Any Major Dude With Half A Heart

There was still a lot of great soul in the early 1980s. In fact, there was a lot of great soul throughout the decade; it’s just the famous hits that got worse.

Dimples
One of the better hits of the mid-1980s was the rather misogynist Oran ‘Juice’ Jones hit The Rain, in which the singer delivers a spoken diatribe to effect a break-up with his cheating girlfriend (“Don’t touch that coat!”). On this mix, the roles are reversed as Betty Wright cuts down the hapless Richard ‘Dimples’ Fields, on whom she has served divorce papers. And with good reason, for he is seeking to get his jollies elsewhere. Her rap as she cuts the cad down to size is quite spectacular. Fields, who begins the track by framing himself as a victim, merits our applause for setting himself up in this song as a target for a woman’s righteous fury.

Fields went on to have an R&B hit in 1982 with If It Ain’t One Thing, It’s Another (a re-recording of a track he had originally released in 1975), and a number of low-charting releases, but he enjoyed less success than he deserved. Dimples, his nickname by which he went on his later recordings (given to him for his ready smile), died at only 57 in 2000.

Jones Girls
His She’s Got Papers On Me is one of two tracks here which I might have held back for a mix I’m plotting of songs with spoken words; the other is The Jones Girls I Just Love The Man, in which the girl’s take issue with the quality of a sister’s no-good boyfriend. In some families, I suspect, this song could be the national anthem.

The sisters — Shirley, Brenda and Valerie  — found success with Gamble & Huff, having first been mentored by Curtis Mayfield, through whom they got to work with Aretha Franklin. It was as a support act for Diana Ross that the Jones Girls came to Gamble & Huff’s attention. Besides releasing their own albums, they also provided backing vocals for the PIR roster. Of the three sisters, only lead singer Shirley (who in the featured song is the no-good man’s girlfriend) is still alive. Valorie died in 2001; Brenda in 2017. The Jones Girls previously featured on Any Major Soul 1980/81 and Any Major Soul 1978/79.

Apollo Creed sings!
One singer here is more famous as a movie star, or even as an American football player than as a soul crooner. In 1981, Carl Weathers (Apollo Creed in Rocky). You Ought To Be With Me, on which the actor has a writing credit, was his single foray into recording music. Which is a pity: Weathers is doing a creditable job of it.

Blues ‘n’ Soul
Another act is not really known as a soul singer. Bobby Rush was a veteran blues singer by the time Talk To Your Daughter came out. As a young man, he was friends with blues legends like Elmore James and Pinetop Perkins, and with Ike Turner. The featured track is from the period in his long career when Rush was produced by Philly soul pioneer Kenny Gamble. Rush, who veers into the fields of soul, funk and even hip hop, won his first Grammy in 2017, at the age of 87.

Tutored by B.B.
And a nephew of Rush’s old pal Emore James features here, too. L.V. Johnson was better known as a session guitarist — he was taught to play that instrument by B.B. King — for acts like the Bar-Kays, Johnnie Taylor, and the Soul Children. After strumming and also writing for other acts, and releasing a few singles in the 1970s, he released his debut album in 1981 (it also included a soul version of Danny Boy, featured on Covered With Soul Vol. 22). Several albums followed, none particularly successful. L.V. Johnson died in 1994 at the age of 48.

Feva
Sandra Feva released three LPs and a succession of singles, under her stage name and real name, Sandra Richardson. The breakthrough never came, but in the 1980s Feva was also a session singer, backing he likes of Aretha Franklin (including on Who’s Zooming Who), Prince, George Clinton/Paliament/Funkadelic, and others. Feva died at 73 in 2020.

As always, CD-R length, covers, text above in PDF, PW in comments…

1. The Whispers – Love Is Where You Find It
2. Luther Vandross – Sugar And Spice
3. Ray Parker Jr. – A Woman Needs Love
4. Sandra Feva – Tell ’Em That I Heard It
5. Tyrone Davis – Love (Ain’t Over There)
6. Chaka Khan – Any Old Sunday
7. The Jones Girls – I Just Love The Man
8. Richard ‘Dimples’ Fields feat. Betty Wright – She’s Got Papers On Me
9. Al Jarreau – Breakin’ Away
10. Debra Laws feat. Ronnie Laws – Very Special
11. Bobby Womack – Where Do We Go From Here?
12. Thelma Houston – There’s No Running Away From Love
13. Carl Weathers – You Ought To Be With Me
14. Yvonne Gage – Tonight (I Wanna Love You)
15. Earth, Wind & Fire – Wanna Be With You
16. L.V. Johnson – We Belong Together
17. Bobby Rush – Talk To Your Daughter
Bonus track: Fifth Avenue – Miracles

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We’re now breaking into the Top 20 in the series of the Top 75 pop acts, as compiled by me and my trusty assistants at Rolling Stone magazine, compiled according to the system I explained in the first part. To jog your memory, it’s a combination of Rolling Stone magazine’s Top 100, my own Top 75, plus bonus points for the level of influence an act has had on pop history or their genre, and more bonus points for how many albums of each at I own (because the list should skew in some way to my taste).

The listed acts are accompanied by a notional “favourite song”. As discussed last time, there usually isn’t such a thing as one “favourite” song. I also made concessions. In this lot, for example, I chose as AC/DC’s song the live version of A Whole Lotta Rosie. If pressed, I’d say Ride On is my favourite track of the group, because it has been that for the past 40 years. But Ride On, a slow blues-rock number, is not really representative of AC/DC. So Rosie it was.

Choosing a track for Chuck Berry also required consideration. It might have been School Days or Too Much Monkey Business or You Never Can Tell, but I opted for the one with the lyrics that frightened the WASP establishment (until people like #32 covered it, and drew that sting).

The Rock & Roll pioneers who ranked highly in the RS list dropped down on mine perhaps a little unfairly, losing crucial points in the category of albums by particular artists I own. I tend to have collections of their works, rather than albums (the same quirk pulled Hendrix and Ray Charles down, and gave Queen a rather unfair boost, thanks to the esteem I used to hold them when I accumulated their earlier LPs).

The rankings are subjective, of course. I acknowledge that most people will regard Cooke, Holly or Little Richard to be greater and certainly more influential acts than, say, Gil Scott-Heron (though impact was considered in the points allocation). But the points fell as they fell…

And they fell favourably towards John Lennon, who is featuring here purely on form of his solo output. Rolling Stone ranked him far too highly at #38 (and McCartney not at all); on my list he even crept up a few places, on strength of the great number of Lennon LPs I own (which reminds me that I once owned a Japanese pressing of the Wedding Album, with all the inserts. It’s worth about $99 now).

I’m glad that I have been able to give relief to the absurd ranking Rolling Stone gave Michael Jackson. Much as I think Thriller is overrated, and everything after Thriller substandard, Off The Wall is a near-perfect album, and his work with The Jackson 5/The Jacksons is superb. But, of course, the sum of his music isn’t the total of his career. Jackson’s influence was arguably third only to that of Elvis and The Beatles; that merited more than 35^th place — and perhaps more than #18, especially when you see in the final instalment next month who’s at #17.

Here are places 34 to 18 (Rolling Stone Top 100 ranking in brackets), and featured track. The playlist follows a more logical sequence. As always, CD-R length, home-ranked covers, PW in comments. Plus: as before, the text here is included in PDF format for future reference.

34 (—-) Isaac Hayes – I Stand Accused (1970)
33 (16) Sam Cooke – A Change Is Gonna Come (1964)
32 (13) Buddy Holly – That’ll Be The Day (1957)
31  (8)  Little Richard – Ooh! My Soul (1958)
30 (38) John Lennon – Instant Karma (1970)
29 (—-) Kris Kristofferson – Sunday Mornin’ Comin’ Down (1970)
28 (—-) Gil Scott-Heron – The Needle’s Eye (1971)
27 (72) AC/DC – Whole Lotta Rosie (live, 1978)
26 (52) Queen – Don’t Stop Me Now (1978)
25 (39) David Bowie – Changes (1971)
24 (21) Otis Redding – I’ve Been Loving You Too Long (1965)
23 (10) Ray Charles – What’d I Say (1959)
22  (6)  Jimi Hendrix – The Wind Cries Mary (1967)
21  (5)  Chuck Berry – Brown Eyed Handsome Man (1956)
20 (42) Van Morrison – And It Stoned Me (1970)
19 (—-) Earth, Wind & Fire – Reasons (live, 1975)
18 (35) Michael Jackson – Rock With You (1979)

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Lately my Gmail account has been swamped with spam, mostly of the variety that urges me to diet, lift weights or eat sourdough bread. I’m telling you this not because I consider the nature of my spam to be of global interest, but because I fear that in the anthill that is my inbox, I quite likely overlooked some emails from kind people who have bought me cups of coffee (to go with the sourdough bread?) whom I should have liked to thank for their benevolence.

So, if you have bought me “coffee” and I haven’t thanked you personally, I apologise and take this route to thank you very kindly for keeping me duly caffeinated (I’m referring, of course, to the Buy Me A Coffee thingy you find at www.buymeacoffee.com). I truly appreciate it.

And seeing as there are good people have bought me coffee, let me return the favour by offering this third mix of songs about coffee. For the purpose of this mix, I revisited the first two coffee mixes, which I posted in 2016. I hadn’t listened to them for a while; I was surprised by just good they are. Grab Any Major Coffee Vol. 1 and Any Major Coffee Vol. 2.

I hope this third mix matches the quality of the first two. Here I have slightly relaxed my rule that the songs have to be about actual coffee and allowed a couple of tracks that use coffee as a metaphor (still, no You’re So Vain, great song though it is). One of those, the deceptively simply-titled song by David Allen Coe, might best not be played around children, your granny or Mike Pence. Let’s just say that Coe had a lot of fun making coffee sound salacious. I’ve added a bonus track which you could replace the Coe song with, in case gran or Mike Pence come to visit.

And, as I said in the text for the first mix: If you are a coffee-drinker and this mix — or the mere reminder of caffeine — motivates you to go out in search for a fix, please do me a kindness and seek out an independent coffee shop/café. These independents are being squeezed out by the franchise stores, led by the unaccountably popular Starbucks. And Covid has turned the screws on them further. Help keep the independent coffeeshops and cafés going.

As always, the mix is timed to fit on a standard CD-R and includes home-caffeinated covers.

1. Emmylou Harris & Rodney Crowell – Black Caffeine (2013)
2. Nazareth – Java Blues (1981)
3. Ike & Tina Turner – Black Coffee (1972)
4. Hank Ballard – The Coffee Grind (1960)
5. Mississippi John Hurt – Coffee Blues (1966)
6. Brook Benton – Another Cup Of Coffee (1964)
7. Curtis Gordon – Caffeine And Nicotine (1954)
8. Glen Glenn – One Cup Of Coffee (And A Cigarette) (1958)
9. Mike Pedicin – Burnt Toast And Black Coffee (1961)
10. Eddie Marshall – Coffee, Cigarettes And Tears (1951)
11. Bobby Darin – Black Coffee (1959)
12. Abbey Lincoln – A Lonesome Cup Of Coffee (1957)
13. Frank Sinatra – The Coffee Song (1967)
14. The Andrews Sisters – Proper Cup Of Coffee (1958)
15. Michael O’Brien – Low Fat Latte (2007)
16. Ron Sexsmith & Don Kerr – Raindrops In My Coffee (2005)
17. Mark Heard – Nod Over Coffee (1991)
18. Amos Lee – Night Train (2006)
19. Squeeze – Black Coffee In Bed (1981)
20. Ben Folds – Free Coffee (2008)
21. Mischief Brew – Coffee, God, And Cigarettes (2006)
22. David Allen Coe – Coffee (1990)
23. Bill Anderson – Sugar In Your Coffee (1972)
24. Tom T. Hall – Don’t Forget The Coffee, Billie Joe (1973)
25. Conway Twitty – I’ll Have Another Cup Of Coffee (Then I’ll Go) (1966)

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The Reaper continued his furious ways for the first half of the month, culminating in 16 deaths in four days, between February 16-19. After that, things eased up a little. And while I was preparing the February round-up, news came of the death of Bunny Wailer, who’ll feature next month.

The Supreme
In 1959, Detroit teenager Betty McGlown was roped in by her boyfriend Paul Williams to form a singing group. Betty recruited the talented local teenager Florence Ballard, who then recruited her friend Mary Wilson, and Mary in turn recruited a girl from her school called Diane. Finally Betty herself joined, but soon left again. The new group was called The Primettes, to support a boy band who called themselves The Primes, with guitarist Marvin Tarplin backing the girls.

You know how the story ends: The Primes became The Temptations, the group Betty, Florence and Mary founded became The Supremes, and Diane became Diana. Soon enough, Florence and Mary were reduced to be Diana’s backing singers, even though there are those who credit them with being as good, or even better, singers than Diana (but not as good interpreters of lyrics). Still, the trio had success like no girl group had ever had.

Eventually Florence would be thrown out of the band, and Diana would make a diva-like exit, but Wilson stuck it out with new line-ups, even enjoying a few hits without Diana (despite Motown’s less-than-enthusiastic promotion), until the group split in 1977. Wilson was a constant throughout the life of The Supremes. In 1979 she released a solo album, which was not bad and certainly showed that Mary really could sing. Motown didn’t promote it, and dropped Wilson while she was recording a follow-up.

Wilson worked in the theatre in the 1980s, and published her bestselling memoirs in 1986 in which she refers to Ross only as “Diane”, and generally took a dimmer view of her old friend than she would in later years. Wilson, who suffered personal tragedy in 1994 when her 14-year-old son died in a car accident, recorded intermittently, with her final outing in 2015. In 2019 she featured on the Dancing With the Stars TV show. She still planned for future when she suddenly died at 76.

The Fusion Pioneer
Without Chick Corea, who knows how jazz might have developed, especially in its fusion forms? Corea had a guiding hand in Miles Davis’ pioneering work in jazz-rock fusion. In his own work, he was always seeking, experimenting and breaking ground. Corea could be free-jazzing as well as producing works of exquisite melodic beauty, and even creating modern classical music.

Born Armando Corea, the son of a jazz musician was already in his early 20s played with pioneers such as Mongo Santamaria, Willie Bobo, Cal Tjader, Blue Mitchell, Herbie Mann, Hubert Laws, and Stan Getz. Corea won 23 Grammys and was nominated for 60, which is impressive, even if one regards those awards dimly.

The Knight Writer
Even if you don’t know the name of Jim Weatherly, the country singer-songwriter (and one-time all-star quarterback) who has died at 77, you’ll probably know his most famous three songs. All three were big hits for Gladys Knight & The Pips, who recorded a dozen of Weatherly compositions. There’s the gorgeous Best Thing That Ever Happened To Me, the heartbreaking Neither One Of Us, and the most famous one of them: Midnight Train To Georgia. That song wasn’t called that when Weatherly first wrote and recorded it. Then it was Midnight Plane To Houston (that was changed when, ironically enough, Cissy Houston covered it). The story and Weatherley’s original version, as well as the original of Best Thing That Ever Happened To Me by Steve Lawrence, is in The Originals – Soul Vol. 1. Neither One Of Us features on The Originals – Soul Vol. 2, which was in the works when Weatherly died.

The Salsa Pioneer
In the world of Latin music, Johnny Pacheco was a pivotal figure. Born in the Dominican Republic, Pacheco helped develop the salsa scene, fusing it with other Latin rhythms, especially Cuban styles. He even lent part of his name to a dancestyle and subgenre in the late 1950s, the Pachenga, which became hugely popular in the United States in the early 1960s.

Pacheco, a percussionist who came to the US at 11, co-founded a record label, Fania, in 1964. It became the premium producer of salsa records, while Pachega led its house band in jam sessions (descargas) with sine of the greatest names in Latin jazz, under the Fania All-Stars banner (among those playing on the featured track are Mongo Santamaria, Jan Hammer, Manu Dibango, Bobby Valentin and guitarist Jorge Santana). Pachega, who was also a prolific songwriter, was awarded the Latin Grammy Lifetime Achievement Award in 2005, and the Dominican Republic’s Presidential Medal of Honour.The Electric Light Conductor
Do you remember the Hooked On Classics series in the 1980s? Sort of based on the Stars on 45 model, it was created and produced by English arranger and conductor Louis Clark. If that doesn’t impress you (and it’s OK if it doesn’t), his marvellous work with the Electric Light Orchestra should. All those wonderful string arrangements on ELO songs were co-created by Clark. Later, in 1983, he played keyboards for ELO on tour. After ELO and the Royal Philharmonic hooking us on the classics, Clark arranged for the likes of Ozzy Osborne, Roy Orbison, Asia, Kiki Dee, and others.

The Producer
If you own a Neil Young record made between 1971 and 1992, chances are that producer and engineer Elliot Mazer had a hand in it. Before he hooked up with Young, he had worked with acts as diverse as Chubby Checker, Janis Joplin and Gordon Lightfoot. For Joplin he produced tracks like Try (Just A Little Bit Harder); for Lightfoot he produced If I Could. He produced and engineered Linda Ronstadt’s debut Silk Purse, and then set to work assembling the Stray Gators, the backing band for Neil Young with which they’d record the Harvest album (with the classics Heart Of Gold and The Needle And The Damage Done). He later produced acts such as Barclay James Harvest, Frankie Miller, Juice Newton, David Soul, and the Dead Kennedys.

The Silence Of Music
By cruel coincidence, The Sound of Music’s original London stage Maria, Jean Bayless, and the film’s Captain von Trapp died on the same day. Spookily, on that very day I learnt that Edelweiss was the last song Oscar Hammerstein ever wrote. In the film, it’s not Christopher Plummer who sings that song; it was dubbed. Plummer hated The Sound of Music with a special passion anyway. So the song included here as the tribute to him is from the stage musical Cyrano. Whereas Bayless gets the title song of the musical she helped inaugurate.

The Emcee
You’ll have watched, and probably admired, Danny Ray if you have ever watched James Brown’s theatrics during his performances of Please Please Please. Brown is led off in a state of emotional exhaustion, and Ray dotingly drapes a vape over his boss’ shoulders, whereupon Brown explodes with a burst of energy to restate his plea to the object of his affection to please not go. The scene repeats itself to comic effect.

Ray was the show’s emcee, so the introductions and outros (and occasional interjections) during Brown’s shows from the 1960s till the singer’s death in 2006 was his work. At Brown’s funeral, Ray draped a gold cape over the coffin of his boss, who had finally departed the stage.

As always, this post is reproduced in PDF format in the package, which also includes my personal playlist of the featured tracks. PW in comments.

Danny Ray, 85, James Brown’s emcee, on Feb. 2
Danny Ray – Introduction Of The J.B.s (1972)

Aaron Wegelin, ex-drummer of indie band Elf Power, on Feb. 2
Elf Power – Jane (1999)

Jim Weatherly, 77, country singer-songwriter, on Feb. 3
Cissy Houston – Midnight Train To Georgia (1972, as writer)
Jim Weatherly – Where Peaceful Waters Flow (1973, also as writer)
Gladys Knight & The Pips – Best Thing That Ever Happened To Me (1973, as writer)
Jim Weatherly – All That Keeps Me Going (1977, also as writer)

Anne Feeney, 69, folk singer-songwriter, on Feb. 3
Anne Feeney – Have You Been To Jail for Justice? (1969)

Kris De Bruyne, 70, Belgian singer, on Feb. 3

Nolan Porter, 71, soul singer-songwriter, on Feb. 3
N.F. Porter – Keep On Keeping On (1971)

Gil Saunders, soul singer with Harold Melvin & the Blue Notes, on Feb 3
Harold Melvin & The Blue Notes – Today’s Your Lucky Day (1984, on lead vocals)

Jaime Murrell, 71, Panamanian Christian singer-songwriter, on Feb. 4

Matt Harris, bassist of rock band The Posies, on Feb. 4
The Posies – Second Time Around (2005)

Stefan Cush, 60, singer with UK folk-punk group The Men They Couldn’t Hang, on Feb. 4
The Men They Couldn’t Hang – Ironmaster (1975)
The Men They Couldn’t Hang – The Colours (1988)

Örs Siklósi, 29, singer of Hungarian metal band AWS, on Feb. 5

Christopher Plummer, 91, Canadian actor and stage singer, on Feb. 5
Christopher Plummer – Roxana (1973, from the musical Cyrano)

Jean Bayless, 88, British actress and original Sound of Music Maria, on Feb. 5
Jean Bayless – The Sound Of Music (1961)

Douglas Miller, 71, gospel singer, on Jan. 5

Elliot Mazer, 79, producer and engineer, on Feb. 7
Linda Ronstadt – Long Long Time (1970, as producer)
Neil Young – Old Man (1972, as co-producer)
Frankie Miller – A Fool In Love (1976, as producer)

Corrado Francia, 73, Italian singer, on Feb. 8

Mary Wilson, 76, soul singer with The Supremes, on Feb. 8
The Supremes – Our Day Will Come (1965, on lead vocals)
The Supremes – Floy Joy (1971, on lead vocals)
Mary Wilson – Pick Up The Pieces (1979)
Mary Wilson – Time To Move On (2015)

Servando Cano Rodríguez, 78, Mexican singer-songwriter and producer, on Feb. 8

Cedrick Cotton, 46, singer with R&B band Ideal, fatally stabbed on Feb. 9
Ideal – Get Gone (1999)

Chick Corea, 79, jazz keyboardist and songwriter, on Feb. 9
Hubert Laws – All Soul (1964, on piano as Armando Corea)
Chick Corea – Spain (1972, also as composer)
Chick Corea – The One Step (1978, also as composer)

Richie Albright, 81, drummer of Waylon Jennings’ group Waymore’s Outlaws, on Feb. 9
Jessi Colter – For The First Time (1975, on drums)
Waylon & Willie – Mammas Don’t Let Your Babies Grow Up To Be Cowboys (1978, on drums)

Lee Sexton, 92, banjo player, on Feb. 10

Jon Mark (Burchell), 77, English folk singer-songwriter and guitarist, on Feb. 10
Jon Mark – Paris Bells (1965)

Antonis Kalogiannis, 80, Greek singer, on Feb. 11

Milford Graves, 79, pioneering free jazz drummer, on Feb. 12

Louis Clark, 73, English arranger, conductor and keyboardist, on Feb. 13
Electric Light Orchestra – Mr. Blue Sky (1977, orchestral arranger)
Asia – Rock And Roll Dream (1985, as orchestral conductor)

Sydney Devine, 81, Scottish singer, on Feb. 13

Ari Gold, 47, American singer-songwriter, on Feb. 14
Ari Gold – Love Wasn’t Built In A Day (2007)

Erriquez, 60, singer, guitarist with Italian folk band Bandabardò, on Feb. 14

Raymond Lévesque, 92, Canadian singer-songwriter, actor, on Feb. 15
Raymond Lévesque – Quand les hommes vivront d’amour (1956, also as writer)

Johnny Pacheco, 85, Dominican salsa musician and label executive, on Feb. 15
Pacheco Y Su Charanga – La Malanga (1961)
Johnny Pacheco with Pete Rodriguez – Alto Songo (1971)
Celia Cruz & Johnny Pacheco – Toro Mata (1974)
Fania All Stars – El Raton (1974)

Soul Jah Love, 31, Zimbabwean reggae singer, on Feb. 16

Tonton David, 53, French reggae singer, on Feb. 16
Tonton David – Pretoria (1991)

Erik Swanson, 57, Western swing musician, on Feb. 16

U-Roy, 78, Jamaican reggae singer, on Feb. 17
Hugh Roy & John Holt – Wear You To The Ball (1970)

Omar Moreno Palacios, 82, Argentine folk singer-songwriter, guitarist, on Feb. 17

Andrea Lo Vecchio, 78, Italian singer, songwriter, producer, on Feb. 17
Andrea Lo Vecchio – Dorme la città (1964)

Marc Ellington, 75, Scottish folk-rock singer-songwriter, on Feb. 17
Marc Ellington – Oh No, It Can’t Be So (1971)

Françoise Cactus, 56, French musician with Berlin duo Stereo Total, on Feb. 17
Stereo Total – L’amour à trois (2001)

Gaston Georis, 79, keyboardist of surf rock band The Sandals, on Feb. 17
The Sandals – Theme from Endless Summer (1964, also as co-writer)

Prince Markie Dee, 52, rapper with The Fat Boys, on Feb. 18
Fat Boys – Can You Feel It (1984)
Prince Markie Dee -Typical Reasons (Swing My Way) (1992)

Miles Seaton, 41, member of folk-rock group Akron/Family, announced Feb. 18
Akron/Family – Until The Morning (2013, on vocals)

Mark Ellen, drummer of Vanity Fare (1972-2015), on Feb. 18

James Burke, 70, singer with soul band Five Stairsteps, on Feb. 19
The Five Stairsteps – Don’t Waste Your Time (1966)
The Five Stairsteps – We Must Be in Love (1969)

Đorđe Balašević, 67, Serbian singer-songwriter, on Feb. 19

Philippe Chatel, 72, French singer-songwriter, on Feb. 19
Philippe Chatel – Ma lycéenne (1979)

Luigi Albertelli, 86, Italian songwriter, on Feb. 19
Bobby Solo – Zingara (1969, as co-writer)

Gene Taylor, 68, rock and blues keyboardist and guitarist, on Feb. 20
The Fabulous Thunderbirds – Roll Of The Dice (1995, on piano)

Chris Ajilo, 91, Nigerian highlife musician, on Feb. 20
Chris Ajilo & His Cubanos – Afro Mood (early 1960s)

Hélène Martin, 92, French singer and songwriter, on Feb. 21
Hélène Martin – Le condamné à mort (1968)

Sean Kennedy, 35, Australian metal bassist, suicide on Feb. 23

Peter Ostroushko, 67, folk-violinist and mandolinist, on Feb. 24
Bob Dylan – If You See Her, Say Hello (1975, on mandolin)
Peter Ostroushko – Heart Of The Heartland (1995)

Bob James, 68, singer-songwriter with rock band Montrose, on Feb. 26
Montrose – Let’s Go (1976, on lead vocals and as co-writer)

Danilo Rustici, 72, guitarist of Italian prog-rock band Osanna, on Feb. 27
Osanna – L’uomo (1971)

Ian North, 68, founder of power pop band Milk ‘N’ Cookies, on Feb. 28
Milk ‘N’ Cookies – The Last Letter (1975)

Anna Kast, 39, singer with Russian rave band Little Big, on Feb. 28

Jorge Oñate, 71, Colombian folk singer, on Feb. 28
Jorge Oñate & Nicolas ‘Colacho’ Mendoza – Ausencia (1977)

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