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Any Major Happy Songs Vol. 2

April 30th, 2020 2 comments

 

 

In these times of coronavirus it’s easy to fall into moods of anxiety and depression. As every reader of this corner of the Internet will know, music is a good medicine in times of dejection — and also a superb means of accompanying feelings of misery. But right now, we are in need of the former more than of the latter.

So here is a second mix of songs that make me feel happy (or, when I’m down, at least happier). These are tracks that uplift me. Some do so just by the cheerfulness of the sound; others because they make me want to dance, others yet because they make me laugh. The Labi Siffre song, for example, combines all three elements. In one way or another, these are songs that make my heart soar. Maybe they’ll do the same for you.

I still return to Any Major Happy Songs Vol. 1 quite frequently; that mix is still up, in case you need more happy music.

As always, the mix is timed to fit on a standard CD-R, and includes covers made while I was wearing my facemask to avoid any risk of infecting you. And whatever you do, don’t listen to idiots and don’t inject the bleach!

1. Blackstreet – Happy Song (Tonite) (1996)
2. Outkast – Hey Ya (2003)
3. Junior Senior – Move Your Feet (2002)
4. Odyssey – Use It Up And Wear It Out (1980)
5. Diana Ross – I’m Coming Out (1980)
6. New York City – I’m Doing Fine Now (1973)
7. Robert Knight – Love On A Mountain Top (1968)
8. Mango Groove – Special Star (1989)
9. Status Quo – Rockin’ All Over The World (1977)
10. Poco – A Good Feeling To Know (1972)
11. Ambrosia – The Biggest Part Of Me (1980)
12. Rufus & Chaka Khan – Ain’t Nobody (1983)
13. Sadao Watanabe & Roberta Flack – Here’s To Love (1984)
14. KC & the Sunshine Band – I Betcha Didn’t Know That (1979)
15. Samantha Sang – Emotion (1978)
16. Minnie Riperton – Lovin’ You (1974)
17. Gene Chandler – Groovy Situation (1970)
18. Shalamar – A Night To Remember (1982)
19. Labi Siffre – Love-A-Love-A-Love-A-Love-A-Love (1975)
20. Hello Saferide – I Was Definitely Made For These Times (2007)

GET IT! or HERE!

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Any Major Week Vol. 2

April 23rd, 2020 1 comment

 

Last year — time really flies — I promised a follow-up to the mix of songs about the days of the week, in sequence until time of the standard CD-R runs out; which here is on a Friday night.

And that Friday song is a version of the song that started the idea in 2011, when I wrote a defence of Rebecca Black’s YouTube hit Friday. Here the song — a composition of negligible merit — is performed by Steven Colbert on Jimmy Fallon’s show. It is quite catchy, actually.

If your country is in lockdown, as mine is, you might need to be reminded of the way “the week” used to work. You see, there’s Monday, when we used to go back to work after two days off. It used to be a ghastly day. Then came Tuesday, when things got into swing again. On Wednesday we started to look at the calendar (a numbered chart that gave the days of the week in a sequential order) to behold Friday. On Thursday we might give our work another push, and download the latest mix from Any Major Dude With Half A Heart. Friday would be time to slowly wind things down for the weekend. That period comprised Saturday and Sunday, when we might go to the park, or stroll through the city or the mall, or watch sporting events, or visit friends. And on Monday we’d be back sat work with that nagging sense of inertia. Oh, happy days. Will we ever see them again?

As ever, CD-R length, home-trudged covers, PW in comments

1. Earth, Wind & Fire – Saturday Nite (1976)
2. Gil Scott-Heron & Brian Jackson – Hello Sunday! Hello Road! (1977)
3. Fleetwood Mac – Monday Morning (1975)
4. The Pogues – Tuesday Morning (1987)
5. Majic Ship – Wednesday Morning Dew (1970)
6. Morphine – Thursday (1993)
7. The Easybeats – Friday On My Mind (1966)
8. Cass Elliot – Saturday Suit (1972)
9. Diane Schuur – Louisiana Sunday Afternoon (1988)
10. Stealers Wheel – Monday Morning (1975)
11. Dylan LeBlanc – Tuesday Night Rain (2010)
12. America – Wednesday Morning (1998)
13. Johnny Otis – Thursday Night Blues (1949)
14. Bell & James – Living It Up (Friday Night) (1978)
15. Neil Diamond – Save Me A Saturday Night (2005)
16. Labelle – Sunday’s News (1972)
17. Freda Payne – Rainy Days And Mondays (1973)
18. Stevie Wonder – Tuesday Heartbreak (1972)
19. Emiliana Torrini – Wednesday’s Child (1999)
20. David Bowie – Thursday’s Child (1999)
21. Stephen Colbert feat. Taylor Hicks – Friday (2011)

GET IT! or HERE!

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Any Major John Prine Songbook

April 16th, 2020 9 comments

 

Just days after we learned of the passing of Bill Withers, John Prine left us, a victim of the Covid-19 pandemic. I made a Bill Withers Songbook mix , and here’s one for Prine.

Within their respective genres, Withers and Prine shared similarities. Where Withers never was quite the insider in soul music, so was Prine very much not an insider in country music. Both infused their songs with folk influences. Both had an acute sense of and empathy for the human condition, born of kind hearts, and this found expression in their often poetic lyrics.

Prine knew how to write a good tune and deliver it convincingly, but his genius resided in his lyrics. Like a good country singer, he knew how to tell a story. Sometimes he named his protagonists, and you got to know them in the space of three minutes. From just a few lines, you can picture the drug-addicted Vietnam vet Sam Stone, or the lonely outsiders Lydia and Donald.

He wrote Angel From Montgomery from the perspective of a prematurely aged middle-aged woman, and persuasively so. Extraordinarily, Prine was 24 and from Chicago when he wrote the song. Prine never was a jailbird, but he could imagine himself in prison at Christmas (in a song which really should have been covered by The Pogues).

Hello In There, is another great example of Pine’s empathy, perhaps his best. And that empathy is not just in the lyrics but also in their delivery and the song’s arrangement. Take those matter-of-fact clipped lines about the dispersal of the kids and losing Davy in the Korean War, juxtaposed with the drawn out lines of longing, about old trees growing stronger and old rivers growing wilder every day.

Of course, the song about lonely older people has particular relevance during the health crisis that killed Prine. Fittingly, Brandi Carlile sung that song as a tribute on Stephen Colbert’s show. Prefacing Hello In There, Carlile puts it eloquently: “It reminds us that old people aren’t expendable, that they made us who were are and they’ve given us every single thing that we have. Even though John never got to get old, and we all would’ve liked for him to…at the age of 24, when he wrote this song, he understood this.” Colbert’s heartfelt tribute, preceding Carlile’s performance, is also worth listening to.

Prine had an extraordinary warmth, and a wonderfully wry sense of humour. Happily, he was given a lifetime achievement award by the Grammys just a few weeks before his death. It was overdue, for his exquisite body of work and for the great love and respect he inspired from his fans and his fellow musicians.

Here is a mix of covers of Prine songs. Fans will know the originals, but I hope that people who are not familiar with John Prine’s songbook will give this collection a listen, enjoy it, and then seek out the original recordings.

As always, the mix is timed to fit on a standard CD-R, and includes home-pipedreamed covers. PW in comments.

1. Manfred Mann’s Earthband – Pretty Good (1973)
2. Al Kooper – Sam Stone (1972)
3. Bonnie Raitt – Angel From Montgomery (1974)
4. Loretta Lynn – Somewhere Someone’s Falling In Love (2000)
5. 10,000 Maniacs – Hello In There (1989)
6. The Avett Brothers – Spanish Pipedream (2010)
7. Johnny Cash – The Hobo Song (1982)
8. Kris Kristofferson – Late John Garfield Blues (1972)
9. Steve Goodman – Donald And Lydia (1971)
10. Reilly & Maloney – That’s The Way That The World Goes ‘Round (1980)
11. Nanci Griffith – Speed Of The Sound Of Loneliness (1993)
12. Justin Townes Earle – Far From Me (2010)
13. The Flying Burrito Brothers – Quiet Man (1976)
14. After The First Gallon – Illegal Smile (1978)
15. The Everly Brothers – Paradise (1972)
16. Priscilla Coolidge-Jones – If You Don’t Want My Love (1979)
17. George Strait – I Just Want To Dance With You (2011)
18. Josh Ritter – Mexican Home (2010)
19. Weeping Willows – Christmas In Prison (2005)

GET IT! or HERE!

Previous Songbooks:
ABBA
Ashford & Simpson
Bill Withers
Bob Dylan Volumes 1-5
Bruce Springsteen
Burt Bacharach & Hal David
Burt Bacharach’s Lesser-Known Songbook
Chuck Berry
Cole Porter
Jimmy Webb Vol. 1
Jimmy Webb Vol. 2
Leonard Cohen
Rod Temperton
Steely Dan

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Beatles Reunited: Let It See (1980)

April 9th, 2020 9 comments

On 10 April it’ll be 50 years ago since Paul McCartney announced that The Beatles had split up. In our alternative Beatleverse, the Fabs never split.

They did their solo things, but released LPs throughout the 1970s: Everest in 1971, Live ’72 the following year, Smile Away in 1972, the classic double-album Photographs in 1974, and the lazily-titled 77 in 1977.

Now it’s 1980 — three years after the last album — and after a hiatus (remember, John contributed only two tracks to 77), John was raring to go again. By now Linda and Yoko were welcome guests in the studio. Occasionally they were even allowed to pitch in; it did keep the peace.

Those three years were fertile, with enough music to fill a double-album. Yoko suggested calling the set “Double Fantasy”, but our four friends thought it would be more amusing to riff on the tenth anniversary of the Let It Be album, a dark time when the group was on the verge of splitting up, with its black cover serving as a metaphor for those dark times. Punster John has come up with the lame title “Let It See”, Paul proposes “Back To The Egg”. Harrison wants the album to have no title at all and simply sport a symbol of some kind (maybe even renaming the group The Band Formerly Known As The Beatles), and Ringo doesn’t care either way.

With the marketing department nixing George’s bizarre proposal, and everybody thinking that “Back To The Egg” is the most rubbish title ever conceived, John’s shockingly bad title wins out. Even the cover is a lazy reference to the Let It Be cover.

John got his stupid title through, but Paul got more songs on to the double-album, though it’s likely John held some tracks back for his upcoming collaboration with Yoko (maybe that album will be called “Double Fantasy”, possibly featuring a hit titled Woman, whhich doesn’t feature on this set).

Paul has been experimenting with disco, on Goodnight Tonight, Coming Up and the soulish Arrow Through Me. On Old Siam Sir, Paul rocks out a bit, on Deliver Your Children he goes folk, and his retro vibes are still evident on Baby’s Request.

George Harrison is at his melodious best, especially with catchy tunes like Blow Away and Here Comes The Moon.

But it’s John’s material that catches the eye (and perhaps also the ear). The set starts with the theme song for middle-age marriage, (Just Like) Starting Over and closes with his love song to his little son, Beautiful Boy. In between, Watching The Wheels extols the virtues of getting out of the rat race just as presidential candidate Ronald Reagan proposes a free market agenda that will intensify that very rat race.

John Lennon as the spokesman for domesticity and tuning-out; “Strange days indeed”, as he notes on another song. The political spokesman has retired.

For innovation, you’ll be better better look elsewhere, but this is well-crafted pop for the people who have grown older with The Beatles. Who knows how long the Fab Four will continue…

Side 1
1. (Just Like) Starting Over (John)
2. Old Siam, Sir (Paul)
3. Here Comes The Moon (George)
4. With A Little Luck (Paul)
5. Nobody Told Me (John)
Side 2
6. Blow Away (George)
7. Watching The Wheels (John)
8. Getting Closer (Paul)
9. Old Time Relovin’ (Ringo)
10. Deliver Your Children (Paul)
Side 3
11. I’m Losing You (John)
12. Not Guilty (George)
13. Arrow Through Me (Paul)
14. Goodnight Tonight (Paul)
15. Real Love (John)
Side 4
16. Coming Up (Paul)
17. Love Comes To Everyone (George)
18. I Don’t Wanna Face It (John)
19. Baby’s Request (Paul)
20. Beautiful Boy (Darling Boy) (John)

GET IT! or HERE!

Previous Beatles Reunited albums:
Everest (1971)
Live ’72 (1972)
Smile Away (1972)
Photographs (1974)
77 (1977)

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Any Major Bill Withers Songbook

April 3rd, 2020 3 comments

With Bill Withers, a giant of soul has left us, at the age of 81. He died on March 30, but his death was reported only today, April 3.

Withers was a superb songwriter — Lovely Day, Ain’t No Sunshine, Lean On Me, Use Me, Grandma’s Hands, Who Is He (And Who Is He To You) and so on are stone-cold soul classics. These and others are perfectly rendered in Withers hands, in their studio versions and often more so in their live performances. But their simplicity allowed other artists great freedom of reinterpretation, especially the slower numbers.

Other than the much-violated Lean On Me, few mediocre acts dared to take on a Withers track. If you dared to, better be prepared to match Withers’ artistry.

Al Jarreau, a tremendous interpreter of other people’s songs, recorded a whole album of Withers songs in 1979. Isaac Hayes included a couple of Withers songs in his live sets, turning Wither’s brief and simple Ain’t No Sunshine into a mini-jazz opera on his Live At The Sahara Tahoe album. Likewise, in this set, The Temptations remold the song, without compromising its integrity.

In my mind, Bill Withers and Gil Scott-Heron were comrades in the trenches. Both were men with something to say  — just hear Withers’ anti-war anthem I Can’t Write Left Handed — and the capacity to do so poetically, and then they set these great lyrics to engaging music. Bill and Gil weren’t the only ones, of course, but they were of a rare breed. Happily, Gil Scott-Heron recorded a Withers track, which features here.

In this present collection, no singer is a mug — there are no pointless covers here. Whether they manage to justice to the originals, you may decide.

Rest in Peace, Bill Withers. May you be reunited with Grandma.

As ever, this mix fits on a standard CD-R, and includes home-made covers, plus a couple of bonus tracks. PW in comments.

1. Georgie Fame – Lovely Day (1979)
2. Al Green – Lean On Me (1984)
3. Gil Scott-Heron – Grandma’s Hands (1982)
4. Marlena Shaw – Just The Two Of Us (2004)
5. Gladys Knight & The Pips – Who Is She (And What Is She To You) (1973)
6. The Temptations – Ain’t No Sunshine (1972)
7. Scott Walker – Use Me (1973)
8. The 5th Dimension – Harlem (1974)
9. Aretha Franklin – Let Me In Your Life (1974)
10. Al Jarreau – Kissing My Love (1979)
11. Elkie Brooks – Paint Your Pretty Picture (1980)
12. Herb Alpert – Love Is (1979)
13. Carolyn Franklin – Sweet Naomi (1973)
14. Carmen McRae – I Wish You Well (1976)
15. Nancy Wilson – Hello Like Before (1997)
16. John Legend & The Roots – I Can’t Write Left Handed (2010)

GET IT! or HERE!

Previous Songbooks:
Ashford & Simpson
Bob Dylan Volumes 1-5
Bruce Springsteen
Burt Bacharach & Hal David
Burt Bacharach’s Lesser-Known Songbook
Chuck Berry
Cole Porter
Jimmy Webb Vol. 1
Jimmy Webb Vol. 2
Leonard Cohen
Rod Temperton
Steely Dan

 

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In Memoriam – March 2020

April 2nd, 2020 7 comments

March, a massacre-month, saw several music victims of Covid-19, with an Argentine jazz musician based in Spain being the first casualty, and many others coming after him. Think of them when assholes demand that vulnerable people die to keep the economy going.

The Gambler
We may hope that Kenny Rogers followed the advice of the lyrics of his 1980 hit The Gambler and folded ‘em in his sleep, having previously checked in to see what condition his condition was in. Rogers, who died peacefully at home at the age of 81, has become a byword of commercial country music, with hits such as Lucille, The Gambler, rape-revenge song Coward Of The County, the Lionel Richie-written Lady, the Bob Seger-penned duet with Sheena Easton We’ve Got Tonight, the Dolly Parton duet Islands In The Stream (which the Bee Gees had initially written with Marvin Gaye in mind), and so on.

Rogers started out in 1958 as a fresh-voiced country recording artist, as Kenneth Rogers, before joining a jazz trio. This then led to his membership of the folk outfit New Christy Minstrel Singers, whose members broke away with Kenny to form The First Edition. That group straddled rock and country, having hits with rock numbers and with country covers, such as Ruby Don’t Take Your Love To Town.

Rogers left The First Edition in 1976 to reboot his career as a country crooner, complete with dad beard and dad glasses, imparting wisdoms about the nature of humankind, and gurning cheerfully in the We Are The World video (he gets to sing the last line of the first verse, “the greatest gift at all”, with Paul Simon, before he briefly takes centrestage with the next line, “We can’t go on pretending day by day”). And Rogers became a flogger of fried chicken, being immortalised in an episode of Seinfeld.

The Jazz Legend
Jazz pianist McCoy Tyner made his name with John Coltrane, on classics such as My Favorite Things and A Love Supreme. While still with Coltrane, Tyner released his own albums, playing more accessible music than that created by the innovator Coltrane. An innovator himself, Tyner continued to release solo albums for many years after parting with Coltrane in late 1965, after five years of close collaboration. His studio final album was released in 2008. He also worked as a sideman with acts like George Benson, Stanley Turrentine, Freddie Hubbard, Donald Byrd, Art Blakey, Milt Jackson, Wayne Shorter.

The Mokassa Man
Perhaps the most prominent victim of the coronavirus this month was Cameroonian saxophone legend Manu Dibango, who passed away at 86. Dibango’s big hit was Soul Mokassa, an early 1970s track that has been widely sampled. Michael Jackson copied the rhythmic vocals of “ma-ma-se, ma-ma-sa, ma-ma-ko-sa” for Wanna Be Startin’ Something, and Rihanna for 2007’s Don’t Stop The Music. But Jackson had used it without Dibango’s permission, and when Rihanna received permission to use the sample from the Jackson song, Dibango sued both. Jackson admitted his plagiarism and settled out of court. Rihanna’s gang got out of paying Dibango due to a legal quirk.

Other elements of Soul Mokassa have been sampled liberally. These include Will Smith’s Getting Jiggy With It, Jay-Z’s Face-Off, Kanye West’s Lost In The World, Mama Say by The Bloodhound Gang, Rhythm (Devoted To The Art Of Moving Butts) by A Tribe Called Quest, and many others.

The First Lady Of Folk
Known as Britain’s “First Lady of Folk” Julie Felix was born in the US and came to the UK in 1964, waving mid-Atlantic at the British invasion going the other way. Felix did little to trouble the charts — she had a #19 and a #22 hit in 1970 — and still she was the first folk singer to sell out the Royal Albert Hall. In 1966 she was the resident singer on David Frosts’ TV programme, The Frost Report, and between 1967 and 1970 hosted her own TV show. Felix kept recording until 2018, when she was 79.

The German-US Friend
The staid German music scene was revolutionised in the early 1980s by the emergence of the iconoclastic Neue Deutsche Welle — German new wave — which, at least initially, brought experimental sounds and forthright and often witty lyrics about social issues and sex into the mainstream. Some were more commercial than others, but few were as influential as Deutsch Amerikanische Freundschaft, more commonly known as DAF, who were also influential in the growth of techno. Personally, I was put off by their flirtations with fascist imagery, which gave rise to suspicions that they were Nazi sympathisers (they were not). Half of DAF died on March with Spanish-born member Gabi Delgado-López.

The Teen Pop Writer
Songwriter Bill Martin may not be remembered as a contributor to the highest points of British pop culture with the songs he co-wrote with Phil Coulter, but for a people of a couple of generations in the UK an Europe, he helped write the soundtrack of their youth. And for the US, well, one of his songs inspired the Ramones to come up with the “Hey Ho, Let’s Go” chant.

In the 1960s, Martin and Coulter wrote Eurovision classics Puppet On A String for Sandie Shaw and Cliff Richard’s Congratulation, both #1 hits. In 1970 they had a third chart-topper with the England World Cup song Back Home (which the team was after the quarter-final, possibly to the satisfaction of the Scotsman Martin and the Irishman Coulter). A fourth #1 came in 1976, with Slik’s Forever And Ever. They also had big hits with Kenny: The Bump, Fancy Pants and Julie Ann.

In the early 1970s, they took the Bay City Rollers under their wings, and wrote a string of hits for them, including Summerlove Sensation, All Of Me Loves All Of You, and Saturday Night (which featured in The Originals: 1970s). It became a hit in the US, and its spelling chant inspired the Ramones to invent their own.

The Reggae Legend
With the death at 75 of Bob Andy (born Keith Anderson), reggae has lost one of its most influential songwriters and singers. A co-founder of The Paragons (whose The Tide Is High was, however, written by member John Holt), Andy hit #5 in the UK charts in 1970 duetting with Marcia Griffiths, as Bob & Marcia, with their version of Nina Simone’s Young Gifted And Black. In 1978 he left the music industry, having been ripped off one time to many, and became a dance sand actor. Andy returned to music in the 1990s.

The Rock Producer
Sometimes one thing leads to another. In the early 1970s, producer and engineer Keith Olsen, former member of 1960s garage rock band The Music Machine, discovered a couple of musicians named Lindsey Buckingham and Stevie Nicks. He got them a record deal, produced and engineered their album, even employed Stevie as his housekeeper, and introduced them to Mick Fleetwood. From that meeting, Fleetwood Mac took the turn towards superstardom. Olsen also produced and engineered the band’s eponymous 1975 album (including the gorgeous Landslide).

He also produced acts like the Grateful Dead, Foreigner (including Hot Blooded), Santana, Pat Benatar (including Hit Me With Your Best Shot, Fire And Ice and Treat Me Right), The Babys, Sammy Hagar, Rick Springfield (including Jessie’s Girl), Heart, Kim Carnes, Joe Walsh, Madonna, Saga, Starship, REO Speedwagon, Ozzy Osborne, Whitesnake (including 1987’s Here I Go Again and Is This Love), Scorpions (including Wind Of Change), Eddie Money and many more.

The Original Rock ‘n’ Roll Lover
Brooklyn-born Alan Merrill, another Covid-19 victim (this one in the US), had his greatest successes in Japan and the UK. In Japan in the 1960s, he was a member of The Lead, the first Western act to have a hit in Japanese. He continued to be a solo star in Japan until, tired of being a teen star, he moved to Britain in the early ‘70s where he founded Arrows. With that band, he had a breakout hit with Touch Too Much in 1974. After that, diminishing returns set in, even after DJs flipped their 1975 single Broken Down Heart to give some airplay to a Merrill-written track called I Love Rock ‘n’ Roll (it would later, of course, become a mega-hit for Joan Jett). Still, Arrows got a TV show, succeeding the Bay City Rollers, which proved very popular — but due to a management dispute, face-spiting label RAK refused to release any Arrows records. Merrill subsequently recorded solo and backing acts like Meat Loaf, dabbled in the Japanese market, and presented a TV show.

The Duelling Banjo Man
Eric Weissberg was a popular session man who could play various instruments when he scored a surprise hit in 1972 with Dueling Banjos from the film Deliverance (the other banjo duelist, Steve Mandell, was not credited. He died two years ago, on March 14, 2018). The problem was: Dueling Banjos ripped off Arthur ‘Guitar Boogie’ Smith’s 1954 instrumental Feudin’ Banjos (featured last week on the country edition of The Originals) to such an extent that Smith sued and won, getting his due share from the royalties of a track that spent four weeks at #2 in 1973 (stymied by Roberta Flack’s Killing Me Softly With His Song; another cover).

As a sideman, Weissberg played for acts such as Judy Collins, Pete Seeger, The Clancy Brothers, Anita Carter, Doc Watson, Ian & Sylvia, Tim Rose, Herbie Mann, Esther Philips, Barbra Streisand, Melanie, Billy Joel, Frankie Valli, Bob Dylan, Loudon Wainwright III, John Denver (including Rocky Mountain High), Willie Nelson, Bette Midler, Blood Sweat & Tears, Elkie Brooks (on Pearl’s A Singer), Chaka Khan, Talking Heads, Art Garfunkel, Prefab Sprout, and others.

 

Peter Wieland, 89, (East-)German singer and actor, on March 1

Jan Vyčítal, 77, Czech country singer-songwriter, on March 1

Susan Weinert, 54, German jazz-fusion guitarist, on March 2
Susan Weinert Band – He Knows (1994)

Alf Cranner, 83, Norwegian folk singer, on March 3

Barbara Martin, 76, original singer with The Supremes (1960-62), on March 4
The Supremes – (He’s) Seventeen (1962, on shared lead with Diana Ross)

Steve Weber, 76, folk guitarist (Holy Modal Rounders, The Fugs), on February 7 (announced March 4)

McCoy Tyner, 81, jazz pianist, on March 6
John Coltrane & Johnny Hartman – My One And Only Love (1963, on piano)
McCoy Tyner – Autumn Leaves (1964)
McCoy Tyner – Beyond The Sun (1976)
McCoy Tyner feat. Phyllis Hyman – Love Surrounds Us Everywhere (1982)

Charlie Baty, 66, blues guitarist, on March 6
Little Charlie and The Nightcats – The Booty Song (1988)

Laura Smith, 67, Canadian folk singer-songwriter, on March 7
Laura Smith – Shade Of Your Love (1994)

Jim Owen, 78, country singer-songwriter, on March 7
Conway Twitty & Loretta Lynn – Louisiana Woman, Mississippi Man (1973, as co-writer)

Biff Adam, 83, drummer of Merle Haggard’s Strangers, on March 7
The Strangers – Biff Bam Boom (1970)
Merle Haggard – Pretty When It’s New (2010, on drums)

Eric Taylor, 70, folk singer-songwriter, on March 8
Eric Taylor – The Great Divide (2005)

Keith Olsen, 74, producer, sound engineer and musician, on March 9
The Music Machine – Talk Talk (1966, as member)
Buckingham Nicks – Crying In The Night (1973, as producer & engineer)
Pat Benatar – Hit Me With Your Best Shot (1980)

Marcelo Peralta, 59, Spain-based Argentine multi-instrumentalist, of Covid-19 on March 10

Danny Ray Thompson, 73, jazz saxophonist (Sun Ra), on March 12
Sun Ra and His Astro Infinity Arkestra – Day By Day (1960s, released 1970)

Don Burrows, 91, Australian jazz musician, on March 12

Richenel, 62, Dutch disco singer, on March 13
Richenel – Dance Around The World (1986)

Genesis P-Orridge, 70, English musician (Throbbing Gristle) and artist, on March 14
Throbbing Gristle – United (1978)

John Philip Baptiste, 94, singer and songwriter, on his birthday on March 14
Phil Phillips with The Twilights – Sea Of Love (1959, also as writer)

Sergio Bassi, 69, Italian folk singer-songwriter, of Covid-19 on March 16

Jason Rainey, 53, guitarist of trash metal band Sacred Reich, on March 16

John Stannard, singer-guitarist of English folk group Tudor Lodge, March 18
Tudor Lodge – Help Me Find Myself (1971)

Wray Downes, 89, Canadian jazz pianist, on March 18

Aurlus Mabélé, 66, Congolese soukous singer and composer, of Covid-19 on March 19
Aurlus Mabélé – Malade de Toi (1989)

Black N Mild, 44, hip-hop deejay, COVID-19 on March 19

Kenny Rogers, 81, country and songwriter, on March 20
Kenneth Rogers – That Crazy Feeling (1958)
The First Edition – Just Dropped In (To See What Condition My Condition Was In) (1968)
Kenny Rogers – The Gambler (1980)
Kenny Rogers & Sheena Easton – We’ve Got Tonight (1982)

Gino Volpe, 77, Italian singer-songwriter, on March 20

Jerry Slick, 80, drummer of rock band The Great Society, on March 20
Great Society – Someone To Love (1965)

Ray Mantilla, 85, jazz percussionist, on March 21
Ray Mantilla – Comin’ Home Baby (1984, also played on Herbie Mann’s version)

Mike Longo, 83, jazz pianist and composer, of Covid-19 on March 22
Mike Longo – Night Rider (1972)

Eric Weissberg, 80, banjo, bass and guitar player, on March 22
John Denver – Rocky Mountain High (1972, on steel guitar)
Eric Weissberg – Dueling Banjos (1972, on banjo)
Billy Joel – Travelin’ Prayer (1973, on banjo)
Talking Heads – Totally Nude (1988, on pedal steel guitar)

Julie Felix, 81, US-born British folk singer, on March 22
Julie Felix – Dirty Old Town (1968)
Julie Felix – Windy Morning (1970)

Peter Stapleton, 65, drummer of New Zealand rock band The Terminals, on March 22

Gabi Delgado-López, 61, singer of Deutsch Amerikanische Freundschaft, on March 22
DAF – Der Mussolini (1981)

Tres Warren, 41, singer-guitarist of psych-rock duo Psychic Ills, on March 23
Psychic Ills feat. Hope Sandoval – I Don’t Mind (2016)

Nashom Wooden, 50, DJ, singer, drag performer and actor, on March 23
The Ones – Flawless (2001)

Apple Gabriel, 67, member of Jamaican reggae trio Israel Vibration, on March 23
Israel Vibration – The Same Song (1978)

Manu Dibango, 86, Cameroonian saxophonist, of Covid-19 on March 24
Manu Dibango – Soul Makossa (1972)
Manu Dibango – African Battle (1973)
Manu Dibango – Big Blow (1976)

Joe Amoruso, 60, Italian pianist and keyboardist, on March 24
Andrea Bocelli – E Chiove (1996, on keyboard)

Bill Rieflin, 59, rock drummer (REM, King Crimson), on March 24
Revolting Cocks – Big Sexy Land (1986, on drums)
Nine Inch Nails – Le Mer (1999)

Detto Mariano, 82, Italian musician and composer, of Covid-19 on March 25

Liesbeth List, 78, Dutch singer and actress, on March 25
Liesbeth List & Charles Aznavour – Don’t Say A Word (1976)

Bill Martin, 81, Scottish songwriter, on March 26
Sandie Shaw – Puppet On A String (1967)
Elvis Presley – My Boy (1974)
Bay City Rollers – Saturday Night (1974)
Kenny – The Bump (1974)

Danny Mihm, founding drummer of the Flamin’ Groovies, on March 26
Flamin’ Groovies – Rockin’ Pneumonia and the Boogie Woogie Flu (1969)

Olle Holmquist, 83, Swedish trombonist, of Covid-19 on March 26

Bob Andy, 75, Jamaican reggae singer, songwriter, co-founder of The Paragons, on March 27
The Paragons – Wear You To The Ball (1967)
Bob & Marcia – Young, Gifted & Black (1970)
Bob Andy – Fire Burning (1974)

Delroy Washington, 67, Jamaican-born reggae singer, on March 27
Delroy Washington Band – Magic (1980)

Mirna Doris, 79, Italian singer, on March 27

Jan Howard, 91, country singer and songwriter, ex-wife of Harlan, on March 28
Jan Howard – The One You Slip Around With (1959)

Lou L.A. Kouvaris, 66, guitarist with rock group Riot (1975-78), of Covid-19 on March 28
Riot – Rock City (1977)

Alan Merrill, 69, singer of Arrows, multi-instrumentalist, songwriter, of Covid-19 on March 29
Alan Merrill – Namida (1969)
Arrows – Touch Too Much (1974)
Arrows – I Love Rock ‘n Roll (1975)
Alan Merrill – Hard Hearted Woman (1985)

Joe Diffie, 61, country singer-songwriter, on March 29
Joe Diffie – If the Devil Danced (In Empty Pockets) (1991)

Riachão, 98, Brazilian samba composer and singer, on March 30

Louise Ebrel, 87, French folk-singer, on March 30

Wallace Roney, 59, jazz trumpeter, of Covid-19 on March 31
Wallace Roney – Alone Together (1999)

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