a peace activist, singing the cautionary verse: “As the years pass by, I can still recall the men I saw that day, who died upon that blood-soaked sand where now sweet children play. And those of you who were unborn, who’ve lived in liberty, remember those who made it so on the shores of Normandy.” The Wehrmacht’s bullets didn’t get him; in the end it was Covid-19 that did.

The Iron Curtain Rock Legends
Two members of the classic line-up of Hungarian prog-rock band Omega, pioneers of Eastern European rock, died within just three days of one another: keyboardist László Benkő at 77 on November 19, and then bassist Tamás Mihály at 73.  The former had been an ever-present member from 1962-2017, the former joined in 1967 and stayed the course.

Omega was the first Eastern European rock band to break through internationally, recording at home, in East-Berlin and in London in Hungarian, German and English, and enjoying an international hit with The Girl With Pearls in Her Hair. The communist regime intermittently banned Omega as culturally subversive; strangely the much more hardline East German regime allowed the band to tour there and even record in German. In 1987 the band stopped, but regrouped following the collapse of Soviet communism. Omega are still recording and touring, with three members of the classic line-up forming the core.

As before, this post is included in PDF format in the package, which also includes my personal playlist of the featured tracks. PW in comments

 

Gerry Hayes, 86, German jazz multi-instrumentalist, on Nov. 1
Gerry Hayes – Soulgirl (Philly Dog) (1967)

Ronnie Peel, 74, Australian guitarist and singer, on Nov. 1
Rockwell T. James – Roxanne (1977, as Rockwell T. James)

Phil K, 51, DJ with Australian production project Lostep, on Nov. 1

Esteban Santos, 69, singer with Spanish pop group Bravo, on Nov. 1
Bravo – Lady, Lady (1984)

Nikki McKibbin, 42, singer-songwriter, on Nov. 1

Ken Hensley, 75, English singer-songwriter with Uriah Heep, on Nov. 4
Uriah Heep – Lady In Black (1971, as writer on lead vocals)
Uriah Heep – Look At Yourself (1973, as writer on lead vocals)
Ken Hensley – Who Will Sing for You (1975)
Blackfoot – Summer Days (1984, as member on keyboards)

Reynaert, 65, Belgian singer, on Nov. 5

Len Barry, 78, American singer, on Nov. 5
The Bosstones – Mope-Itty Mope (1959, on lead vocals)
The Dovells – Bristol Stomp (1961, on lead vocals)
Len Barry – 1-2-3 (1965)
Booker Newberry III – Love Town (1983, as co-writer)

Stefano D’Orazio, 72, percussionist of Italian rock band Pooh, on Nov. 6
Pooh – Pensiero (1973)

King Von, 26, rapper, shot on Nov. 6

Jim Radford, 92, English folk singer-songwriter, on Nov. 6
Jim Radford – On The Shores Of Normandy

Brian Coll, 79, Irish country singer, on Nov. 7

Cándido Camero, 99, Cuban jazz percussionist, on Nov. 7
Candido Camero feat. Al Cohn – Poinciana (1956)
Candido – Candi’s Funk (1980)

Bones Hillman, 62, bassist of Australian rock band Midnight Oil, on Nov. 7
Midnight Oil – Blue Sky Mine (1990)

Vanusa, 73, Brazilian singer, on Nov. 8

Oscar Benton, 71, Dutch vocalist, on Nov. 8
Oscar Benton – Bensonhurst Blues (1982)

Fred Ape, 67, member of German alternative folk-rock trio ABB, on Nov. 9
Ape, Beck & Brinkmann – Regenbogenland (1982)

Michael Bundesen, 71, singer of Danish pop band Shu-bi-dua, on Nov. 9
Shu-bi-dua – Stærk Tobak (1973)

Dave Zoller, 79, jazz pianist, composer and arranger, on Nov. 9
Dave Zoller Jazz Sextet – A Sketch Of Fred Crane (1995)

Alec Baillie, bassist of punk bands Choking Victim, Leftöver Crack, on Nov. 10

DJ Spinbad, 46, DJ, mixer and producer, on Nov. 10

Andrew White, 78, jazz/R&B saxophonist and bassist, on Nov. 11
The 5th Dimension – Together Let’s Find Love (1971, on bass)
Andrew White – Who Got De Funk (1973)

Mo3, 28, American rapper, shot dead on Nov. 11

Adrian Cionco, 48, bassist of Argentine rock-fusion band La Mosca, on Nov. 11

Jim Tucker, 74, guitarist of The Turtles, on Nov. 12
The Turtles – It Ain’t Me Babe (1965)
The Turtles – So Happy Together (1966)

Lynn Kellogg, 77, singer-actress (original Sheila in Hair), on Nov. 12
Lynn Kellogg – Easy To Be Hard (1968)

Doug Supernaw, 60, country singer, on Nov. 13
Doug Supernaw – Reno (1993, also as co-writer)

Bob Van Staeyen, 84, member of Belgian folk group De Strangers, on Nov. 14

Des O’Connor, 88, English singer and entertainer, on Nov. 14
Des O’Connor – I Pretend (1968)

Eric Hall, 73, Iconic English music agent, on Nov. 16

Bruce Swedien, 86, recording engineer and producer, on Nov. 16
Ramsey Lewis Trio – Wade In The Water (1966, as engineer)
The Chi-Lites – Have You Seen Her (1972, as engineer)
James Ingram & Michael McDonald – Yah Mo Be There (1983, as engineer)
Quincy Jones – The Secret Garden (1989, as engineer)

László Benkő, 77, keyboardist of Hungarian rock band Omega, on Nov. 18
Omega – Nem tilthatom meg (1968)
Omega – Pearls In Her Hair (1969)

Tony Hooper, 77, guitarist of English folk-rock band Strawbs (1968-72), on Nov. 18
Strawbs – Forever (1970, also as co-writer)

Dominic Grant, 71, British pop singer, on Nov. 18
Guys ‘n’ Dolls – There’s A Whole Lot Of Loving (1975, as member)

Mshoza, 37, South African kwaito singer, on Nov. 19

John ‘Molly’ Baron, 68, member of South African soul-pop band The Rockets, on Nov. 19
The Rockets feat. Ronnie Joyce – Situations (1984)

Michael Brooks, 85, jazz producer and historian, on Nov. 20

Corrie van Gorp, 78, Dutch singer and actress, on Nov. 20

Tamás Mihály, 73, bassist/cellist of Hungarian rock band Omega, on Nov. 21
Omega – Live As Long As (1974)
Omega – Break The Chain (1996)

Rufus Rehu, 81, member of New Zealand band Quincy Conserve, on Nov. 21

‘Detroit’ Gary Wiggins, 68, jazz and blues saxophonist, on Nov. 22
Detroit Gary Wiggins – That’s All (2008)

i_o, 30, techno DJ, on Nov. 23

Hal Ketchum, 67, country singer-songwriter, on Nov. 23
Hal Ketchum – I Know Where Love Lives (1991)

James Goode, 76, member of garage rock band The Excels, on Nov. 23
The Excels – Let’s Dance (1965)

Flor Silvestre, 90, Mexican singer and actress, on Nov. 25
Flor Silvestre – Cielo Rojo (1961)

Allan Botschinsky, 80, Danish jazz trumpeter, on Nov. 26

Jamir Garcia, 42, singer of Filipino metal band Slapshock, of suicide on Nov. 26

Herman Green, 90, jazz and blues saxophonist, on Nov. 26
B.B. King – I Stay In The Mood (1966, on saxophone)

Piotr Strojnowski, 62, guitarist of Polish reggae band Daab, on Nov. 28

Miša Aleksić, 67, bassist of Serbian/Yugoslavian rock band Riblja Čorba, on Nov. 29

Othella Dallas, 95, jazz singer and dancer, announced on Nov. 29

Jerry Demara, 45, Mexican banda singer-songwriter, on Nov. 30
Jerry Demara – Déjalo (2020) [BUY]

Anne Sylvestre, 86, French singer-songwriter, on Nov. 30
Anne Sylvestre – Le Pêcheur de Perles (1967)

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In Memoriam – October 2020

November 5th, 2020 6 comments

 

Do you hear the people sing? The remarkable man who wrote those words for the musical Les Misérables died in October, as did two triple-named country outlaw legends, two reggae pioneers, and three men who gave their names to eminent bands. Fans of The Originals will enjoy hearing the first recordings of hits for Waylon Jennings (I’m A Ramblin’ Man), Willie Nelson (Whiskey River) and the classic Mr Bojangles.

The Professor
In his young days, Spencer Davis almost casually came into contact with future music legends, a status he himself attained before he was 30. One of his early bands included future Rolling Stones bassist Bill Wyman (then still William Perks). Then he got a girlfriend called Christine Perfect, who as Christine McVie became a creative force in Fleetwood Mac. And in 1963, Davis discovered 15-year-old Stevie Winwood and roped him and Stevie’s brother Muff into the band that would became the Spencer Davis Group. The band would rack up for UK Top 10 hits and two consecutive UK #1s, all with Stevie on vocals, all ’60s classics, especially Keep On Running and Gimme Some Lovin’.

The band stopped running in 1969, after Stevie had decamped to form Traffic two years earlier. Davis, known by many as “Professor” due to his university education — he had studied German, a language in which the band recorded a couple of novelty records — went to the US and recorded a couple of success-evading albums, reformed an iteration of the Spencer Davis Group to little interest. By the mid-1970s he was working as an executive for Island Records.

The Axeman
Confession time: much as I admire the technical skills and acknowledge the influence of the guitar soloing of Eddie Van Halen, they never were my cup of vodka & coke. Of course they were quite breathtaking in their technique, as is the expertise in synchronised swimming. But that should not detract from how they, and Eddie’s band, practically set the 1980s “hair rock” craze in motion. Eddie was one of the pivotal figures in rock history, and also in pop: his guitar solo on Michael Jackson’s Beat It, which at the time sounded super-hard, helped metal cross over into pop.

The Soul-Reggae Pioneer
Soul singer Johnny Nash was one of the pioneers of reggae in the UK especially. A superb soul singer, Nash recorded since he was 18 in 1958, but the decisive event was when he moved to Jamaica in the 1965. There he was influenced by the rising rocksteady scene, and recorded in that genre himself. That fusion of what would become known as reggae and US soul brought Nash three Top 10 hits in the UK in 1968/69. Three years later he had a #13 hit with a version of Stir It Up, the song by Bob Marley, who still had to break internationally. But soon came Nash’s own anthem: the much-covered I Can See Clearly Now. Another three years later, he topped the UK charts with the lilting reggae-soul number Tears On My Pillow. But that style wasn’t his only trick: Nash also released some very good soul albums, until he semi-retired from the music business in 1980.

The Drumming Centenarian
We have featured several centenarians over the years, but was any as old as 107? That is the age jazz drummer Viola Smith reached before she died five weeks short of her 108th. Her career went back to the 1920s when her concert hall-owner father set up his eight daughters in an all-girl band which he called the Schmitz Sisters Family Orchestra (later Smith Sisters Orchestra). As her five elder sisters chose all the instruments Viola wanted to play, she settled for drums. The band broke out in the early 1930s, but by 1938 Viola and sister Mildred formed their own all-female swing band, The Coquettes, which lasted till Mildred got married in 1942. Viola then joined the Hour of Charm Orchestra, also all-female, in which she earned the reputation of being “the female Gene Krupa”. All these bands, and some that followed, were stage acts who didn’t put their music to record.

Not surprisingly, starting in the early ‘40s, Viola advocated for equality between men and women in music. In an interview on her 107th birthday last year, Smith said she still drummed on stage occasionally.

The Gospel-Soul Man
In the 1970s, few gospel groups crossed over as well as The Rance Allen Group, a band of three brothers led by, you guessed it, Rance Allen. The lyrics might have been about the Christian faith, though even then many could be taken as inspirational, but the music was soul; channeling Chi-Lites or Sly Stone rather than Andrae Crouch. Indeed, in their performance at the legendary Wattstax festival, Rance and brothers referenced Dance To The Music after delivering a shredding guitar solo. In that way, the group paved the way for acts like Kirk Franklin and The Winans.

Rance himself was a powerful singer with a great range; he could sing ballads and also hit the high notes like the funkiest soul screamer. Later was made a bishop in his church.

The Mr Bojangles Writer
Outlaw country singer-songwriter Jerry Jeff Walker will always be remembered for writing the great Mr Bojangles, a song about a street performer whom he met in a holding cell in 1965. The story of that featured in The Originals: The Classics. Walker never reached the heights of fellow Outlaw singers, like Willie Nelson or Waylon Jennings, but he was influential enough to receive a namecheck in Jennings’ Luckenbach, Texas (“Between Hank Williams’ pain songs and Jerry Jeff’s train songs…”).

The Other Outlaw
It was a bad month indeed for outlaw country musicians with three names: shortly after Walker, Billy Joe Shaver died (David Allen Coe and Michael Martin Murphey must be getting nervous now). Like Walker, Shaver was a collaborator with Waylon Jennings. And where Jennings was namechecked by Jennings, Shaver was mentioned in song by Bob Dylan (on 2009’s I Feel a Change Comin’ On). Shaver recorded 17 studio albums in his time, but he was especially prolific as a songwriter whose compositions were recorded by other big names in country.  As it happens, Jerry Jeff Walker was among them, featuring here with one of Shaver’s finest songs.

Shaver certainly was a character: In 2007, he shot a fellow named Billy Bryant Coker in the face with a handgun. Luckily, Coker’s injuries weren’t life-threatening. Shaver said he had acted in self-defence after Coker threatened him with a knife. According to witnesses, Shaver had asked Coker before shooting: “Where do you want it?” Having shot the guy, he demanded: “Tell me you are sorry. Nobody tells me to shut up.” Some years later Shaver told NPR that Coker indeed said “I’m sorry” after being shot. The singer said that Coker had been a bully and “I hit him right between a mother and a fucker.” A court acquitted Shaver.

The Writer
Here’s a thought: the same guy who wrote the lyrics for the silly novelty records by Peter Sellers and Sophia Loren in the early 1960s (including the vaguely racist Goodness Gracious Me) later wrote the profound and moving lyrics for the musical Les Misérables. South African-born English writer Herbert Kretzmer (whose brother went on to become mayor of Johannesburg) also wrote the English lyrics for the Charles Aznavour hit She, the Streisand favourite When You Gotta Go, the much-covered Yesterday When I Was Young, and — within hours of John F Kennedy’s assassination — the tribute song In The Summer Of His Years.

Kretzmer was also an award-winning journalist in Britain, as a long-running TV critic and as an interviewer of the likes of John Steinbeck, Truman Capote, Tennessee Williams, Sugar Ray Robinson, Louis Armstrong, Henry Miller, Cary Grant and Duke Ellington.

As before, this post is included in PDF format in the package.

Lisa Schouw, South African-born singer of Australian band Girl Overboard, on Oct. 2
Girl Overboard – Wrap Your Arms Around Me (1989, also as co-writer)

Cookie Monsta, 31, British dubstep producer, on Oct. 2

Anthony Galindo, 41, Venezuelan singer, suicide on Oct. 3

Béatrice Arnac, 89, French singer, composer and actress, on Oct. 5
Béatrice Arnac – Athée ou à Té (1973)

Eddie Van Halen, 65, Dutch-born guitarist, composer, co-founder of Van Halen, on Oct. 6
Van Halen – Ain’t Talkin’ Bout Love (1978)
Nicolette Larson – Can’t Get Away From You (1979, on guitar)
Michael Jackson – Beat It (1982, on guitar)
Van Halen – Hot For Teacher (1984)

Johnny Nash, 80, singer-songwriter, on Oct. 6
Johnny Nash – Love Ain’t Nothin’ (1964)
Johnny Nash – You Got Soul (1968)
Johnny Nash – Say It Ain’t True (1975)
Ray Charles – I Can See Clearly Now (1978, as writer)

Bunny Lee, 79, Jamaican reggae producer, on Oct. 6
Delroy Wilson – Better Must Come (1971, as writer and producer)
Eric Donaldson – Cherry Oh Baby (1971, as producer)

Reverend John Wilkins, 76, blues musician, on Oct. 6
Reverend John Wilkins – Trouble (2020) ORDER

Ray Pennington, 86, country singer-songwriter, in a fire on Oct. 7
Ray Pennington – Ramblin’ Man (1967, also as writer)

Brian Locking, 81, bassist with British guitar band The Shadows (1962-63), on Oct. 8
The Shadows – Dance On (1963)
Donovan – Catch The Wind (1965, on bass)

Pierre Kezdy, 58, punk bass player, on Oct. 9

David Refael ben Ami, 70, Israeli singer, COVID-19 on Oct. 9

Harold Betters, 92, jazz trombonist, on Oct. 11
Harold Betters – Do Anything You Wanna (1969)

Kim Massie, 63, blues singer, on Oct. 12

Saint Dog, 44, rapper with Kottonmouth Kings, on Oct. 13
Kottonmouth Kings – Life Ain’t What It Seems (1998)

Paul Matters, bassist of AC/DC (1975), on Oct. 14

Herbert Kretzmer, 95, South African-born lyricist, on Oct. 14
Peter Sellers & Sophia Loren – Bangers & Mash (1961, as lyricist)
Dusty Springfield – Yesterday When I Was Young (1972, as lyricst)
Charles Aznavour – She (1974, as lyricist)
Les Misérables Cast (London) – One Day More (1985, as lyricist)

Dave Munden, 76, English drummer and singer with The Tremeloes, on Oct. 15
The Tremeloes – Even The Bad Times Are Good (1967)
The Tremeloes – Me And My Life

Johnny Bush, 85, country singer-songwriter, on Oct. 16
Johnny Bush – Whiskey River (1972, also as co-writer)

Toshinori Kondo, 71, Japanese avant garde jazz trumpeter, on Oct. 17

Gordon Haskell, 74, English singer-songwriter and musician, on Oct. 17
King Crimson – Lady Of The Dancing Water (1970l, as member on bass)
Gordon Haskell – How Wonderful You Are (2001)

José Padilla, 64, Spanish DJ, producer of Café del Mar CDs, on Oct. 18
José Padilla feat. Angela John – Who Do You Love (1998)

Chet ‘JR’ White, 40, bassist with Indie band Girls, producer, on Oct. 18
Girls – Lust For Life (2009, also as producer)

Alfredo Cerruti, 78, Italian producer, singer, author, on Oct. 18

Tony Lewis, 62, bassist, songwriter with English band The Outfield, on Oct. 19
The Outfield – Your Love (1985)

Overton Berry, 84, jazz pianist, on Oct. 19

Spencer Davis, 81, Welsh musician, on Oct. 19
Spencer Davis Group – Keep On Running (1965)
Spencer Davis Group – Det war in Schöneberg (1966)
Spencer Davis Group – Mr Second Class (1969)

Viola Smith, 107, American drummer, on Oct. 21
The Coquettes – The Snake Charmer (1939)

Margie Bowes, 79, country singer, on Oct. 22
Margie Bowes – Poor Old Heartsick Me (1959)

Jerry Jeff Walker, 78, country singer-songwriter, on Oct. 23
Jerry Jeff Walker – Mr. Bojangles (1968)
Jerry Jeff Walker – Stoney (1970)
Jerry Jeff Walker – L.A. Freeway (1972)
Jerry Jeff Walker – Pissin’ In The Wind (1975)

Cal Vin, 35, Zimbabwean singer and rapper, in a hit-and-run on Oct. 24

Stan Kesler, 92, songwriter, musician and producer, on Oct. 26
Elvis Presley with Scotty & Bill – I’m Left, You’re Right, She’s Gone (1955, as writer)
Sam the Sham & the Pharaohs – Wooly Bully (1965, as producer)

Dolores Abril, 86, Spanish folkloric singer, on Oct. 26

Cano Estremera, 62, Puerto Rican salsa singer, on Oct. 27

Billy Joe Shaver, 81, country singer and songwriter, on Oct. 27
Billy Joe Shaver – Black Rose (1973)
The Allman Brothers Band – Sweet Mama (1975, as writer)
Jerry Jeff Walker – Old Five And Dimers Like Me (1976, as writer)
Billy Joe Shaver with Kris Kristofferson – No Earthly Good (2007)

Lou Pallo, 86, guitarist with Les Paul and His Trio, on Oct. 27

James Broad, singer, guitarist, songwriter with UK indie band Silver Sun, on Oct. 30
Silver Sun – Golden Skin (1997)

Rance Allen, 71, gospel singer and bandleader, on Oct. 31
The Rance Allen Group – There’s Gonna Be A Showdown (1972)
The Rance Allen Group – Up Above My Head (1972, live at Wattstax)
The Rance Allen Group – Harlem Heaven (1975)
The Rance Allen Group – Some People (1980)

Marc Fosset, 71, French jazz guitarist, on Oct. 31

Sean Connery, 90, Scottish actor, on Oct. 31
Janet Munro & Sean Connery – Pretty Irish Girl (1959)

MF Doom, 49, British-American rapper, on Oct. 31 (announced in December)

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In Memoriam – September 2020

October 1st, 2020 6 comments

This was a relentlessly nasty month, as the number of 12 write-ups shows — in a month when I really didn’t have much time for that! It was particularly bad for soul singers and bassists. Still listing deaths from Covid-19, because as the orange commander of the Proud Stormtroopers said: “It is what it is.”

The Reggae Legend
To reggae fans, the question of Maytals or Wailers is akin to pop fans arguing about Beatles or Stones. Certainly, the Maytals’ leader Toots Hibbert, who has died at 71, was the one to give the genre its name with his 1968 song Do The Reggay. A gifted multi-instrumentalist — it is said he could play every instrument on his records — Hibbert was also a superb vocalist. Had he been born in the US, he might have been a soul singer. Having grown up in a Christian family before turning to Rastafarianism, he had a background in gospel music, which also found expression in some of his lyrics.

The Inspiration for Michelle
The incredible 93-years-long life of French chanteuse and actress Juliette Gréco has come to an end. As a teenager in occupied France during World War II, Juliette was involved in the Resistance, with her mother and sister. All three were arrested. Juliette was tortured by the Gestapo, but evaded internment in a concentration camp, unlike the other two. Instead, the 16-year-old was kept in jail for several month.

After the war, Gréco became part of the bohemian scene is Paris’ St Germain district (now more famous, alas, as the oligarch propaganda plaything football club owned by the state of Qatar), where she joined up with people like Sartre, Camus and Cocteau (who gave Gréco her first film role). In the 1960s, she was the inspiration for Paul McCartney’s song Michelle.

Gréco had a string of high-profile affairs (with, among others, Miles Davis, Quincy Jones, Sacha Distel, and Albert Camus), was married three times, and received the highest honours France bestows on civilians.

The Brother of Kool
Ronald Bell co-founded the legendary Kool & The Gang with his brother Robert, whose nickname gave the band its name. And while “Kool” gave his name to the band, Ronald was a musical force behind it, as a saxophonist, as a songwriter and as a producer. He wrote such classics as Jungle Boogie, Open Sesame, Ladies’ Night, Get Down On It, Big Fun, Hi-De-Hi Hi-De-Ho, In The Heart, Cherish, and Celebration. The latter was the song Bell regarded as his favourite, having been inspired to write it after picking up a bible in a hotel room. And that is interesting since Bell was a convert to Islam who took the name Khalis Bayyan.

The Honey Cone
On September 10 I posted the ABC of Soul Music mix, on which the letter H was represented by The Honey Cone. Two days later the lead singer of the featured track, Want Ads, died. Edna Wright, the younger sister of Darlene Love, started out as a backing singer for the likes of The Righteous Brothers, Johnny Rivers, and Ray Charles.

She released one unsuccessful single under the name Sandy Wynns, but her break came when Holland-Dozier-Holland, fresh from leaving Motown, discovered Wright as she filled in for her sister on the Andy Williams Show in 1969. Wright declined a solo deal but took the lead in The Honey Cone. Two years later the group had two mega hits with Want Ads and Stick-Up. After the Honey Cone, she resumed her career as backing singer, but did release one solo LP in 1977, the title track of which features here.

She Was Woman
With her hit I Am Woman, Australian-born singer Helen Reddy carved her name into the pantheon of female singers who articulated the demand for the emancipation of women. It was all the more powerful a statement in a time of rising feminism that Reddy didn’t look like the caricature of bra-burning activists that scared the supposedly silent majority; she actually looked like one of them — as did many other feminists. For a generation of women, I Am Woman (written by a man) became a statement of self-assertion.

The Australian-born singer had her first hit in 1970 with her second single, I Don’t Know How To Love Him, from Jesus Christ Superstar. It was actually the b-side of a track called I Believe In Music, written by Mac Davis, who died on the same day as Reddy. Many more hits followed, especially Delta Dawn, over the next decade. Reddy retired from the music business in 2002, returned to Australia, and became a hypnotherapist there.

The Humble Singer
Before he made it as a country singer, Mac Davis was Read more…

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In Memoriam – August 2020

September 3rd, 2020 7 comments

This month we lost one of my favourite contemporary singers, and one of the last survivor of the 1921 Tulsa pogrom. The latter died at 100 on August 18, when this list records seven music deaths in one day.

There’s a lot great music to discover this month; I am surprised that the drum break that opens Steve Grossman’s Zulu Stomp has not been widely sampled. As in the last few months, I’ve created playlists in order of the listings below, and a playlist I have made for myself. This month’s is particularly good.

The Saint Of Lost Causes
The law of averages dictate that most of our favourites musicians tend to die when they are past their prime. It’s very rare that I’m looking forward to the next album of a newly-departed performer, even in the case of somebody like Prince. But in August I was devastated by the sudden death of Justin Towne Earle, one of the few contemporary singers I’d call myself a fan of, more so even than I am of his father, Steve Earle.

He never made a bad album I heard, and his Harlem River Blues album is a contender for my favourite of the 2010s, and Track 2 from it, One More Night in Brooklyn, one of my favourites of the decade. Last year’s The Saint Of Lost Causes was solid with some fine moments. It has his typical warmth and tinge of sadness, and is an agreeable companion. Justin Townes Earle’s music is generally classified as “Americana”, and Earle did justice to the concept: he drew his influences from almost every musical genre of the USA.

Earle was just 38, younger even than the fine musician he was named after, Townes van Zandt. Police say it might have been a drug overdose that claimed Earle, and reportedly he had been on-and-off drugs since he was 12.

The Texan Mexican
Strange paths crossed with Trini Lopez, the son of Mexican person growing up in Texas. In the mid-1950s, Lopez and is band played in the Dallas nightclub owned by Jack Ruby, who’d later murder Harvey Oswald. Then it was Buddy Holly’s father at whose advice Lopez and his band, The Big Beats, were recorded by Buddy’s producer Norman Petty in 1957. They released one instrumental single, and Trini tried his hand at a solo career as a singer. A long string of singles went nowhere, and an idea for Trini to succeed Buddy Holly as the singer of The Crickets fell through. So he returned to club singing — where he was discovered in 1962 by Frank Sinatra.

Sinatra signed Lopez to his Reprise label, and Lopez rewarded Sinatra with a hit, a live recording of If I Had A Hammer. He continued to have a run of hit singles through the 1960s. In between that he designed two guitars for Gibson, both models now much sought-after by collectors, and appeared in a handful of movies, including The Dirty Dozen.

The Rock Opera Writer
We can thank Mark Wirtz and his collaborator Keith West for the concept of the rock opera, one which they pioneered in 1967 with their unfinished A Teenage Opera, from which West released the track often called Grocer Jack, which became a #2 hit in 1967. Wirtz — who was born in in the French city of Strasbourg, grew up in Cologne and moved to England in 1962 — also wrote and recorded the infectious A Touch Of Velvet-A Sting Of Brass in 1966 under the moniker Mood Mosaic (with vocals by The Ladybirds). It later served as the theme of the legendary German music TV show Musikladen.

In 1970 he moved to the US, where he arranged for a number of big-name acts, but left the business in the late 1970s. He tried his hands at various careers: working a telemarketer, maître d’, blood-stock agent, interpreter, voice-over artist, undercover agent, seminar leader and sales manager. He then moved into comedy, with success, and also became an award-winning newspaper columnist and writer.

The Pogrom Survivor
As a toddler, Hal “Cornbread” Singer survived the Tulsa race massacre, when whites razed a whole thriving district in the black suburb of Greenwood in a pogrom against African Americans. When he died at 100 on August 18, he was one of the last survivors of that act of genocide.

Singer grew up in Greenwood before he became a jazz musician, especially as a tenor saxophonist. He played with acts like Oran “Hot Lips” Page, Roy Eldridge, Marion Abernathy, Coleman Hawkins and Wynonie Harris and recorded under his own name, scoring a 1948 hit with the instrumental Corn Bread, which gave him his nickname.

The Hard Rock Producer
Martin Birch, who has died at 71, was a Read more…

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In Memoriam – July 2020

August 4th, 2020 5 comments

The month started off quite brutally, with July 6 being particularly harsh. Things eased as the month neared its end. I’m still noting where people died of complications from Covid-19, since there are still idiots who think that protecting others from catching this virus is unimportant or incompatible with their screwed ideologies. Not masking up kills people. Be decent. Wear those masks.

The Maestro
You know a musician’s lifework is universally beloved when it is hailed by music fans of every genre, a top football club and the Vatican. The AS Roma football team got it right when it wore on its sleeves the legend “Grazie, Maestro” below the outline of the face of film composer Ennio Morricone by way of tribute. Readers of this blog needn’t be instructed about the genius of Morricone, nor be subjected to a tortured list of my favourite pieces of Morricone compositions — such a list would never end. But should there be anybody left who is uncertain what the Morricone fuss is all about, let me refer them to the exquisite soundtrack of Once Upon A Time In America, a masterpiece which guides you through an emotional journey (one of the featured tacks is from that soundtrack).

The Big Mac
Readers of this corner of the Internet also needn’t be reminded that before Fleetwood Mac were coked-up million-sellers in sunny California, they were a blues-rock band in grimy England (possibly experimenting with a variety of drugs, but more of that in a bit). The first incarnation had at its centre guitarist and songwriter Peter Green, whose blues guitar chops moved BB King to issue highest praise. For Fleetwood Mac, Green wrote Black Magic Woman (later a hit for another gifted guitarist, featured on Any Major Originals – The Classics), the instrumental mega-hit Albatross, Oh Well, The Green Manalishi, and others.

Green wasn’t into the stardom or the money that came with it. His experimentations with LSD also had an effect on his mental state. He was eventually diagnosed with schizophrenia. Green left Fleetwood Mac in 1971. He continued to record here and there, but faded into obscurity (though his 1979 album In The Skies was very good). In 1979 his old pals from Fleetwood Mac included Green, uncredited, on the song Brown Eyes from Tusk.

The Devil’s Competitor
Will there be a rematch for a fiddle after the death of Charlie Daniels? The country-rocker became a sorry example of the hateful culture-warrior that brought the world the Disaster Express that is Donald Trump. But in his younger day, Daniels was a member of the counterculture and a supporter of Jimmy Carter’s presidential campaign. Let us remember that Charlie Daniels objected to the KKK’s use of his poorly-titled Southern Rock anthem The South’s Gonna Do It Again.

Before he broke through as a headliner, Daniels was a session musician, playing for the likes of Bob Dylan, Leonard Cohen, Al Kooper, Flatts & Scruggs, Ringo Starr and, especially, the Marshall Tucker Band.

The Jazz Singer
With the death of Annie Ross, all three of the pioneering jazz vocalese trio Lambert, Hendricks & Ross are gone, with Dave Lambert having died already in 1966, and Jon Hendricks in 2017. Ross left the trio in 1962, succeeded by Yolande Bavan, the sole survivor of either line-up. Born in London as Annabelle Short, Ross came to the US as a child. In 1943 she played Judy Garland’s sister in Presenting Lily Mars. A year later she won a songwriting contest, with Johnny Mercer recording her song, Let’s Fly. She joined Lambert and Hendricks in 1957, having earlier worked alongside Lambert. Initially they wanted to record with different female singers, but Ross so impressed them that she was invited to join the group.

While with the trio, she also recorded solo albums, and in 1962 left the group. She went on to found a high-class jazz club in London, and had a good career as a film actress.

The Synth Pioneer
Remember that strange keyboard solo on Del Shannon’s Runaway (a song with so many delightful touches)? That was played on a musitron by its inventor, Max Crook. The musitron was an early type of monophonic synthethiser which, according to Wikipedia, was “a clavioline heavily enhanced with additional resistors, television tubes, and parts from household appliances, old amplifiers, and reel-to-reel tape machines”. It influenced the likes of Berry Gordy, Joe Meek, Ennio Morricone, John Barry and Roy Wood.

Crook was operating his invention on stage as a member of Del Shannon’s backing group when he played a chord-change from A-minor to G. The singer and the keyboardist used that as the basis for Runaway, which turned out to be a million-seller.

The Toto Father
I imagine growing up in the Porcaro household must have been a blast, at least from a music point of view. Joe Porcaro, who has died at 90, was a session drummer and percussionist in the Wrecking Crew, and all three of his sons — Jeff, Steve and Mike (two of whom Joe outlived) — became sought-after session musicians themselves, and founders of the group Toto. Porcaro Sr did Read more…

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In Memoriam – June 2020

July 2nd, 2020 9 comments

At last, there was a month of some respite, at least in comparison to the past few months of carnage (though the last week was pretty brutal). Still, we lost as few legends in their field, and one singer’s assassination sparked off social unrest.

The Pointer Sister
When on 9 June I posted the Protest Soul Vol. 3 mix, featuring the Pointer Sisters song Yes We Can Can, I didn’t know that Bonnie Pointer had died the day before. Bonnie started the band with younger sister June in 1969, with Anita and then Ruth joining later. In the earlier days, the Pointer Sisters were eclectic, adopting an image based on the Andrews Sisters, and performing material that ranged from soul to funk to jazz to country. Their 1974 crossover hit Fairytale, which Bonnie co-wrote with Anita, was full-on country.

Bonnie left the group in the late 1970s to pursue a solo career, but that yielded only one hit, 1979’s disco version of The Elgins’ Heaven Must Have Sent You, which peaked at #11. After Bonnie left, the sisters carried on as a trio.

The Glam Bassist
Glam rock introduced the British public (and people beyond) to male pop stars wearing make-up, but even then, few really camped it up as heterosexually as Steve Priest, bassist of The Sweet. His interjection on the 1973 hit Block Buster “They just haven’t got a clue what to do” is the stuff of legend. So when The Sweet went square and released 1978’s Level Headed LP, it was disappointing to see Steve looking, well, like a school teacher who’ll have to take action against hell-raisers on a teenage rampage. With Priest’s death, Andy Scott is the final survivor of the classic Sweet line-up.

The Guitar Man
The Any Major Guitar Vol. 2 mix featured songs with guitar parts I particularly like. Among them was the solo on Rod Stewart’s Sailing by Pete Carr. I noted that another one of his solos, on Bob Seger’s Against The Wind might have featured instead. Carr was still a teenager when he recorded, as a bassist, an album with Duane and Gregg Allman in the band Hour Glass. That led to him to the FAME studios, where soon he became lead guitarist for the in-house band, the Muscle Shoals Rhythm Section. At FAME he played on most hits produced there in the 1970s, and also worked behind the scenes in production and engineering. In between, he formed a duo with Lenny LeBlanc, and had a hit with their song Falling.

Carr’s guitar can be heard on hits such as Rod Stewart’s Tonight’s The Night, Luther Ingram’s If Loving You is Wrong, Barbra Streisand’s Woman In Love (that intro!), Paul Simon’s Kodachrome and Take Me To The Mardi Gras, Mary McGregor’s Torn Between Two Lovers, Bob Seger’s Main Street, Still The Same, Hollywood Nights and practically everything else Seger did between 1972 and 1986. And, having recorded with both Paul Simon and Art Garfunkel, Carr was in the backing band in their Concert In The Park reunion.

The War Singer
A few weeks ago I reposted a mix of German hits from the WW2 years, among which were subtly-spun propaganda songs exhorting the German population to keep courage while their cities were bombed and sons and husbands fell in the field. In Britain, Vera Lynn filled a similar function by singing about meeting again at an unknowable time in the future (in the 1940s hit version, backed by a choir of servicemen), how there’ll always be an England, and about how the white cliffs of Dover would greet returning soldiers.

With these songs that gave comfort and the spirit of endurance, Lynn’s name in the book of British music legends was still shone bright for the remaining 75+ years of her life. Her big hits were used a lot for jingoistic propaganda to agitate for Brexit, but if We’ll Meet Again isn’t remembered as war-time classic, it might be as the song that scores the final scene of Dr Strangelove, as the world fades away in an atomic armageddon.

The Theme Composer
The man who write the theme of M*A*S*H has died, apparently of natural causes, at 94. Johnny Mandel put the music to the lyrics by director Robert Altman’s 14-year-old son Michael, who was roped in to write the most intentionally idiotic lyrics to fit the title Suicide Is Painless. Against Mandel’s wishes, it became the movie’s theme song. As an instrumental theme for the TV series, the tune became one of the most recognisable of the 1970s.

He won Grammy awards for his songs Emily (from the 1964 comedy film The Americanization of Emily) and the much-covered The Shadow of Your Smile (from The Sandpiper), which also won the Oscar for Best Song in 1966. Films whose scores he composed included Caddyshack, Being There, The Verdict, Freaky Friday (1976 version), Agatha, Escape to Witch Mountain, Point Blank, Pretty Poison, I Want To Live! and The Russians Are Coming, The Russians Are Coming (which starred Carl Reiner, who died on the same day as Mandel).

Mandel was not only a prolific songwriter and score composer for film and TV, but was also a sought-after arranger for the likes of Hoagy Carmichael, Frank Sinatra, Tony Bennett, Mel Tormé, Anita O’Day, Buddy Rich, Quincy Jones, Peggy Lee, Diane Schuur, Diane Krall, Barbra Streisand, Lee Ritenour, James Ingram, Natalie Cole, Michael Jackson (on Will You Be There) and Steely Dan (he arranged the strings on FM).

The Reggae Pioneer
Jamaican guitarist Hux Brown played on pioneering reggae songs such as Bangarang by Lester Sterling, Rivers of Babylon by The Melodians, The Harder They Come by Jimmy Cliff Girl, I’ve Got A Date by Alton Ellis, Ba Ba Boom by the Jamaicans; and many tracks by Lee “Scratch” Perry, Bob Marley & The Wailing Wailers, and Toots And The Maytalls, whom he joined in the 1970s and stayed with for 35 years. Outside reggae, he backed Paul Simon (on Mother And Child Reunion) and Herbie Mann.

The Singing Producer
As a young folk musician in England, Rupert Hine was pals with a pre-fame Paul Simon (rough month for Paul, with three former collaborators dying this month). In the 1970s he had a Top 10 UK hit with his band Quantum Jump and recorded prolifically as a solo artist, without bothering the charts (though he sang on the Better Off Dead soundtrack in 1985).

It was as a producer Hine left a mark with acts like Yvonne Elliman, Kevin Ayers, After The Fire, Murray Head, Camel, The Members, Tina Turner (Better Be Good To Me; Break Every Rule), The Fixx, Chris De Burgh (Don’t Pay The Ferryman; High On Emotion), Jona Lewie, Howard Jones (What Is Love; Like To Get To Know You Well; Hide And Seek, Things Can Only Get Better, Life In One Day), The Waterboys (A Girl Called Johnny), Thompson Twins (The Long Goodbye; Get That Love), Bob Geldof, Rush, Stevie Nicks (Rooms On Fire), Duncan Sheik, Suzanne Vega and others.

The Last Left Banker
The Left Banke is now empty, after the death of the last surviving member of the classic line-up, bass player Tom Finn. Just over five years ago, they were all still alive. Since then, keyboardist and chief songwriter Michael Brown died in 2015; drummer George Cameron in 2018, and guitarist Steve Martin Caro in January this year.  After the band split, Finn went on to engineer at Bell Records, and then became a DJ, at the prompting of Studio 54 owner Steve Rubell. Among Finn’s clients were Bill and Hilary Clinton.

The Assassins’ Victim
It seems to become a common event that musicians are killed or otherwise persecuted for advocating social justice. In the past few months we’ve seen the death of gospel singer Kizitio Mihigo  while in police custody in Rwanda in February, and the hunger strikes deaths of Ibrahim Gökçek and Helin Bölek in Erdogan’s Turkey in April and May. On June 29, assassins’ bullets killed Ethiopian singer-songwriter Hachalu Hundessa, who was an activist for political and social reform and the rights of the Oromo ethnic group, which has been discriminated against by successive Ethiopian regimes, starting with that of Haile Selassie.

Hundessa’s murder sparked off civil unrest, with at least 11 protesters shot dead. The day after his murder, the Ethiopian government shut down the internet in much of the country.

 

As last month, this post is included as a PDF booklet for easy future reference, replacing the old *.txt files. It takes a bit of effort to create. Let me know in the comments if I should continue with it.

Joey Image, 63, drummer of punk rock band Misfits, on June 1
Misfits – Horror Business (1978)

Majek Fashek, 57, Nigerian reggae singer and songwriter, on June 1
Majek Fashek – Send Down The Rain (1988)

Chris Trousdale, 34, singer with boy band Dream Street, of Covid-129 on June 2

Werner ‘Gottlieb Wendehals’ Böhm, 78, German singer and musician, on June 3

Dulce Nunes, 90, Brazilian singer, composer, producer & actress, of Covid-19 on June 4
Dulce Nunes – Pobre Menina Rica (1964)

Steve Priest, 72, bassist and later singer of The Sweet, on June 4
Sweet – Wig-Wam Bam (1972)
Sweet – Block Buster (1973)
Sweet – The Six Teens (1974)
Sweet – Love Is Like Oxygen (1978)

Rupert Hine, 72, English musician, songwriter and producer, on June 5
Quantum Jump – The Lone Ranger (1976, as member on vocals and keyboard)
Howard Jones – Hide And Seek (!984, as producer)
Rupert Hine – Arrested By You (1985, also as co-writer)

Frank Bey, 74, blues singer, on June 7
Frank Bey – Idle Hands (2020)

Floyd Lee, 86, New York blues busker and musician, on June 7
Floyd Lee Band – Mean Blues (2001)

Jesse Sanders, 76, member of surf-rock band The Tornadoes, on June 7
The Tornadoes – Bustin’ Surfboards (1962)

James ‘Slim’ Hand, 67, country singer-songwriter, on June 8
James Hand – In The Corner, At The Table, By The Jukebox (2006)

Bonnie Pointer, 69, singer with The Pointer Sisters, on June 8
The Pointer Sisters – Fairytale (1974, also as co-writer)
The Pointer Sisters – Easy Days (1975, on lead vocals & as co-writer)
Bonnie Pointer – Heaven Must Have Sent You (1979)

Uta Pilling, 71, German musician, songwriter and illustrator, on June 8

Pau Donés, 53, singer-songwriter, guitarist with Spanish rock group Jarabe de Palo, on June 9
Jarabe de Palo – Agua (1998)

Paul Chapman, 66, Welsh guitarist (UFO, Lone Star), on June 9
UFO – This Fire Burns Tonight (1980, on lead guitar & as co-writer)

Ricky Valance, 84, Welsh pop singer, on June 12
Ricky Valance – Tell Laura I Love Her (1960)

Claude Ndam, 65, Cameroonian singer-songwriter, on June 12

Dodo Doris, 71, drummer of Congolese/Kenyan Orchestra Super Mazembe, on June 12
Super Mazembe Orchestra – Shauri Yako (1983)

Marc Zermati, 75, French producer and promoter, on June 13
The Flamin’ Groovies – River Deep Mountain High (1981, as co-producer)

Keith Tippett, 72, British jazz-rock pianist, on June 14
Keith Tippett Group – Black Horse (1971)

Omondi Long’lilo, 37, Kenyan Benga musician, on June 15

Nana Tuffour, 66, Ghanaian highlife singer, on June 15
Nana Tuffour – Abeiku (2002)

Yohan, 28, singer with South Korean K-pop boyband TST, on June 16

Yuji ‘You’ Adachi, 56, guitarist, songwriter of Japanese hard rock band Dead End, on June 16
Dead End – So Sweet So Lonely (1989)

Hugh Fraser, 62, Canadian jazz pianist, trombonist and composer, on June 17

Vera Lynn, 103, British singer, on June 18
Vera Lynn – We’ll Meet Again (1939, original version)
Vera Lynn – Be Like The Kettle And Sing (1944)
Vera Lynn – When You Hear Big Ben, You’re Home Again (1954)

Hux Brown, 75, Jamaican guitarist with The Maytals, on June 18
Bob Marley & The Wailing Wailers – Rocksteady (1969, on guitar)
Paul Simon – Mother And Child Reunion (1972, on guitar)
The Maytals – Give Us A Piece Of The Action (1977, on guitar as member)

Ellington ‘Fugi’ Jordan, 80, soul & blues singer, songwriter and producer, on June 18
Fugi ‎- Mary Don’t Take Me On No Bad Trip (1968, also as writer and co-producer)
Clarence Carter – I’d Rather Go Blind (1969, as writer)

Aaron Tokona, 45, New Zealand guitarist and singer, on June 20

Joan Pau Verdier, 73, French chanson singer, on June 21
Joan Pau Verdier – Vivre (1976)

Ian Stoddart, drummer and bassist of pop band Win, announced on June 22
Win – You’ve Got The Power (1985)

Margarita Pracatan, 89, Cuban novelty singer, on June 23

Claude Le Péron, 72, French bass guitarist, on June 24

Jacques Coursil, 82, French jazz trumpeter and composer, on June 25

Graeme Williamson, singer of Canadian new wave band Pukka Orchestra, on June 25
Pukka Orchestra – Cherry Beach Express (1984)

Huey, 31, rapper, shot on June 25

Charles Lawton Jiles, 90, country musician and songwriter, on June 26
Porter Wagoner – My Baby’s Not Here (In Town Tonight) (1963, as co-writer)

Sandra Feva, 73, soul singer, on June 26
Sandra Feva – Choking Kind (1979)
Sandra Feva – Leaving This Time (1981)

Mats Rådberg, 72, Swedish country singer, on June 27

Freddy Cole, 88, jazz singer and pianist, brother of Nat ‘King’ Cole, on June 27
Freddy Cole – Black Coffee (1964)
Freddy Cole – This Time I’m Gone For Good (2014)

Tom Finn, 71, bassist of pop band The Left Banke, on June 27
The Left Banke – I’ve Got Something On My Mind (1967)
The Left Banke – Nice To See You (1969, also as writer)

Pete Carr, 70, Muscle Shoals guitarist, on June 27
Hour Glass – Power Of Love (1968, as member on bass)
Sandra Wright – I’ll See You Through (I’ll Be Your Shelter) (1974, on guitar)
LeBlanc & Carr – Falling (1977)
Bob Seger – Against The Wind (1980, on lead guitar)

Simon H. Fell, 61, British free jazz bassist, on June 28

Benny Mardones, 73, soft-rock singer, on June 29
Benny Mardones – Into The Night (1989, also as writer)

Willie Wright, 80, soul singer, on June 29
Willie Wright – I’m So Happy Now (1977)

Stepa J. Groggs, 32, rapper (original member of Injury Reserve), on June 29

Johnny Mandel, 94, film composer, arranger, on June 29
Frank Sinatra – Ring-A-Ding-Ding (1960, as arranger and conductor)
Tony Bennett – The Shadow of Your Smile (1966, as co-writer and arranger)
The Mash – Suicide Is Painless (1980, as co-writer and arranger)
Quincy Jones – Velas (1980, as arranger)

Hachalu Hundessa, 34, Ethiopian singer and songwriter, assassinated on June 29
Hachalu Hundessa – Maalan Jira (2016)

Walter Nita, 69, Dutch singer, on June 30

GET IT!

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In Memoriam – May 2020

June 4th, 2020 2 comments

Another relentless month, and not just because Covid-19 (though that virus was a factor in several deaths). May claimed a number of innovators and trailblazers — Little Richard, Kraftwerk’s Florian Schneider, Betty Wright, Mory Kanyté. But the deaths we should mourn more than others is that of Turkish musicians Ibrahim Gökçek and Helion Bölek, who have died of hunger strike in protest against the persecution of their group by Turkey’s Erdoğan regime.

The Superstar
Little needs to be added to the many tributes for Little Richard, other than to note that without him, we’d not have had The Beatles as we knew them. I can only imagine how explosive the sounds of Little Richard, and Elvis’ Hound Dog, must have sounded to teenagers in the 1950s. In a tweet, British music journalist Simon Price summed up most fittingly Little Richard’s position in the history of rock ‘n’ roll: “Little Richard was the firecracker who set it all off. Right there at rock ‘n’ roll’s Big Bang, this ungovernable force transcending race, gender and sexuality. Literally a screaming queen. I met him once and it was like touching the hand of God. We owe him everything. RIP (it up).”

The Beatles certainly owed him a lot. When the young Liverpool quartet was supporting Mr Perriman on his England tour in 1963, Little Richard taught Paul McCartney to scream — s skill Macca put to good use in tracks such as I Saw Her Standing There and I’m Down to Helter Skelter and Hey Jude. And, of course, The Beatles borrowed their “wooo” from Littler Richard.

And, of course, check out Little Richard singing Rubber Ducky on Sesame Street.

The Robot Pioneer
It seems entirely in keeping with Florian Schneider’s ways that his death on April 21 would remain unreported for more than two weeks. With his band Kraftwerk, human emotion was unimportant, to the extent that in 1978 the members were replaced by identikit robots whom one could barely tell apart from the living men. In person, Schneider was said to be warm and funny. It is good that his death was met with many warm tributes.

Kraftwerk (properly prtonounced CRUFT-vairk) weren’t the only pioneers of electronic music — the German scene had several of those — but they had the greatest impact on the international mainstream pop that was to follow, be it Eurodisco, the post-punk synth pop in the UK, dance and electronica, or the Neue Deutsche Welle in Germany. And that influence manifested itself not only in music but also in image. David Bowie was an early adopter: the instrumental on his Heroes album (and b-side of the single of the title track) is named V2-Schneider in tribute to Florian — even if the war reference in the title sounded a bit insulting.

The Soul Allrounder
For a generation of strong, independently-minded and put-upon women, Betty Wright articulated the right responses to often inferior men — and the right to be satisfied. A songwriter and an accomplished singer — she could hit notes every bit as high as later pretenders such as Mariah Carey — Wright also had a strong stage presence. Witness her command of the audience on Tonight Is The Night.

She won a Grammy for Best R&B Song for Where Is The Love?, then discovered disco-funkster Peter Brown, with whom she duetted on the 1978 dance classic  Dance With Me. In 1988, Wright became the first black female artist to score a gold album on her own label, with her album Mother.  Later she went into vocals arranging and producing for acts like Gloria Estefan, Tom Jones, Jennifer Lopez and Joss Stone. And she also sang backing vocals on Stevie Wonder’s hit Happy Birthday and All I Do, which featured earlier this month on Any Major Soul 1980.

The Beatles’ Friend
It’s rare that non-musicians feature in this series, but the death of Astrid Kirchherr a week before her 82nd birthday needs to be noted. Kirchherr was a young photographer when she met the yet unknown and even younger five Beatles in Hamburg in 1961. Of the Fab Five, one absconded to be with her — Stuart Sutcliffe died a year later (and Pete Best was later replaced). At her intervention, the group changed their Teddy Boy hairstyles to the moptops they became famous with. Kirchherr would reject the idea that she had “invented” these hairstyles, saying that lots of German boys had been wearing them. Still, if any hairstyle ever had any pivotal role in changing pop music, it was the one Astrid Kirchherr prescribed The Beatles.

The Prog Punk
Even people who have no truck with the grimy pub-rock of The Stranglers might have grooved to the sounds of the band’s keyboardist Dave Greenfield: his keyboard sounds dominate Waltz In Black, the theme of TV cook Keith Floyd’s alcohol-drenched programmes. Greenfield’s prog-rock keyboards transformed the pub-rock of The Stranglers (they never really were punk). Consider their hit No More Heroes: without the swirling keyboards, it’s a sneering rock song with a guitar solo. And hear what Greenfield does with The Strangler’s version of Walk On By, a truly unattractive cover until he goes all Isaac Hayes on it, turning it into an impressive work.

Greenfield was often compared to The Doors’ Ray Manzarek, whose work similarly transformed the sound of his band. Greenfield claimed that he had never heard of Manzarek before The Stranglers. He cited as his decidedly non-punk influences Rick Wakeman of Yes.

Miles’ Drummer
For nearly three decades, jazz drummer Jimmy Cobb was the last man standing of the Miles Davis Sextet which recorded the seminal Kind Of Blue album. Davis died in 1991, John Coltrane in 1967, Paul Chambers in 1969, Wynton Kelly (who played piano on Freddie Freeloader) in 1971, Cannonball Adderley in 1975, Bill Evans in 1980. Cobb played on many Miles Davis albums, including on the marvellous Sketches Of Spain and Miles Davis at Carnegie Hall. A drummer known for his subtlety and restraint, Cobb backed many jazz greats, including Dinah Washington, Sarah Vaughan, both Adderley Bothers, Wayne Shorter, Wes Montgomery, John Coltrane, Joe Henderson, Dorothy Ashby, Hubert Laws and many others.

The One-hit Pioneer
For a one-hit wonder, Millie Small’s brief residence in the limelight with her hit My Boy Lollipop was significant. She was the first Jamaican to have a worldwide hit with a song made in Jamaica, and the first to have an international smash with a song in the bluebeat genre, which fused R&B, pop and ska, and is regarded an ancestor of reggae. Alas, Millie said she never received royalties from her mega-hit, and eventually slid into poverty. She received honours later in life; and apparently Island Records founder Chris Blackwell gave her some financial sustenance to keep her going.

The Griot Man
With his song Yé ké Yé ké, Guinean singer Mory Kanté scored the first million-seller by an African Read more…

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