On current rotation
When I started this blog, my idea was to flag new releases I enjoy while occasionally dipping into the archives of pop. As it has turned out, I’ve had greater fun doing nostalgia. But that means I’ve sometimes neglected the original purpose of this blog: to promote new music which I like. So, here are some songs from new releases (and one that is a year old) which I am listening to at the moment.
Tift Merritt – Keep You Happy.mp3
Tift Merritt – Morning Is My Destination.mp3
I can’t claim to know much about Tift Merritt. The new album, Another Country, is her third. I have not heard the previous albums, but the buzz has been good. Another Country may become Merritt’s breakthrough album. Merritt swings between country, alt.country and folk-pop, which places her alongside the adorable Mindy Smith, another singer who is receiving attention only in her 30s. Another Country is a gentle but engaging exercise, one for Sunday mornings. Keep You Happy, with its Wilcoesque guitar, has a depth which may at first not be apparent, while Morning Is My Destination fuses alt.country sounds (even more Wilco guitar here) with classic country rock.
Tift Merritt on MySpace
Landon Pigg – Falling In Love At A Coffee Shop.mp3
Another singer-songwriter with shaggy hair and a funny name… His 2006 solo album, titled LP, was a pleasant folk-pop effort, but lacked a killer track. Pigg delivers such a track with Falling In Love At A Coffee Shop, an entirely sweet acoustic song which will doubtless end up on the soundtrack of a quirky independent movie (think Garden State). This is a song that should have featured in the Love Songs for Every Situation series (guess in which part). I hope the coffee shop in question an independent joint, not bloody Starbucks. And I hope that Pigg won’t sell his soul by letting Starbucks use this song for an advertising campaign; the song is far too lovely to be tainted by the stink of capitalist globalisation.
Tristan Prettyman – Madly.mp3
I loved Tristan’s 2005 debut album, Twentythree, a slice of California Dreaming which was trumped last year by Colbie Caillat’s entirely lovable album. I had sort of hoped that Tristan would in turn trump Colbie with more of the same. Instead, on her second album, Hello, Tristan suggests musical growth, and a welcome country influence. The beach vibe is still evident (see Madly), but many tracks are darker and more complex than those on the debut (California Girl sounds nothing like the title suggests). At first I was thrown by this; my expectations thrown, I was disappointed after the first listen. Having put the thing on rotation for a bit, I’m falling for it. (More Tristan Prettyman here)
Joshua Radin & Ingrid Michaelson – Sky.mp3
Joshua Radin’s We Were Here album was my album of 2006. I love the man’s gentle voice, his Drake-channelling acoustic sound, and I really enjoy his lyrics. I’ve read that Radin’s soft sound was forced by their production in a NYC flat. Sky, his new duet with the wonderful Ingrid Michaelson is upbeat and poppier than previous material. The rest of the four-song Unclear Sky EP (an iTunes special described by the singer as a teaser for the upcoming album) is more like the Radin we know, understated and intimate. Lovely Tonight, which should be on the CD later this year, is a gorgeous duet with Catherine Feeny, one of my favourite songbirds (whom I featured here), featuring guitar work by Ryan Adams. (More Joshua Radin here and here)
Counting Crows – When I Dream Of Michelangelo.mp3
Adam Duritz and pals are releasing their first studio album in five years, following the critical failure Hard Candy. Actually, there was much that is good on Hard Candy, though the true quality of some of the tracks revealed themselves only when performed live, as the fine New Amsterdam live album showed. Listening to Counting Crows albums requires patience; not unlike hearing an album by their spiritual godfathers, The Band. On my first listen, I didn’t much like the new album, Saturday Nights And Sunday Mornings. After the second listen, I liked it better. A few listens further, and I’m sold on much of the album. Apparently the first, rockier half is a band effort, while the second, more reflective half is something of a Duritz solo project (as if anyone ever remembers any of the other Crows). The tracks I’m posting are the immediate stand-outs; the former a rock tune in the manner of The Band, the latter a slow-burner in the manner of, er, The Band.
Counting Crows homepage
Laura Veirs – Saltbreakers.mp3
Laura Veirs – Pink Light.mp3
A few days ago I announced on my Facebook status that I was becoming hypnotised by Laura Veirs’ Pink Light (it’s the oddly familiar guitar hook and those handclaps). And this morning I woke up with Saltbreakers playing on loop in my head, especially the backing chorus, which I’ve seen described as “sea shanty-like”. The whole Saltbreakers album, released a year ago, is captivating and quite gorgeous in its indie-alternative-folk-pop vibe. And, obviously, dangerously catchy.
Oh, my, Tift Merritt! Her first two albums were very nice, too, the second better than the first. (The first is a bit unformed, as one might expect.) I’m going to dig deeper into the other folks you post here; your track record makes that imperative!
Landon Pigg didn’t sell his soul for Starbucks, but he did sell it for the “A Diamond Is Forever” campaign. Looks like Madison Avenue beat Hollywood to the punch on this song. It IS very nice and would have been perfect for some indie flick.
Ah, that is disappointing. I suppose the dude has to pay his bills somehow. And I hope the ads will raise his profile (though I don’t know whether being featured in he Jeep ad did much for Steve Poltz’s career).Whiteray, thank you for your kind words. Coming from you anyone, it would mean a lot; coming from you it means even more.
I love the first Tift Merritt album, it’s very country. The second went all southern rock, and has taken me years to like because I basically wanted it to be just like the first. Every now and then its songs come up on random shuffle and every time I’m surprised by how excellent they are. Shamefully, I placed it at number 40 in my 2004 Top 40, though I guess Tift has got over it enough now to get back into the studio make her third (also as good as you say).