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Beatles Reunited – Everest (1971)

October 8th, 2015 15 comments

Beatles - Everest

On Friday John Lennon would have turned 75; a rather frightening thought, since John has stayed forever young, (no) thanks to Mark Chapman.

So this is a good occasion to begin the alternative history of Beatles album as they might have been had the band not split in 1970. I did something like that a few years ago, but not very well. In revisiting the idea I was inspired by Peter Lee’s marvellous alternative history The Death and Life of Mal Evans: A Novel, which I reviewed a few weeks ago, with a Beatles concert “from 1972″.

In his book, Lee recreates Beatles albums through the 1970s, employing rather stricter criteria than I do (his selection process alone is worth getting the book for). The title of this first imaginary Beatles album, set in 1971, is borrowed from Lee’s book. The Beatles actually considered the title Everest for the LP they’d call Abbey Road, on account of the brand of cigarettes smoked by sound engineer Geoff Emerick (whose 2006 book Here, There and Everywhere: My Life Recording the Music of the Beatles is a classic in the Beatles canon).

Such was the wealth of quality which the four produced between 1970 and 1972, that this set is a double LP. The “next album” will be released in “1972” (with hold-overs from George’s All Things Must Pass and John’s Imagine albums).

Some of these tracks might have been Beatles tracks. Jealous Guy was demoed under a different title during the White Album sessions; the version of All Things Must Pass featured here is, in fact, a Beatles demo; Apple Scruffs was another Beatles reject.

In Peter Lee’s book, the first imaginary Beatles album included Lennon’s scathing attack on McCartney, How Do You Sleep. To even things out, I’ll let John have that for his solo album but include Paul’s veiled stab at John, Too Many People.

Ringo released two albums in 1970, both comprising cover versions of standards and country songs respectively. The Beatles didn’t do covers after 1965, but we’ll indulge Ringo with one song, Stardust, which was arranged by McCartney. There was one other contender, the Ringo-penned Coochy Coochy. It didn’t make the cut on account of it not being very good.

I tried to keep Yoko and Linda out of these proceedings, which wasn’t entirely possible, since McCartney’s Ram album was credited to him and Linda (so her voice on, say, Uncle Albert/Admiral Halsey, is unavoidable. But imagine all that with John’s harmonies!). But no Oh Yoko, and no Long Haired Lady. However, seeing I let Linda sing, I let John’s song to Yoko, Hold On, pass. It sounds like a Beatles song, and includes the most unexpected Sesame Street reference ever.

The whole thing fits on a standard CD-R. Covers included; PW in comments.

Side 1
1 Instant Karma (We All Shine On) (John)
2 What Is Life (George)
3  Maybe I’m Amazed (Paul)
4  Every Night (Paul)
5  Apple Scruffs (George)
Side 2
7  Uncle Albert/Admiral Halsey (Paul)
8  Stardust (Ringo)
9  All Things Must Pass (George)
10  Isolation (John)
11  Ram On (Paul)
12  Jealous Guy (John)
Side 3
12  Mother (John)
13  Wah-Wah (George)
14  The Back Seat Of My Car (Paul)
15  Hold On (John)
16  Love (John)
Side 4
17  Too Many People (Paul)
18  Working Class Hero (John)
19  Isn’t It A Pity (George)
20 Junk (Paul)
21  How? (John)

GET IT: https://rapidgator.net/file/58bb6e3b7c49ebd870ee49f8930ea6ca/BR-Everest.rar.html

More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

Categories: Beatles Tags:

The Beatles: Reunited and live

September 10th, 2015 4 comments

cover.qxd

Did The Beatles break up just in time? My view is that the timing, though arbitrary, was pitch-perfect. The four split just after they released their best album and just as their audience was changing — from there on it was going to be diminishing returns.

Author Peter Lee, whom you may know from his Hooks & Harmony blog. seems to disagree. In his newly-published book The Death & Life of Mal Evans, Lee introduces us to an alternate universe in which The Beatles didn’t split in 1969/70, and charts their imagined story through the 1970s.

His narrative device is the revivified life of Beatles road manager/general assistant Mal Evans, who was shot dead by police in 1976. In Lee’s book, Evans restarts his life just before the point at which the Beatles break-up became inevitable, in September 1969. What follows is a series of events and incidents — real, invented and reinterpreted — which covers the career of John, Paul, George, Ringo and Mal.

3dbookThis includes, of course, the release of new Beatles albums. For this Lee had to construct tracklistings of existing songs. That kind of thing is always good fun — I did that in a well-received three-parter in 2008, which forms the basis for this new updated series of notional Beatles LPs.

Lee’s selections were subject to stringent criteria: the earlier songs had to have been written for actual Beatles albums, or at least at when The Beatles were still together, before they appeared on solo albums (such as Lennon’s Jealous Guy or Harrison’s All Things Must Pass and Apple Scruffs); or they had to feature more than one Beatle on the solo recording (such as Ringo’s I’m The Greatest); or they must sound like they could have been Beatles songs.

In Lee’s alternate universe, George improves Paul’s majestic Maybe I’m Amazed with a blistering guitar solo, and later John’s Women includes the harmonies of Paul. Listen to these songs again and you can imagine it (talking of which, in Lee’s story Imagine was originally an acoustic guitar track; the way Lennon recorded it live in 1972 at Madison Square Garden).

The narrative requires Lee to take some liberties with timelines; Beatles fans — the novel’s obvious target readership — will quickly spot them. So Paul’s Wings release a critically panned album titled London Town in 1975. The Wings album by that name, of course, came out in early 1978, though nothing in the texts suggests that it was the same collection of songs. And in an alternate-universe story, which by its nature asks us to suspend disbelief, it is quite permissible to play with timelines.

There are small quibbles: the way Lennon’s nasty How Do You Sleep worms itself on to the first post non-breakup LP is not entirely convincing. But the narrative, which is exclusively from Mal Evan’s perspective, is loose enough to allow the reader to ascribe plot holes to the narrator’s subjective understanding of events.

Mal Evans reads the news today, oh boy. The gentle giant, who would have turned 80 in May, is seen here with Paul McCartney.

Mal Evans reads the news today, oh boy. The gentle giant, who would have turned 80 in May, is seen here with Paul McCartney.

The plot moves so fast that one is not held up by such details. The Death & Life of Mal Evans is a page-turner. We know how the Beatles story ended, how John died, and so on. We do not know how the story ends in Lee’s alternate reality. It is intriguing to anticipate the career path of the Beatles, as a group and individually, and especially to look forward to the new album releases. In that way Lee skillfully builds up a lot of suspense. (SPOILER ALERT: John does not get murdered by Mark Chapman!)

Lee gives a voice to one of the very few people in the Beatles environment whose experiences have not been widely disseminated. At the time of his death, Evans was preparing to write a memoir of his experiences with The Beatles, going back to the times of the Cavern Club. A bullet from a police pistol on January 5, 1976 put an end to that idea.

Lee gets into Mal Evans’ head and renders him as a believable character who lived for The Beatles, and who was rudderless when he was no longer needed by them. It is not only the imagined “history” of The Beatles that makes this novel so appealing, but also the story of redemption for one of the least understood and most likable characters in the Beatles story.

The Death & Life of Mal Evans by Peter Lee is available in print or eBook from avonypublishing.com or from Amazon or Kobo. Also check out Peter’s blog of the book.

Beatles Live '72_b

And soon I will revisit and rework my old three-part series of mixes that imagine that The Beatles never broke up. In the meantime, here’s The Beatles’ live double LP. (PW as usual, or look here)

1. Drive My Car
2. Dizzy Miss Lizzie
3. It Don’t Come Easy
4. Lady Madonna
5. Something
6. Maybe I’m Amazed
7. Come Together
8. While My Guitar Gently Weeps
9. Blackbird
10. Yesterday
11. Here Comes The Sun
12. Hey Jude
13. Imagine
14. Bangla Desh
15. Wah-Wah
16. I’ve Just Seen A Face
17. Yer Blues
18. Instant Karma (We All Shine On)
19. Octopus’s Garden
20. Let It Be

GET IT: https://rapidgator.net/file/8b99f2a4665106638f7d54eaa3c1265d/BR-Liv72.rar.html

More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

Categories: Beatles, Mix CD-Rs Tags:

Help! Recovered

August 6th, 2015 6 comments

Help Recovered front

Today, exactly 50 years ago, The Beatles released their Help! album in Britain . In the US, a different version was issued a week later. It was a great time for music. A month earlier the Beach Boys released their Summer Days (And Summer Nights!!) album; Bob Dylan issued his Highway 61 Revisited on August 30, and two weeks later Otis Redding”s Otis Blue came out.

A few years ago I conducted an experiment to discover which Beatles album was the best, song-by-song. That is obviously different to an album”s conceptual, cultural or historical value. By that token, I might instinctively go for Abbey Road, or Sgt Pepper”s, or Revolver, or Rubber Soul. But here I rated each song on an album out of ten and arrived at an average.

Help! won, just ahead of A Hard Day”s Night, followed by Abbey Road. Song for song, Help! is a most satisfying and likeable album. Even the least great songs (You Like Me Too Much, Tell Me What You See, Another Girl) are pretty good. Only Dizzy Miss Lizzy is a regrettable throwback to the first two albums. (Bottom of the table was With The Beatles).

Cover versions of most songs on Help! are relatively scarce. So I”m rather pleased with this lot. Tim Rose”s version of You”ve Got To Hide Your Love Away especially is quite wonderful, with its organ backing by Gary Wright and the insistent guitar and by rolling drumming by Wright”s fellow Spooky Tooth members Mick Jones and Bryson Graham.

Vanilla Fudge go all Summer-of-Love psychedelic on their version of Ticket To Ride, while The Sunshine Company, also in 1967, slow down Harrison”s jaunty I Need You (The Beatles” original, incidentally, was released as a single in Italy).

You”re Going To Lose That Girl is represented in a French version by an act of which I”ve found out little. Their name, Les Mersey”s, does little to hide their influence. The Quebec foursome issued their first LP in 1964 and their last, of course, in 1970. It seems they frequently covered The Beatles, but they were no cover band.

Help Recovered back

And before the year is out, there”ll be a Recovered version of Rubber Soul to mark that album”s 50th anniversary. But for today, here”s Help! Recovered, with home-made covers, made the night before. PW in comments.

1. Jos̩ Feliciano РHelp (1966)
2. Herbie Mann – The Night Before (1966)
3. Tim Rose – You’ve Got To Hide Your Love Away (1972)
4. The Sunshine Company – I Need You (1967)
5. George Martin Orchestra – Another Girl (1965)
6. Les Mersey’s – Je lai perdue cette fille (You’re Going To Lose That Girl) (1966)
7. Vanilla Fudge – Ticket To Ride (1967)
8. Leon Russell – Act Naturally (1971)
9. Bryan Ferry – It’s Only Love (1976)
10. Hugo & Osvaldo Fattoruso – Me gustas demasiado (You Like Me Too Much) (1969)
11. Teenage Fanclub – Tell Me What You See (2001)
12. Johnny Rivers and his L. A. Boogie Band – I’ve Just Seen A Face (1973)
13. The Dillards – Yesterday (1970)
14. Flying Lizards – Dizzy Miss Lizzie (1984)

GET IT: https://rapidgator.net/file/a9c3bd4648ce6c08e04e88e643943032/BR-Hlp.rar.html

 

More great Beatles stuff:
A Hard Day”s Night ““ Recovered
Beatles For Sale ““ Recovered

Wordless: Any Major Beatles Instrumentals
Any Bizarre Beatles
Covered With Soul Vol. 14 ““ Beatles Edition 1
Covered With Soul Vol. 15 ““ Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Beatles ““ Album tracks and B-Sides Vol. 1
Beatles ““ Album tracks and B-Sides Vol. 2

More Mix-CD-Rs

Categories: Beatles, Covers Mixes Tags:

The Ringo Starr Collection

July 7th, 2015 10 comments

Ringo

Today, July 7, is Ringo Starr”s 75th birthday, which gives me a good reason to put up an entirely unscheduled collection of non-Beatles tracks starring Ringo.

If you want to really annoy an expert on drumming, repeat the old John Lennon quip that Ringo wasn”t even the best drummer in The Beatles, and pronounce it as some sort of fact. Those who know about such things will point out that Ringo was an innovative drummer in the Beatles with perfect timing, pointing to songs such as A Day In The Life, All You Need Is Love, Rain, Ticket To Ride and Here Comes The Sun (the time changes in the latter drive strumming guitarists to madness). If it all sounds ordinary now, it”s because other drummers followed Ringo”s lead.

Even the supposedly better drummer in The Beatles calls Ringo his favourite drummer. George Harrison recalled that Ringo was the final piece in the Beatles jigsaw puzzle “” without him the Beatles couldn”t have been The Beatles. So what did John Lennon mean with his assumed put-down of Ringo? Presumably that Paul”s technique was better than Ringo”s. But when he recorded his first proper solo album, Lennon had Ringo backing him on every song.

Great drummers such as Jim Keltner, whose career I chronicled lately over two volumes and who became Lennon”s favoured drummer, point to the influence Ringo had on them. Keltner says that he learned from observing Ringo, whom he describes as his “idol”. This is not an apprentice admiring the elder master; Ringo is only two years older than Jim, whose recording career began around the time The Beatles fitst came yo the US. Max Weinberg, the E-Street Band”s drummer, said in 1984 that Ringo”s “influence in rock drumming was as important and wide spread as Gene Krupa’s had been in jazz”.

Ringo Starr in 1962

Ringo Starr in 1962

Ringo is credited with changing the way drummers hold their sticks. He didn”t invent the matched grip (in which both hands hold the stick the same way, as opposed to the traditional grip, where the left hands holds the stick as you would hold a chopstick), but as the first rock drummer to appear prominently on US television, usually on as raised platform, his preferred method caught on and became the default technique in rock.

What Ringo lacks in technique he makes up in application, perfect timing and innovation, much as in soccer most of the great goalscorers don”t necessarily have the technique of keepy-uppy champions (that analogy, I suppose, makes Gene Krupa Pelé and Hal Blaine Lionel Messi).

As a person, Ringo has had a reputation of being the easy-going, fun guy we knew from The Beatles. Occasionally he has shown a petulant side, but few people seem to have bad things to say about the man. As a driving force behind the anti-apartheid Sun City record, as a co-initiator and musically “” drumming with his son Zac on the record “” his political heart must be in the right place.

Ringo clearly is also not an egomaniac. Many times he is happy to drum alongside another drummer, often Jim Keltner (who in turn doesn”t really like co-drumming). On this mix, he plays alongside Keltner on the tracks by Manhattan Transfer and Keith Moon (on which Ringo also raps). On B.B. King”s Ghetto Woman, Ringo drums with Jim Gordon, subject of two collections in this series (see Vol. 1 and Vol. 2). Also worth noting is Harry Nilsson”s Daydream, on which Ringo”s drumming is supplemented by the work of George Harrison “” on cowbells. Harrison also plays alongside Ringo on Leon Russell”s Delta Lady, and wrote the track by Ringo that opens this collection.

As always, the mix is timed to fit on a CD-R and includes home-backbeat covers.

1. Ringo Starr – Sunshine Life For Me (Sail Away Raymond) (1973)
2. Peter Frampton – Alright (1972)
3. Attitudes – Good News (1977)
4. Leon Russell – Delta Lady (1970)
5. B.B. King – Ghetto Woman (1971)
6. John Lennon – Well Well Well (1970)
7. The Band – I Shall Be Released (1978)
8. Carly Simon – More & More (1975)
9. Bobby Hatfield – Oo Wee Baby, I Love You (1972)
10. T. Rex & Elton John – Children Of The Revolution (1972)
11. Keith Moon – Together (1975)
12. Harry Nilsson – Daybreak (1972)
13. George Harrison – When We Was Fab (1987)
14. Paul McCartney – Not Such A Bad Boy (1984)
15. Manhattan Transfer – Zindy Lou (1976)
16. Ian McLagan – Hold On (1979)
17. Tom Petty – Hard To Find A Friend (1993)
18. Guthrie Thomas – Captain Jack (1990)
19. The Alpha Band – Born In Captivity (1977)
20. Artists United Against Apartheid – Sun City (1985)

GET IT!

 

Previous session musicians” collection:
The Bernard Purdie Collection Vol. 1
The Bernard Purdie Collection Vol. 2
The Ricky Lawson Collection Vol. 1
The Ricky Lawson Collection Vol. 2
The Jim Gordon Collection Vol. 1
The Jim Gordon Collection Vol. 2
The Hal Blaine Collection Vol. 1
The Hal Blaine Collection Vol. 2
The Bobby Keys Collection
The Louis Johnson Collection
The Bobby Graham Collection
The Jim Keltner Collection Vol. 1
The Jim Keltner Collection Vol. 2

 

Categories: Beatles, Mix CD-Rs, Session Players Tags:

Beatles For Sale – Recovered

November 27th, 2014 5 comments

BFS Recovered - front

On 4 December 1964 The Beatles released their second LP of the year, just in time for the Christmas. Sandwiched between the masterpieces A Hard Day’s Night (released just six months earlier) and Help!, and released just a year before the game-changer Rubber Soul, the album — titled perhaps not unironically Beatles For Sale — looks like the runt of the litter.

The cover image is emblemic. The guys look tired and irritated. It was a busy year. In 1964 they had recorded A Hard Day’s Night, for which Paul and John had written all the songs, filmed the movie of that name, promoted both, and toured extensively in Europe, Hong Kong, Australia and New Zealand, and the USA, where they had broken big with their appearances on the Ed Sullivan Show (which is recalled HERE, with a great jazz mix of Beatles covers).

Beatles For Sale was recorded over seven days between August and October. For the last time on a Beatles LP, it included covers of songs by the band’s rock & roll heroes: Chuck Berry (Rock and Roll Music), Buddy Holly (Words Of Love), Carl Perkins (Everybody’s Trying to Be My Baby), Little Richard (Hey Hey Hey Hey), Wilbert Harrison (Kansas City, also recorded by Little Richard), and Dr. Feelgood and the Interns (the much-maligned Mr Moonlight).

The covers were obvious fillers, but it would be wrong to dismiss Beatles For Sale on their account. There are several underrated gems among the Lennon/McCartney compositions. The opening trio is as good as almost any on Beatles album: No Reply, I’m A Loser and Baby’s In Black. Eight Days A Week, I’ll Follow the Sun and Every Little Thing are stone-cold Beatles classics. The latter is a rare thing: John singing lead on a McCartney song.

The compilation of cover songs of tracks from the album, presented here in the original order, is great fun. I don’t know if I really like the version of Every Little Thing by Yes, but if I approve of Isaac Hayes totally reworking a sing in psychedelic style, then I should at least express my admiration for this 1969 version, recording of which might have involved the use of drugs.

1. Les Lionceaux – Ne Ris Pas (No Reply) (1965)
2. Eels – I’m A Loser (2003)
3. John Doe – Baby’s In Black (2004)
4. Humble Pie – Rock And Roll Music (1975)
5. The Brothers Four – I’ll Follow The Sun (1966)
6. The Hollies – Mr. Moonlight (1964)
7. Little Richard – Kansas City Hey Hey Hey (1959)
8. Alma Cogan – Eight Days A Week (1965)
9. Jeff Lynne – Words Of Love (2011)
10. Ringo Starr and his All-Starr Band – Honey Don’t (1990)
11. Yes – Every Little Thing (1969)
12. The Savoys – I Don’t Want To Spoil The Party (1970)
13. The Fantastic Dee Jays – What You’re Doing (1965)
14. Johnny Cash feat. Carl Perkins – Everybody’s Trying To Be My Baby (2003)

GET IT: https://rapidgator.net/file/f312aec1d9653c6b0f71ea0cd12a3c11/BR-BFS.rar.html

More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

 

Categories: Beatles, Covers Mixes, Mix CD-Rs Tags:

A Hard Day’s Night – Recovered

July 10th, 2014 14 comments

A Hard Day's Night Recovered- front

Today, July 10, it is 50 years since The Beatles released their A Hard Day”s Night LP in the UK (the US version, with a different tracklisting, followed two weeks later). It was a landmark event for pop music, not because the music was especially innovative, but because here a pop group released an album including only own compositions. In 1964, this was very unusual indeed.

And this even more remarkable when one considers just how busy the group was at the time, with all the touring and US television appearances (as documented here), filming the movie and recording even more music that didn”t make it on to the album. In their writing, John Lennon and Paul McCartney were so prolific that they could give away pretty good songs to other artists, such a Peter & Gordon, Cilla Black and Billy J Kramer. The creative pressure showed on the follow-up, Beatles For Sale, which was released later in 1964 and included several covers (and also a few stone-cold Beatles classics).

A Hard Day”s Night was very much Lennon”s work. He wrote the title track, I Should Have Known Better, Tell Me Why, Any Time At All, I”ll Cry Instead, When I Get Home and You Can”t Do That, most of If I Fell and I”ll Be Back, and contributed to McCartney”s I”m Happy Just To Dance With You. But Paul”s three other contributions are probably the strongest: And I Love Her, Things We Said Today and Can”t Buy Me Love.

A Hard Day's Night Recovered- back

A Hard Day”s Night was also the first Beatles album to rely on the Beatles” unique sound. Where the previous two LPs included several covers of rock & roul and R&B songs, and many songs recalled the various influences from which the group drew, this was the first album on which The Beatles totally owned their sound. Nobody sounded like them.

And yet, this is not down to the compositions themselves, but the arrangements they benefited from. Listen to this set of covers, sequenced in the original chronology of the album, to hear just how flexible these songs are. Some of them sound nothing like a Beatles song. I believe that if a song can be covered well in any genre in ways that do not sound like a cover (never mind a pastiche), then it”s a great song. So Ella Fitzgerald can turn Can”t Buy Me Love into a big band number without it sounding like a novelty number, and John Mayall can turn A Hard Day”s Night into a true blues song, no matter how familiar we are with these Beatles standards.

My favourite here, however, is the Holmes Brothers” bluesy version of And I Love Her. Vanilla Fudge”s psychedelic rock take on You Can”t Do That from 1968 is a trip, too.

The covers featured in this post are included in higher resolution. PW in comments.

1. John Mayall – A Hard Day’s Night (1975)
2. Beach Boys – I Should Have Known Better (1965)
3. Keely Smith – If I Fell (1965)
4. Anne Murray – I’m Happy Just To Dance With You (1980)
5. The Holmes Brothers – And I Love Her (1997)
6. April Wine – Tell Me Why (1982)
7. Ella Fitzgerald – Can’t Buy Me Love (1964)
8. Nils Lofgren – Anytime At All (1981)
9. Johnny Rivers – I’ll Cry Instead (1965)
10. Bobby Fuller Four – Things We Said Today (1960s)
11. Yellow Matter Custard – When I Get Home (2003)
12. Vanilla Fudge – You Can’t Do That (1968)
13. Elliott Smith – I’ll Be Back (released 2011)

GET IT: https://rapidgator.net/file/67c4b5ecc9a46c09c9e0dc0c003d1d12/BR-AHDN.rar.html

 

More Beatles stuff:
Wordless: Any Major Beatles Instrumentals
Any Bizarre Beatles
Covered With Soul Vol. 14 ““ Beatles Edition 1
Covered With Soul Vol. 15 ““ Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Beatles ““ Album tracks and B-Sides Vol. 1
Beatles ““ Album tracks and B-Sides Vol. 2

More Mix-CD-Rs

Categories: Beatles, Covers Mixes, Mix CD-Rs Tags:

Wordless: Any Major Beatles Instrumentals

February 13th, 2014 10 comments

wordless

Fifty years ago this month, The Beatles appeared on The Ed Sullivan Show and thereby changed the trajectory of pop music. The first of their three consecutive weekly performances, on February 9, was seen by an estimated 73 million viewers, setting a new record (read Echoes in the Wind’s fine post on watching that show).

Also on that show were impressionist Frank Gorshin (doing a routine about movie stars as politicians), acrobats Wells & the Four Fays, comedians McCall & Brill, and Broadway star Georgia Brown, joined by the cast of Oliver!, including a pre-Monkees Davy Jones singing “I”™d Do Anything”.

Beatles on Sullivan

They all were, it is safe to say, thoroughly overshadowed by the Beatles, who played All My Loving, Till There Was You (presumably for all the Moms), She Loves You, I Saw Her Standing There and I Want To Hold Your Hand.
The following Sunday’s show, on February 16, was broadcast from Miami Beach and tied to the first heavyweight title bout between Sonny Liston and Cassius Clay – another decade-defining event. Only the champion was present. Also in the audience was boxing legend Joe Louis.
Brought to you by Lipton Tea, which was punted poolside by TV announcer George Fenneman, the line-up also included singing actress Mitzi Gaynor (performing a rousing version of Too Darn Hot and a medley of blues songs), comedians Marty Allen & Steve Rossi (riffing only mildly amusingly, at least by modern standards, on the theme of boxing), the affable comedian Myron Cohen, Swiss way-pole acrobats The Nerveless Nocks, and unicyclist act The Volantes. Allen, now 91, Rossi, 81, and Gaynor, 82, are still alive.

 

The Feb. 16 show: Title card from Miami Beach; George Fenneman and random woman punt Lipton Tea; Ed Sullivan and his shadow; The Beatles in full song (note John's wide-apart legs); Beatles fan controls her hysteria; today she probably tells her grandchildren about seeing the Beatles.

The Feb. 16 show: Title card from Miami Beach; George Fenneman and random woman punt Lipton Tea; Ed Sullivan and his shadow; The Beatles in full song (note John’s wide-apart legs); Beatles fan controls her hysteria; today she probably tells her grandchildren about seeing the Beatles. (Right-click and open in new window/tab for larger version of the pics)

 

The Beatles played She Loves You, This Boy, All My Loving, I Saw Her Standing There, From Me to You and I Want To Hold Your Hand (“A song,” according to Paul, “that was recorded by one of our favourite American groups, Sophie Tucker”).

The performance which was broadcast on February 23 was pre-recorded. In fact, it was really the first Beatles performance for Sullivan since it was recorded before the first show. By then Beatlemania was in full swing in America. The Beatles played Twist and Shout, Please Please Me and I Want to Hold Your Hand. Also on the show were jazz singer Cab Calloway (singing St James Infirmary and Old Man River), English clarinettist Acker Bilk, English comedy duo Morecambe & Wise, comedians Dave Barry and Morty Gunty, comedy duo Gordon & Sheila MacRae, singer Gloria Bleezarde (no, me neither), and marionettes Pinky & Perky.

The Beatles returned to The Ed Sullivan Show on September 12, 1965. A week later, the show began broadcasting in colour.

On the Feb 16 show: Heavyweight champ Sonny Liston is introduced; comics Steve Rossi & Marty Allen; Mitzi Gaynor and pals; comedian Myron Cohen; Ed Sullivan greets the Fab Four.

On the Feb 16 show: Heavyweight champ Sonny Liston is introduced; comics Steve Rossi & Marty Allen; Mitzi Gaynor and pals; comedian Myron Cohen; Ed Sullivan greets the Fab Four.

 

We’ve been through a lot of Beatles covers in the past (and the links are live again). To mark the 50th anniversary of the pivotal Sullivan shows, here is something a little different: a mix of jazz and soul (and early fusion) instrumental covers.

There might be jazz, but there’s very little jazzy noodling going on. Arif Mardin might go a bit psychedelic during Glass Onions, as does Steve Marcus on Rain, Mongo Santamaria might go on a trip halfway through his song, and Jim Caravan might take some serious liberties with A Day In The Life after a faithful start, but Jonah Jones de-cheeses Michelle, and Shirley Scott’s version of Get Back has enough energy to light up New York City during one of its famous powercuts. It’s all great stuff.

As always, the whole thing is timed to fit on a standard CD-R and includes home-fabbed covers. PW in comments.

1. Steve Cropper – With A Little Help From My Friends (1969)
2. Shirley Scott & The Soul Saxes – Get Back (1969)
3. Cal Tjader – Lady Madonna (1969)
4. Jimmy Ponder – While My Guitar Gently Weeps (1974)
5. Arif Mardin – Glass Onion (1969)
6. Buddy Rich Big Band – Norwegian Wood (1967)
7. Count Basie – Come Together (1969)
8. Harvey Averne Dozen – The Word (1968)
9. Jimmy Caravan – A Day In the Life (1968)
10. Jonah Jones – Michelle (1968)
11. Booker T. & The MG’s – Eleanor Rigby (1968)
12. Gabor Szabo – In My Life (1969)
13. Wade Marcus – Something (1971)
14. The Mar-Keys – Let It Be (1971)
15. Mongo Santamaria – Day Tripper (1970)
16. Steve Marcus – Rain (1968)
17. Bobby Bryant – Happiness Is A Warm Gun (1969)
18. Freddy McCoy – I Am A Walrus (1968)
19. Ramsey Lewis – Julia (1968)
20. Bud Shank – Yesterday (1966)
21. The Soulful Strings – Within You Without You (1967)
22. Don Randi Trio – Tomorrow Never Knows (1966)

GET IT: https://rapidgator.net/file/1693f37563d5d6ef197c7a20e81ded2a/Wordless.rar.html

More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

 

Categories: Beatles, Covers Mixes, Mix CD-Rs Tags:

Any Bizarre Beatles

January 27th, 2014 8 comments

sellers_beatles

A commenter has pointed out with disappointment that the single links on the two Bizarre Beatles posts are dead. With the 50th anniversary of The Beatles’ invasion of the US coming up, it seems suitable to recycle the posts into one and put all songs into a package, plus one track I had not previously posted. A proper Beatles-related mix and post will follow in the second of February to mark the anniversary of the three appearances on the Ed Sullivan Show.

 

Rainbo (Sissy Spacek) – John, You Went Too Far This Time (1968)
Before she became famous as an actress, including her singing role as country singer Loretta Lynn, Sissy Spacek tried to become a folk singer, releasing a solitary single under the trite moniker Rainbo (which she apparently disliked) before being fired by her label for not being a best-seller. The John whom Sissy Rainbow addresses on this breathtakingly bad record would be Mr Lennon, and his transgression would be letting it all hang out post-coitally on the cover of Two Virgins, his avant garde nonsense recorded with Yoko Ono, who also appears naked on the cover.

Sissy loves John and forgives him many things, but she is not one who would endorse exhibitions of public nudity — and in this particular instance I am inclined to concur with her, purely on aesthetic grounds. John and Yoko were not attractive naked people. But if Lennon went too far on a record sleeve, then Spacek (and the chaps who wrote this bizarre thing, John Marshall and Ronald Dulka) overstepped the boundaries of musical decency with that chorus, which supposedly was meant to evoke the Beatles sound. In 1983 Spacek released a full country album, titled Hangin’ Up My Heart. She was fully clothed on the cover.

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Bonnie Jo Mason (Cher) – Ringo, I Love You (1964)
Another future star recording Beatles-related material under a different name was Cher, who in 1964 sought to buy into the Zeitgeist by declaring her love for the drummer. Before her brief stint as Bonnie Jo Mason, Cherilyn Sarkasian sang backing vocals on classics such as The Ronettes’ Be My Baby, The Chiffons’ Da Doo Ron Ron and the Righteous Brothers’ You’ve Lost That Loving Feeling — and it was the producer of those songs, Phil Spector, who co-wrote and produced Ringo, I Love You. Then she recorded as plain Cherilyn and in a duo as Cleo to Sonny Bono’s Caesar. Within just over a year of releasing Ringo, I Love You, Sonny and Cher were stars. The Ringo anthem was backed with an instrumental titled Beatles Blues, a deliberately bad song placed to deter DJs from ignoring the A-side, as they often did. The ploy backfired: apparently radio DJs were thrown by Bonnie Jo’s deep voice and refused to play what they thought was a gay declaration of affection for the Beatles drummer.

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Ella Fitzgerald – Ringo Beat (1964)
There were loads of Ringo-themed songs in the mid-’60s, apparently some 50 of them. They included The Rainbows’ My Ringo, Christine Hunter’s Santa, Bring Me Ringo, Treat Him Tender, Maureen by Angie & The Chicklettes, Al Fisher & Lou Marks’ Ringo Ringo Little Star, Three Blond Mice’s Ringo Bells, The Whippets’ Go Go Go With Ringo, Neil Sheppard’s You Can’t Go Far Without A Guitar (Unless You’re Ringo Starr), Ringo Did It by Veronica Lee, I Want To Kiss Ringo Goodbye by Penny Valentine, and Bingo Ringo by Daws Butler (who voiced Huckleberry Hound). Even Ella Fitzgerald got in on the act with Ringo Beat, a rather nice number written by Ella herself (one of her 27 compositions), which naturally features a “yeah yeah” reference and namechecks other contemporary popsters.

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The Young World Singers – Ringo For President (1964)
Released in August 1964, the Young World Singers in their cover of Rolf Harris’ song sought to offer an alternative to Lyndon Johnson and Barry Goldwater in that year’s elections for US president, evidently oblivious to the rule that disqualifies those not born in the United States from standing as candidates. And since Ringo was a Kenyan Muslim… In any case, it is doubtful that Ringo, who has acknowledged his limitations in intellectual pursuits, would have been a great president (though the US voters elected a man of even less cerebral qualities to the presidency in 2004).

Of course, it wasn’t cleverness the Young World Singers and the others engaged in the Ringo For President campaign were looking for in their candidate: “He’s our candidate ’cause he makes us feel so great. We could talk about war out on the big dance floor. Oh my gee, oh my gingo…if I could vote, I’d vote for Ringo!” Asked at a press conference in August 1964 about the Ringo For President campaign, Starr admited: “I’m not sort of politically minded.” Asked whether he would appoint the other Beatles to his cabinet, the conversation descends into a typical Beatlesque farce, with George interjecting: “I could be the door”, and John nominating himself to serve as the cupboard.

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Don Bowman – The Other Ringo (1966)
In the early ’60s, there was a popular cowboy hit titled Ringo, recorded by Bonanza star Lorne Green (the Cartwright patriarch), which Don Bowman parodied to coincide with the height of Beatlemania. Bowman notes the death of the old Ringo and the rise of the Beatle by the same name. He seems to be taken particularly with the length of Ringo’s hair. Bowman, who died in 2013, was a country singer, comedian, TV presenter and DJ who recorded this rather amusing novelty number for his 1966 LP titled Funny Way To Make An Album, which also included a song called Freddy Four Toes. Bowman clearly did not compromise his comedy with artistic credibility: other LPs were titled Fresh From The Funny Farm (1965), Recorded Almost Live (1966), Support Your Local Prison (1967) and Still Fighting Mental Health (1979).

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Dick Lord – Like Ringo (1964)
Don Bowman wasn’t the only one to make the connection between Lorne Greene’s hit and the Beatles drummer. Dick Lord was not a porn actor but a comedian, and remains one today. At the time of recording Like Ringo, Dick Lord was a close friend of the great Bobby Darin. In the song, Dick Lord’s girlfriend is rather obsessed with the Beatles man, and Dick Lord’s exasperation at being rejected by the obsessed fan turns to ingenuity as he adopts the Ringo look. Eventually Dick Lord’s girlfriend returns to Dick Lord, informing him tearfully that her Ringo infatuation is over. A great punchline awaits, and I shall not spoil it.

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The Bon Bons – What’s Wrong With Ringo? (1964)
bon bonsA persistent rumour has it that the Bon Bons were the Shangri-Las by another name. It is, alas, not true. What’s Wrong With Ringo was released before the Shangri-Las’ debut single, Remember (Walking In The Sand), was issued by Red Birds Records in September 1964. The Ringo song was released on the Coral label, the Decca subsidiary that had also issued records by Buddy Holly, Patsy Cline and The Vogues, but never had the Weiss and Ganser sisters under contract.The Ringo song was not the Bon Bons’ only release; also in 1964 Coral issued the follow-up single Everybody Wants My Boyfriend. Anyway, the question of the song’s title concerns the shortage of Beatles songs sung by Ringo. It seems the record-buying public did not share their concern, and so ignored this quite catchy girl-group record (which includes, of course, the “yeah yeah yeah yeah” thing).

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Frank Sinatra – Maureen Is A Champ (1968)
This tribute to Mrs Ringo is not only a great novelty item, but also something of a historical artefact: it’s the first record to be catalogued on the Beatles’ Apple label — its number being Apple 1 (Hey Jude was the first Apple release, but it wasn’t catalogued). Only a few copies, some say only one, of Maureen Is A Champ were made before the master tape was destroyed, because this was a private recording to mark Maureen’s 22nd birthday. Maureen was a big Sinatra fan, so a train of events was set in motion, apparently by Beatles business manager Peter Brown, which involved the great Sammy Cahn rewriting Lorenz Hart’s lyrics for The Lady Is A Tramp, and Frank Sinatra — who by that point was a Beatles fan (and covered several of their songs) — singing the reworked number, with Cahn on piano. We can assume that when Ringo presented his wife with that special record on 4 August 1968, she probably was quite pleased.

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Nilsson – You Can’t Do That (1967)
Recorded for his 1967 debut album Pandemonium Shadow Show, Harry Nilsson covered the b-side of Can’t Buy Me Love, and worked in references — lyrical or musical — to 20 other Beatles songs (the LP also included a cover of She’s Leaving Home). Indeed, in the beginning it isn’t entirely clear which Beatles song he is actually covering (unless, of course, one knows the title). John Lennon was a particularly big fan of Nilsson’s album. The mutual appreciation developed into one of pop’s most famous friendships.

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Mystery Tour – Ballad Of Paul (1969)
Terry Knight – Saint Paul (1964)

The initial Paul Is Dead rumour preceded the release of Abbey Road by a week. The album’s cover “confirmed” that Macca was indeed dead, but the story began with an error-filled student newspaper article publishd on 18 September 1969 by one Tim Harper for the Drake University’s Times-Delphic. From Harper’s fertile imagination sprang a wild conspiracy theory which caused quite a hysteria. There is an 8-CD series of radio recordings covering in detail the reaction to Paul’s death. The moderately talented Mystery Tour (yes, Mystery Tour) explained why the evidence of Paul’s death, with reference to the Abbey Road cover, of course (apparently left-handers are incapable of smoking with their right hand). We also learn that “John Lennon is a holy man [who]provided lots of clues” as to the conspiracy of Paul’s death and its cover-up. This site has all the answers: it was them Rolling Stones wot dun Paul in, Constable.

Record producer and general music pusher Terry Knight’s single came out before the Paul Is Dead hoax started. He had met the Beatles at a fraught time during the White Album sessions in 1968. Convinced that the Beatles would break up soon, he wrote Saint Paul. His single was released in May 1969, before Harper’s article. Once the rumour had gathered pace, however, Knight’s single was presented as an obituary to Paul, feeding the rumour mill further. Knight himself became the subject of obituaries when he was murdered in 2004 while protecting his daughter from a clearly unsuitable boyfriend.

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Mae West – Twist And Shout (1967)
Mae West – Day Tipper (1967)

We’re having Mae West warbling Twist And Shout, so how might the septegenarian top that? Why, by doing Day Tripper, of course. Her interpretation, as it turned out, was unnecessary, because time has shown the Beatles’ original to be quite adequate, even without the sub-Jimi Hendrix antics at 1:13, which morph into a Chuck Berry-lite solo, and Ms West’s seductive moanings. Still, if Liza Minelli as Lucille 2 planned to record an album of Beatles covers, she’ll have a perfect reference point.

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Peter Sellers – She Loves You (1965)
Peter Sellers — a Goon Show alumnus, of course — recorded a series of comedy versions of Beatles songs, some funnier than others, in 1965. His masterpiece is his teutonic take on She Loves You, performed in the character of Dr Strangelove, whose 50th anniversary we are also observing this year (“She said you hhhuuurrrrt her so”… “Gut!”). Recorded some time around 1965, it was released only in 1981.

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Peter Sellers ““ A Hard Day’s Night (1965)
Mrs Miller ““ A Hard Day’s Night (1966)
Goldie Hawn ““ A Hard Day’s Night
(1998)
Sellers performs A Hard Day’s Night in the manner of Laurence Olivier as Shakespeare’s Richard III. Released as a single in late 1965 (backed with his take on Help, which will also feature at some point), it reached #14 in the British charts in early 1966. It was obviously too early for Nazi spoofs.

Bless Mrs Miller. She was serious and entirely unironic about her singing, but also possessed the self-awareness to know that she was a bit of a joke. She did her limited best, and was aware that there was no consensual admiration of her singing chops. Though she never intended to create comedy — she was motivated to disseminate her art widely as a way of inspiring others — she knew that her cult status was based on listeners deriving amusement from her stylings. Her version of Hard Day’s Night is notable for her lapses in timing and the aggressive licence she takes with reaching the right notes.

In 1998, Beatles producer George Martin recorded reimagined versions of songs by his former charges, with a roster of guest vocalists taking turns to perform singing duties. Some of these invitees were not terrible good ideas, least of them Robin Williams (who admirably managed to go a few minutes without turning into a gay hairdresser). Another of these questionable ideas was to ask a giggly Goldie Hawn to sing A Hard Day’s Night, to a smoothy swinging backing track, on which she plays the piano. She feels “okey dokey”. The listener, when hearing Goldie’s vocals, probably less so.

GET IT! (PW in comments)

More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

 

Categories: Beatles Tags:

Covered With Soul Vol. 15 – Beatles Edition 2

October 11th, 2012 21 comments

October 11 marks the 50th anniversary of The Beatles’ first single, Love Me Do, entering the UK charts. Just seven years later, the group would, for all intents and purposes, be finished. In real money, imagine Love Me Do came out in October 2005; next April Paul will announce the break-up of the band. In that time, the group re-invented itself several times and changed pop music. After 12 years, Coldplay still sound the bloody same.

The first of the two Beatles editions of the Covered With Soul series was very well received. Here then is the second mix. Daringly, I kick it off with what I think is the weakest of the 23 tracks; it is also one of the most interesting simply because You Can’t Do That doesn’t get covered much.

Also quite fascinating is the notion of Little Richard covering I Saw Her Standing There, a song he obviously helped inspire. His recording from 1970 turns the rock & roll stomper into a Southern Soul number.

Naturally there are several covers here that give the original songs a thorough working over. Bobby Taylor gives Eleanor Rigby the sort of treatment Isaac Hayes would give Bacharach/David songs (or, indeed, Harrison’s Something, which here is brilliantly reworked by Martha Reeves and the Vandellas). Roy Redmond gives Good Day Sunshine a Southern Soul twist, while Chris Clark turns Got To Get You Into My Life — Paul’s first attempt at writing a soul song — into a Motown number.

Billy Preston was the only non-Beatle to be credited on a Beatles record (Get Back). His version of Blackbird is a highlight on this mix.

As always, the mix is timed to fit on a standard CD-R, and includes a homebrewed cover. Password  is in the comments section.

1. Diana Ross & The Supremes – You Can’t Do That (1964)
2. Al Green – I Want To Hold Your Hand (1969)
3. Little Richard – I Saw Her Standing There (1970)
4. Stevie Wonder – We Can Work It Out (1970)
5. Bobby Taylor – Eleanor Rigby (1969)
6. Junior Parker – Taxman (1971)
7. Roy Redmond – Good Day Sunshine (1967)
8. Chris Clark – Got To Get You Into My Life (1967)
9. Four Tops – The Fool On The Hill (1969)
10. Martha Reeves & The Vandellas – Something (1970)
11. Cissy Houston – The Long And Winding Road (1970)
12. The Five Stairsteps – Dear Prudence (1970)
13. The Meters – Come Together (mid-’70s)
14. The Undisputed Truth – With A Little Help From My Friends (1973)
15. Herbie Mann & Tamiko Jones – Day Tripper (1967)
16. Billy Preston – Blackbird (1972)
17. Shirley Scott & The Soul Saxes – Get Back (1969)
18. The Temptations – Hey Jude (1969)
19. Randy Crawford – Don’t Let Me Down (1976)
20. Esther Phillips – And I Love Him (1965)
21. Una Valli – Yesterday (1968)
22. Aretha Franklin – Let It Be (1970)
23. Booker T. & The MG’s – Lady Madonna (1969)

GET IT

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More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

Categories: Beatles, Covered With Soul Tags:

Covered With Soul Vol. 14 – Beatles Edition 1

September 27th, 2012 14 comments

On 5 October 1962 — fifty years ago next week — The Beatles released their first single, Love Me Do b/w P.S. I Love You. The single entered the UK charts on 11 October and stayed there for 18 weeks, peaking at #17. Follow-up Please Please Me did better, reaching #2; that was followed by 11 straight #1s —“ bizarrely the group’s greatest single, Strawberry Fields b/w Penny Land, broke the streak (six chart-toppers would still follow). And apparently that was only because the BBC counted the record as two individual singles.

So, to celebrate the 50th anniversary of The Beatles’ beginning their recording career, here’s the first of two Covered With Soul mixes of Beatles songs. One of the tracks here, ‘Til There Was You, was a song The Beatles themselves covered, but it I presume that The Smith Connection used the Beatles version, and not the original from the 1957 musical The Music Man, as their inspiration.

These being soul versions, they tend to be quite different from their originals. I believe it is a sign of a great song if it can be interpreted well in many different ways. Every song here is beautifully re-interpreted, in some cases almost re-invented (check out Charles Wright’s take on Here Comes The Sun for that). Even Marvin Gaye’s take on Yesterday uses the composition’s flexibility to great effect. A great example of that flexibility is in We Can Work Out, which had been covered brilliantly by Stevie Wonder; his version is in every way the original’s equal. Valerie Simpson takes a rather different approach to the song, and produces a soul version that is very different from Stevie’s — and quite brilliant in its own right.

And if Paul McCartney would sing Hey Jude (as he does seemingly at every opportunity somebody hands him a mic) like Wilson Pickett does, I’d gladly hear that blasted song over and over again.

As always, the mix is timed to fit on a standard CD-R, for which homebaked covers are included. I’m afraid passwords are now necessary; you’ll find it in the comments section.

TRACKLISTING:
1. Otis Redding – Day Tripper (Alternate Take) (1966)
2. Dionne Warwick – A Hard Day’s Night (1969)
3. Four Tops – Eleanor Rigby (1969)
4. David Porter – Help (1971)
5. Black Heat – Drive My Car (1975)
6. The Supremes & The Temptation – Got To Get You Into My Life (1968)
7. Marvin Gaye – Yesterday (1969)
8. The Smith Connection – ‘Til There Was You (1972)
9. Valerie Simpson – We Can Work It Out (1971)
10. Jimmy James & The Vagabonds – Good Day Sunshine (1968)
11. Ike & Tina Turner – Come Together (1970)
12. Aretha Franklin – The Long And Winding Road (1972)
13. Grady Tate – And I Love Her (1974)
14. Natalie Cole – Lucy In The Sky With Diamonds (1978)
15. The Main Ingredient – Get Back (1970)
16. The Moments – Rocky Raccoon (1970)
17. Wilson Pickett – Hey Jude (1968)
18. Ronnie Dyson – Something (1973)
19. Charles Wright – Here Comes The Sun (1972)
20. Gladys Knight & The Pips – Let It Be (1971)
21. Booker T and the MG’s – I Want You (1970)

GET IT! (PW in comments)

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More great Beatles stuff:
Beatles Recovered: A Hard Day’s Night
Beatles Recovered: Beatles For Sale
Beatles Recovered: Help!
Beatles Recovered: Rubber Soul
Beatles Recovered: Revolver
Beatles Recovered: Sgt Pepper’s Lonely Hearts Club  Band
Beatles Revovered: Magical Mystery Tour
Beatles Recovered: White Album
Beatles Recovered: Yellow Submarine
Wordless: Any Major Beatles Instrumentals
Covered With Soul Vol. 14 – Beatles Edition 1
Covered With Soul Vol. 15 – Beatles Edition 2

Any Major Beatles Covers: 1962-66

Any Major Beatles Covers: 1967-68
Any Major Beatles Covers: 1968-70
Any Bizarre Beatles
Beatles Album tracks and B-Sides Vol. 1
Beatles Album tracks and B-Sides Vol. 2
Beatles Reunited: Everest (1971)
Beatles Reunited: Live ’72 (1972)
Beatles Reunited: Smile Away (1972)
Beatles Reunited: Photographs (1974)

Categories: Beatles, Covered With Soul Tags: